|
|
|
#151
|
|||
|
|||
|
Quote:
|
| Advertisements | |
|
|
|
|
#152
|
|||
|
|||
|
In other words, Rockwell was not a true artist because he had broad appeal, whereas the anal didldo dancers are true artists because they have a very limited appeal to a self-appointed and self-annointed cadre.
I figure that they are all artists, going in their own directions, with their own followings. |
|
#153
|
|||
|
|||
|
Which post here did you get that idea from?
|
|
#154
|
|||
|
|||
|
In the great tradition of Cloaca, Canned Artist Shit, and the Dildo Dancers, I pulled it out of my ass.
Last edited by Muffin; 08-19-2012 at 05:49 PM. |
|
#155
|
|||
|
|||
|
Quote:
I have a more practical view of these matters. Back in the neighborhood we weren't too sophisticated, but we knew what we liked - and what we liked were cliches. That said, I say that if there's a box office, then it's art. So Dancing on a Dildo qualifies as does Canned Artist Crapola, but I'm afraid Muffin's Post Contemplating on Western Art does not. It grieves me too. Quote:
As it happens, I don't much care for Rockwell's work: I find the emotions that he depicts to be overwrought and unrealistic. But you can find any number of works in the 19th century Western Canon that strike me the same way. So I dislike Rockwell because I'm a philistine -salt of the earth really- and not a snob. I used to think that art was a combination of craft and theme. Rockwell's work has both. So Jane -seriously- by what criteria is Rockwell's work not art? It seems you think it lacks soul. Are you saying the themes he worked on are too banal? That can't be right, given Rembrandt's subject matter. I agree Rockwell's work doesn't challenge me too much (though Karl's counter-examples are much appreciated, and I've read professional critics who think Rockwell was under-rated). So while I can think of a lot of art that I consider better, I'm having trouble putting Rockwell in a different category than any other artist working on a commission with strict commercial restrictions. Hm. Maybe that's it. "Strict commercial restrictions." The problem there is that, uncomfortably, commercial pressures can be good for art at times. Some of the experimental stuff is pretty banal after all, though it can provide a certain frisson. Last edited by Measure for Measure; 08-19-2012 at 06:15 PM. |
|
#156
|
|||
|
|||
|
#157
|
|||
|
|||
|
All I know is that Shakespeare's greatest farce was the one that blew all the stained glass out of the cathedral.
|
|
#158
|
|||
|
|||
|
And Chaucer's was fart interrupted analingus.
|
|
#159
|
|||
|
|||
|
Quote:
|
|
#160
|
|||
|
|||
|
It's understandable. Some of us, when boarding a train, always wish we could ride in the engine.
|
|
#161
|
|||
|
|||
|
Quote:
|
|
#162
|
|||
|
|||
|
|
#163
|
|||
|
|||
|
I just got a timely email from the Metropolitan Museum of Art inviting me to a members only preview of a gigantic, high-profile exhibit on, you guessed it, Andy Warhol.
Quote:
Last edited by Maeglin; 08-20-2012 at 09:26 AM. |
|
#164
|
|||
|
|||
|
Quote:
Quote:
|
|
#165
|
|||
|
|||
|
I disagree. Commerce has no bearing at all as to whether something is art or not.
Last edited by Muffin; 08-20-2012 at 05:27 PM. |
|
#166
|
|||
|
|||
|
Based on some of the Picasso's I've seen,* I'm not sure how one would go about FINDING Picasso's asshole...
*(in reproduction only, of course) |
|
#167
|
|||
|
|||
|
Just google Picasso "Study of a Torso, After a Plaster Cast".
|
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|