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  #151  
Old 08-19-2012, 05:14 PM
Autolycus Autolycus is offline
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Quote:
Originally Posted by PlainJain View Post
Why not address what I wrote instead of what you wished I would have. I made no "bold proclamation", I said "IMO". Saying they had no soul, IMO is the same as saying they didn't move me.

I am an artist. I have had several successful shows and openings. I have taught art and have sold art internationally. I also worked for quite a few years as an illustrator and a graphic artist. None of that, however, makes my opinion about art more valid than yours. Art is subjective. But I do have an opinion as a maker of both kinds of art. And my opinion is that Rockwell was a talented draftsman, craftsman and illustrator - not a true artist.
Fair enough. I apologize for reading too much into your prior post.
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  #152  
Old 08-19-2012, 05:19 PM
Muffin Muffin is online now
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In other words, Rockwell was not a true artist because he had broad appeal, whereas the anal didldo dancers are true artists because they have a very limited appeal to a self-appointed and self-annointed cadre.

I figure that they are all artists, going in their own directions, with their own followings.
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  #153  
Old 08-19-2012, 05:38 PM
Miller Miller is offline
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Originally Posted by Muffin View Post
In other words, Rockwell was not a true artist because he had broad appeal, whereas the anal didldo dancers are true artists because they have a very limited appeal to a self-appointed and self-annointed cadre.
Which post here did you get that idea from?
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  #154  
Old 08-19-2012, 05:45 PM
Muffin Muffin is online now
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In the great tradition of Cloaca, Canned Artist Shit, and the Dildo Dancers, I pulled it out of my ass.

Last edited by Muffin; 08-19-2012 at 05:49 PM.
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  #155  
Old 08-19-2012, 06:14 PM
Measure for Measure Measure for Measure is offline
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Quote:
Originally Posted by Muffin View Post
In the great tradition of Cloaca, Canned Artist Shit, and the Dildo Dancers, I pulled it out of my ass.
Now that's art. A round of applause for Muffin!


I have a more practical view of these matters. Back in the neighborhood we weren't too sophisticated, but we knew what we liked - and what we liked were cliches. That said, I say that if there's a box office, then it's art. So Dancing on a Dildo qualifies as does Canned Artist Crapola, but I'm afraid Muffin's Post Contemplating on Western Art does not. It grieves me too.
Quote:
Originally Posted by PlainJain View Post
...And my opinion is that Rockwell was a talented draftsman, craftsman and illustrator - not a true artist.
Back when I was younger, oh say 24 hours ago, I used to take that position. But now I figure that to the extent that Rockwell's craft was developed in Art School, then he's probably an artist, as is any other -er- graphic artist.

As it happens, I don't much care for Rockwell's work: I find the emotions that he depicts to be overwrought and unrealistic. But you can find any number of works in the 19th century Western Canon that strike me the same way. So I dislike Rockwell because I'm a philistine -salt of the earth really- and not a snob.

I used to think that art was a combination of craft and theme. Rockwell's work has both. So Jane -seriously- by what criteria is Rockwell's work not art? It seems you think it lacks soul. Are you saying the themes he worked on are too banal? That can't be right, given Rembrandt's subject matter. I agree Rockwell's work doesn't challenge me too much (though Karl's counter-examples are much appreciated, and I've read professional critics who think Rockwell was under-rated). So while I can think of a lot of art that I consider better, I'm having trouble putting Rockwell in a different category than any other artist working on a commission with strict commercial restrictions.

Hm. Maybe that's it. "Strict commercial restrictions." The problem there is that, uncomfortably, commercial pressures can be good for art at times. Some of the experimental stuff is pretty banal after all, though it can provide a certain frisson.

Last edited by Measure for Measure; 08-19-2012 at 06:15 PM.
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  #156  
Old 08-19-2012, 08:19 PM
moejoe moejoe is offline
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Originally Posted by Zebra View Post
Suck my cock you self righteous asshole.
Ah, I miss New York.
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  #157  
Old 08-19-2012, 10:29 PM
Siam Sam Siam Sam is offline
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Originally Posted by BrainGlutton View Post
A dildo up a dancer's butt is fuckin' hilarious; and farce is art.
All I know is that Shakespeare's greatest farce was the one that blew all the stained glass out of the cathedral.
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  #158  
Old 08-19-2012, 11:15 PM
Muffin Muffin is online now
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Originally Posted by Siam Sam View Post
All I know is that Shakespeare's greatest farce was the one that blew all the stained glass out of the cathedral.
And Chaucer's was fart interrupted analingus.
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  #159  
Old 08-20-2012, 01:01 AM
Guinastasia Guinastasia is offline
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Originally Posted by Qin Shi Huangdi View Post
Definitely: http://en.wikipedia.org/wiki/Socialist_realism

Compare this to Jackson Pollock or Andy Warhol...
If you're ever in Pittsburgh, visit the Warhol museum. I think you'll be pleasantly surprised. I was, actually. I'm still not a huge fan of his work, but it's still pretty cool.
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  #160  
Old 08-20-2012, 03:00 AM
Beware of Doug Beware of Doug is offline
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Originally Posted by moejoe View Post
Ah, I miss New York.
It's understandable. Some of us, when boarding a train, always wish we could ride in the engine.
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  #161  
Old 08-20-2012, 06:07 AM
Ravenman Ravenman is online now
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Originally Posted by fumster View Post
Why are you being such a prescriptivist when it comes to cars? A turnip is a car, a thought is a car, the thought of a turnip is a car. Anything can be a car. Now the thought of a turnip might not get you to work, but who says cars need to be functional? It's only small-minded, mid-westerners who try and limit cars.
I suppose you've made a reasonable argument that the turnip between your ears is actually a "brain," but I still have my doubts.
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  #162  
Old 08-20-2012, 06:30 AM
Vinyl Turnip Vinyl Turnip is offline
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  #163  
Old 08-20-2012, 09:25 AM
Maeglin Maeglin is offline
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I just got a timely email from the Metropolitan Museum of Art inviting me to a members only preview of a gigantic, high-profile exhibit on, you guessed it, Andy Warhol.

Quote:
Regarding Warhol: Sixty Artists, Fifty Years is an in-depth exhibition that explores the multifaceted impact of Warhol by displaying his work alongside examples by sixty artists across three generations, including Chuck Close, Robert Mapplethorpe, and Cindy Sherman.
I'm certainly going to go. And when I look at a Mapplethorpe, perhaps a photograph of a blunt instrument jammed into the head of a penis, I will be ineluctably reminded of the OP and Qin.

Last edited by Maeglin; 08-20-2012 at 09:26 AM.
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  #164  
Old 08-20-2012, 03:37 PM
PlainJain PlainJain is offline
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Quote:
Originally Posted by Measure for Measure View Post
So Jane -seriously- by what criteria is Rockwell's work not art? It seems you think it lacks soul. Are you saying the themes he worked on are too banal? That can't be right, given Rembrandt's subject matter. I agree Rockwell's work doesn't challenge me too much (though Karl's counter-examples are much appreciated, and I've read professional critics who think Rockwell was under-rated). So while I can think of a lot of art that I consider better, I'm having trouble putting Rockwell in a different category than any other artist working on a commission with strict commercial restrictions.
It can be successfully argued that any 2-D construct can be called art. Certainly NR had some very clever and moving pieces. Without getting too hoity-toity, I believe it comes down to composition and intent. There are many clever and moving logos, for example, but I wouldn't call them art for the purposes of this thread, but more broadly they could be. Composition-wise I doubt Rockwell was under too many strict commercial restrictions from his editors. The restrictions probably came from himself (a lot of his art was composed to sell magazines). And as such were too contrived to be Art, imo. Maybe I consider works art when they appear to be created from the same space that I create art from. For example, I have sold hundreds (maybe thousands) of commercial art pieces. I don't cringe when I look back on them, they are just a product I created for money. A job - regardless of how beautiful anyone else thought they were. But I had a built in buyer. When I do an art show I create works from a place that seems to have a life of it's own. I feel a need to create them. And I believe it shows in the final product. It's like bearing a part of myself to throw that out to the world.


Quote:
Hm. Maybe that's it. "Strict commercial restrictions." The problem there is that, uncomfortably, commercial pressures can be good for art at times.
I disagree strongly. I admit I'm no art historian but I believe the opposite is true.
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  #165  
Old 08-20-2012, 05:26 PM
Muffin Muffin is online now
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I disagree. Commerce has no bearing at all as to whether something is art or not.

Last edited by Muffin; 08-20-2012 at 05:27 PM.
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  #166  
Old 08-20-2012, 07:06 PM
kaylasdad99 kaylasdad99 is offline
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Quote:
Originally Posted by Slithy Tove View Post
Subsequently, no one ever dildoed Pablo Picasso's asshole.
Based on some of the Picasso's I've seen,* I'm not sure how one would go about FINDING Picasso's asshole...















*(in reproduction only, of course)
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  #167  
Old 08-20-2012, 08:08 PM
Muffin Muffin is online now
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Just google Picasso "Study of a Torso, After a Plaster Cast".
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