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#1
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Music Industry to sue file swappers
http://www.washingtonpost.com/wp-dyn...l?nav=hptop_tb
So, they plan on suing file sharers? Well, I have a question about that. How can they prove that the downloaders have not purchased those CDs? I mean, I had a huge album collection stolen from my car, and subsequently have downloaded the songs I lost onto my computer. And how can they prove that people weren't just backing up their CDs? It is a lot easier to download a song off of Kazaa than ripping it from your CD and putting it into an MP3 format to put on your MP3 player. Would they demand receipts as proof, because I who really keeps a receipt for every CD they have purchased. Now I will admit that most of the people downloading have not purchased the CDs that they are getting, but how can they REALLY prove it beyond a resonable doubt. Or I guess they don't since it isn't a criminal case. Anyway, any answers to my many questions? Thanks! |
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#2
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If that music is not yours to post, then it is illegal to post it for public download. |
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#3
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First, what Doc Nickel said is correct. They're going after the people who have made great gobs of music available to be downloaded.
Second, despite the prevailing myth, there is no legal right to download copies of music that you already own in another form. Copying recorded music prohibited by copyright law, unless an exception applies. To the extent that someone downloading a copy of already owned music is relying on the fair use exception to the copyright laws (which is a very grey area at this time), they are responsible for demonstrating that what they are doing is actually fair use. |
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#4
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I think they are going after the people who actively share copyrighted material on p2p networks. It doesn't matter how you got the mp3, it's the fact that you are distributing that file in violation of copyright.
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#5
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I know this argument wouldn't work so well for P2P situations. But just because I have something up in a system that CAN be downloaded, doesn't mean I want anybody to download it. I want people who lost their CDs to download it. (And yes I know these are weak arguments, I am just throwing out possibilities.) |
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#6
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For example its not illegal to leave my door unlocked its illegal to come in and take things without my permission. If I am on a file sharing system to aquire files that would fall under fair use (which I believe is the VAST MINORITY) and someone downloads something from me while I am on searching for files (if I do not realize I can turn uploads off) how did I commit a crime? A civil suit would of course require fewer jurors to win (assuming a jury was involved) but I have a hard time believing that they could consistently win cases over the long haul especially once a few folks who can afford good defense attourneys get into the fray. |
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#7
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I am not a laywer but I think ignorance is not necessarily a good excuse in court. Quote:
They don't really have to keep winning so long as they can scare away enough people from sharing that nobody can find anything they want on the networks anymore. ISPs are now giving away our personal information to some very well-equipped corporate interests. I find that more than a little intimidating. |
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#8
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'Hulk' bootlegger admits posting Vivendi film on Web
It's a short article..but check this: Quote:
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#9
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You: "Yes." Plaintiff's attorney: "Did you have permission to copy these files?" You: "No, but -- " Plaintiff's attorney: "Answer 'yes or no.' Did you have permission to copy these files?" You: "No." Plaintiff's attorney: "No further questions." Plaintiff's attorney (later, to jury): "The law says only the copyright holder can make copies of a file. The judge has ruled that this is not fair use.* The defendant admitted he made copies in violation of the law. Regardless of how you feel about the practice, the law is clear. You must vote to convict." Judge (to jury): "The law states that copying is illegal. You must determine whether the defendant made these copies. If he has, you must find him guilty." You see, if you can afford a really good lawyer, he's going to tell you to settle. You do not have a leg to stand on. Your best hope with a jury trial would be to hope that the jury will convict and fine you a minimal amount. This will help, but once convicted you are liable for all legal costs -- your own, and the plaintiff's. Quote:
Look at it this way: before MP3s, if you had your CD collection stolen from your car, would you be able to get free replacements? Could you go into a record store and ask for it? So how does the availability of MP3s change this? Certainly no law has been passed authorizing it. *They'd get that ruling early on in the trial.
__________________
"One never knows, do one?" Provider of quality fantasy and science fiction since 1982. |
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#10
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I wonder how RIAA can identify specific people by name without the help of their ISP?
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#11
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I have a feeling that the ISPs will be forced to provide that information. The people ARE violating copyright, which is illegal, I doubt that the ISP can hide their identity without becoming a co-conspirator.
Actually, even though I hate the RIAA, I think this is the exact right way to go about preventing file sharing. This is slightly different than the unlocked door scenario, in that your computer has to actively read your hard drive and send the information over your internet connection to the downloader. Your computer, which you set up with software to do this. Basically, it's like leaving a copyrighted picture in a copier on a streetcorner for anyone who walks by to press the button. If it is your original copy, and your copier, I think you would be liable for the copyright violation. They don't have to break into anyone's computer, they don't go after people who have MP3's for personal use, they only go after people who voluntarily put files out there for anyone to copy. |
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#12
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A far more apt simile would be if one were to rent all ones furniture and then put out signs on the lawn saying "free furniture", allowing anybody who wanted it to take it. |
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#13
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#14
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#15
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Cheesesteak pretty much hit the nail on the head. According to the report I just heard on NPR, the RIAA intends to go to court if necessary to force the ISP to reveal the name of the violator. |
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#16
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This is such lunacy. This is the same issue companies have been fighting for years.
Book publishers want to put some sort of rules on libraries and used book stores, even though they have no good evidence that those places hurt their sales. The software industry tried to prevent piracy so much that it included protections schemes so intricate that it often messed up the game itself. The music industry has yelled for years about the problems it faced with people taping music or recording off the radio. We as a people are generally willing to tolerate this... to a degree. If the industry figures up a way to let us have what we want at a fair price, we are willing to let them have what they want (a bit of the action on each transaction). The threat of big suits against a few people... might warn off some, for a while. I can easily see, however, someone in another country offering to host these collections and offering anonymous service, which would just make the industries problems that much worse- AND- I think that the noise and threats will actually hurt sales overall- the bottom line. Put me down as another person who thinks that RIAA is screwed up and attacking this is a totally bass-ackwards way. |
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#17
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madkins, the only reason P2P works in the first place is ease of use. It is easy to put your personal collection up on P2P, you don't need a special ISP, or pay an extra penny, you just download the free software. Once you set it up so that the host has to pay or be inconvienced to put his files up, the whole system falls apart.
Would you pay even a single dollar to make your hard drive accessable to others? Would you pay to host thousands of songs (and the corresponding bandwidth) when the downloaders don't pay a penny to get them? What the RIAA is doing is choking off the supply rather than going after the demand. Put the real threat of lawsuit over peoples heads, not for downloading what is available, but for making their own MP3's available. What they're implicitly saying, for the moment at least, is "Download, own, rip as many MP3's as you want, but if you put them up for the world to take, we'll sue you." I think there's a certain elegance to this solution, and I think it could actually have an effect. |
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#18
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Or so I hear....... Not that I've ever used the filthy things... |
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#19
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#20
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Quoth Dogface:
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And let's not get into the argument over whether this is actually in the best interests of the music industry. Maybe it's not, but there's no law prohibiting them from shooting themselves in the foot. It's their decision.
__________________
Time travels in divers paces with divers persons. --As You Like It, III:ii:328 |
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#21
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Excuse me for posting this twice (also in GD). But it seems pertinent. So much so, that the way I read it, RIAA may be SOL.
I'm a bit on the fence about this, but if I read this right, the Digital at Home Recording Act will make me jump right off. http://www.virtualrecordings.com/ahra.htm It seems that a 2% tax has been place on all digital recording devices. This money is to be distributed to recording artists. From the AHRA Quote:
And this is interesting - Quote:
IMNAL and just skimmed the document. Anyone have any insight into this?
__________________
I don't live in the middle of nowhere, but I can see it from here. |
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#22
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enipla, are you sure that really applies to ripped MP3s? IIRC, a lot of media companies wanted to basically outlaw digital recording devices like DAT tape recorders because they could be used to make digital copies (this was before writable CDs, etc.). The media companies' position was that there was no legitmate use for these devices except violating copyrights. Of course this wasn't true, but the tax on these items to reimburse copyright holders was a compromise. This certainly doesn't mean that because this tax is in place that copyright no longer exists and you are free to rip and share copyrighted music.
That last section you cite is taking about copyright infringement by companies that make devices and media. It's saying that an artist can't sue a company for infringement because they made a DAT recorder or manufacture blank writable CDs. It does not say anything about infringment based on the distribution of copyrighted material. The last bit says they can't sue you for using such a device or media to make recordings, but they can still sue you for distributing those recordings. IANAL, but I'd interpret this to mean that you are free to rip your own CDs to MP3 and burn them to CDR for your convenience. This does not address, and you are still prohibited from, distributing copies of things you don't hold the copyright for. |
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#23
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Just a clarification, and I hope someone will correct me if I'm wrong. The law enipla cites was basically an example of Congress mediating a dispute between two industries. The media companies (by which I mean large copyright holders) wanted to outlaw digital recording devices that electronics companies wanted to sell. By crafting this law, the electronics companies agreed that there was a potential that their devices would be misused and agreed to a tax to reimburse the media companies for these hypothetical losses. In turn, the law insulated the electronics companies from being sued for facilitating infringment, and it said consumers can use these devices without an assumption that they're infringing. This was done to preserve the possibility of fair use (i.e., if there is no mechanism by which to exercise fair use, the right to it doesn't really exist). However, it doesn't change the definition of copyright or fair use to allow someone to distribute copies of a work they don't have rights to.
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#24
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but didnt the music industry try to stop VCRs years ago and failed
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#25
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Originally posted by madkins007 Quote:
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#26
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#27
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Most of the stuff I have downloaded from Kazaa is old stuff that's hard to find: I'm talkin the Andrews Sisters here. Sure, I have some of the latest hits, but the "boring" stuff far outweighs it.
I don't buy CDs because, in my experience, there are one or two good songs on it and the rest are garbage, and I'm not gonna pay $16 or so for 2 crummy songs. Anyhow, here's what I'm wondering: Will music lovers get ticked off in response to these lawsuits and simply NOT buy music anymore? Could a mass boycott get the music industry's attention? Would they even care if millions of people quit patronizing music stores? |
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#28
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The VCR angle is interesting. Recordable VCRs didn't kill the movie industry. I have taped lots of them (from the TV). And loaned them to friends. Now I buy DVDs. This did not kill the movie industry. I think that it would have been better for RIAA to be a bit more pro-active than just start sueing folks. We need a middle ground here.
__________________
I don't live in the middle of nowhere, but I can see it from here. |
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#29
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First off making a copy of copyrighted materials is legal for archival purposes. I don't think how that copy is made matters. It is clearly illegal to give, sell or otherwise share that copy. Basically you have to keep it for yourself only.
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It seems to me the question here, given the above, is how the RIAA can claim damages? First off...does the RIAA have standing to sue civilly for copying of the materials in question? Isn't it the copyright holder who is damaged and not the RIAA? Secondly, doesn't the law mentioned in my quote above mitigate the damages the plaintiff in this case can claim? Certainly sharing copyrighted files is illegal and the tax paid to media companies in no way absolves anyone of copyright infringement. My question here though is does it moderate the amount of damages a copyright holder can claim? Finally, I am reasonably certain that you cannot recover the costs of suing someone in the US except in very specific instances. I do not think the RIAA can add the cost of their attornies to the money they would claim in damages. As such I expect these lawsuits will be a money loser for the RIAA even if they win unless they selectively choose wealthy individuals who can be proved to have shared tens of thousands of files. I would expect the court would figure a cost for each file shared and multiply that against the number of files given out. Say an average of 10 songs per CD at $15 per CD you get $1.50 per song. If you shared 10,000 files (which I doubt is the case for most people) that'd be $15,000...triple damages for the sake of argument and you're at $45,000. Even at that number it hardly looks like it'd money out for the RIAA. I suspect these suits will be more to send a 'message' (harassment suits) in the hopes of squashing copying. However, I doubt one or two high-profile cases will seriously dent file sharing but the cost of suing hundreds of people would be prohibitive. Ok...one more 'last thing'. What if the file sharers are minors? Can they be sued (not that they'd be worth suing if you expect to collect anything) or are mommy and daddy financially responsible in this case? |
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#30
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#31
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The RIAA represents the copyright holders, which are usually the corporations that the artists are signed to. I would expect that they will be looking for the songs that they have the right to sue over. |
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#32
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Note that it does not apply to MP3s, only to certain devices and media. One requirement for those devices is that they prohibit serial copying, so you can copy an original CD, but you can't make a copy of a copy. |
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#33
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The company would represent its members by suing people on their behalf. You'd get an economy of scale by having thousands of attornies on staff. They'd find people who it would be cost prohibitive to sue for any one transgression but they'll jump on those with multiple items that together add-up to a financially worthwhile reason to sue. Of course, my company gets a percentage of the take and divvies up the rest to participating companies. Free money! Seriously, I thought entities like the RIAA could provide legal counsel, financial help and so on to support a lawsuit but I still thought it was up to individual entities to sue on their own behalf and not leave it to others to do it for them. |
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#34
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The way I interpret this, the law has no bearing on the actual exchange of copyrighted material. It's bears solely on the existence of tools which might facilitate that exchange. An analogy might be made to the gun industry if a law was made which taxed guns to pay victims of gun violence in exchange for those victims not filing civil suits against the gun manufacturers. Such a law would not make it okay to shoot someone. It would simply mean that gun violence victims are agreeing (in advance of their injury) to hold gun makers blameless in exchange for some fixed compensation (the tax). It might also include a section nodding to the 2nd Amendment and saying that it's okay for a consumer to buy a gun and shoot as long as they don't actually do anything illegal with it. |
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#35
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#36
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This is such horeseshit I can't beleive it's lived this long here.
Copryright laws say you can make a backup of the original. The only backup I can make is to my hard drive. Forget the legal argument that burning the CD is what they mean since *technically* (a phrase favored by lawyers) would mean that I had 3 copies at once. The CD, copy on HD and the burned CD. What if I have a p2p copy and someone hacks my HD? here's a RL case I bought Metallica's "Load". Trust me, it really was a load. Later I bought "Re-Load" and was very satisfied. Now to present; I bought "St. Anger". Very satisfied till I tried to enter the code for the web site (purchasers know what I'm talking about) Completely unlegible. As part of the package I expect my money's worth. I took the card to the place of purchase and NOBODY can figure out the code. Being cheated of the code (THAT I PAID FOR) ALL songs are available for download. Please sue me RIAA, show me the damage I caused you after lying to me. Fucking frauds all of 'em |
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#37
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Start a "ripping club", BTW I'm officially coining that term here. Onne person from your club actually buys the CD, then the rest of your club rips it. I know that this is only effective until encryption is perfected, but it's a start. RIAA needs to realize that they need to find a new way to make money. Musicians should be able to make money, and so should their labels, but remember that at one point there was no such thing as a commercial, and today television is almost impossible without them. Commerce depends deeply on supply and demand, for price structure as well as product availabilty. Redundant, yes, but it illustrates that current marketing techniques need to be redesigned. The internet was created to enable a free exchange of info, albeit for the military, RIAA is pissed, I think they need to change with the times just as recording media has.
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#38
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It's a classic cartel problem from economics. There is no direct benefit to the individual to go along with the group, they benefit from the group effort even if they don't contribute. Of course, if the individuals that make up the group don't contribute, everyone suffers. Unless there is a strong central entity governing, the cartel falls apart. |
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#39
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I'm not arguing with you, just asking for clarification. This is my interpretation of that law based mostly on my memories of the negotiations that led to it. You obviously have a better handle on it, so feel free to correct me. I was just jumping in because I thought this law was basically irrelevant to the current RIAA case and citing it was just muddying the waters. |
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#40
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Someone up there said they don't by CD's (or CDs if you want to punctuate that way) because "in my experience they have one or two good songs on it (sic) and the rest are garbage". So, by this logic, I am going to steal lunch because the hamburger is delicious but the fries are garbage. Hmm.
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#41
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#42
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Sorry kayT --- I have to call you on the hamburger analogy. That's because lunch can be sold separately - you can buy a hamburger by itself. Or you can buy fries by themselves.
You cannot buy one song by itself (since singles are basically dead), instead you are forced to buy the entire album. Hmm. --- Peter Wiggen |
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#43
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*Keep in mind that there are commercials on TV for a Phillips/Magnovox CD Recorder that show a guy making a mix disc from his own CDs.*
__________________
"Life is one crushing defeat after another until you just wish Flanders was dead." |
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#44
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Is this reasonable to assume or not? Regardless of the answer to the above I know you cannot make a copy (legally) so you can have one at work, one in the car, one at home and one for the gym. |
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#45
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#46
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Two more points in this. I've bought the "Back in Black" album 4 times. Twice on vinyl, twice on CD. 2 were stolen, one worn out and the last is in my collection. I bought the same songs 4 times, what's the problem with making a backup or two if they're for me?
Second, using p2p isn't distributing. I don't send it to ANYONE. If someone using the same program as I chooses to use it to get a file from my HD, that's on them. Granted, a technicality, but thank the lawyers for that. Just playing by their rules |
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#47
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Unfortunately, the paradigm has now changed. If the RIAA had been wise enough to jump on the mp3 bandwagon before Napster/Kazaa/etc. took off, people would have embraced it: "Hey look, I can spend $1.00 per song instead of $18 for a whole CD!" But now, five years later, people are so accustomed to free downloads, that they will now think: "What??? Why should I spend $1.00 for a song I can get from Kazaa for free?" I would have supported eMusic.com if it came out five years ago, but right now, I say fuck 'em. I'm too pissed off. Oh, and to lite (and everyone else who bitched about buying the same album more than once) -- I feel your pain. I'd guess that my CD collection includes about 200-300 titles that I've purchased at least twice (crappy vinyl -> CD) and in many cases, three times. Black Sabbath's debut album, I know I have bought four times -- once on crappy vinyl, twice on "regular" CD (one import, one domestic...they had different songs on them), and finally on "remastered" CD which included all songs from both older CDs. I think that's a record...so to speak.
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#48
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I've read thru T.17 USC and Nimmer on Copyright several times and still can't grasp some stuff:
1) If standalone audio CD recorders and the special audio CDRs they use include royalties to reimburse artists for losses, what losses are these exactly? You're still not allowed to give those CDRs away to friends, and they will be for your own personal use, so what exactly are the artists being reimbursed for with these royalties? 2) If I own a computer, a CDRW drive and some regular data CDRs (all of which don't include the royalty payments in their purchase price), am I violating copyright law if I make the same personal copies of my own CDs using these devices? 3) Am I violating copyright law if I retain MP3s on my computer's hard drive after selling/giving away the original CD they were ripped from? 4) Is an album of MP3s considered a "duplicate" of the audio CD they were ripped from? MP3s are a lossy format. 5) How is it that the RIAA has the right/power/ability/juridiction to obtain warrants from federal court clerks? Do all citizens working for aggrieved corporations have this right? 6) How is it that federal court clerks are able to grant warrants? Aren't there legal issues to weigh and evidence to consider? Why isn't this a matter for a judge to handle? Thank you for any help! |
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#49
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Just heard on CBC that RIAA reportedly said it is not targeting foreigners with this "crackdown" or whatever you want to call it. Only going after 'mericans. |
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#50
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Who is legally liable when sharing music via a P2P system? Person A copies the music and drops it on their PC where others may find it. It would seem the copying is a violation in its own right but I'm not sure we've even settled that. Person B reaches out and takes the music which they (should) know amounts to theft of copyrighted material. How do the legal distinctions play out here between these two people? Also, any sense of which end of the game the RIAA is targeting? |
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