I understand why **Skip **closed the thread; it is indeed more than likely that the files offered by **Equipoise **are copyright protected. Unfortunately, the holders of some copyrights don’t understand that the entire point of having a copyright is so that they can make money by selling copies of the work: the copyright eliminates competition that might damage their earnings. But if they’re *not *selling copies, then there are no earnings to be damaged, and an unused *right of copy *has the ultimate effect of simply keeping some works in the dark. *I *say (personal, not legal, opinion here) that if the copyright holder is asleep on the job, and not making a work available to those who want it, then it should be perfectly legal for others to share free copies of the work, as long as they’re not profiting from it.
At any rate, that’s a debate for another thread. The reason I opened *this *thread is to tell you that I was in the Glenn Gould Theater in Toronto, Canada on December 3, 1993. I was in the invitation-only audience (no tickets were sold to the public) for the recording of the CBC special, “A Choral Christmas.” **Equipoise **and I, along with her husband, had been in the studio earlier that afternoon to watch rehearsals, and then the three of us went out to get something to eat with Victoria Williams while they prepared the studio for the evening performance. (Unfortunately, I pretty much missed the meal, because I had locked the keys in the rental car. :rolleyes: )
The extended edits of the radio broadcast provided by Eq’s broken links have never been made available for sale in any form, so unfortunately it’s not likely that you’ll every get a chance to hear them. Tapes were sent to me by the producer of the recording, so **Eq **and I have personal copies (if it’s possible to wear out an iPod track, I’m well on my way this Christmas season).
The release CD, Count Your Blessings, is available, though only in Canada. It’s missing some of my favorite moments from the concert, but it’s worth the price for Mary Margaret O’Hara’s dirty-blues version of “White Christmas” and Victoria Williams’s heartrending “Have Yourself a Merry Little Christmas” alone. The rest of the album–includes a jazzy belted “Deck the Halls” by Holly Cole–is just a bonus.
Let me add my voice to Equipoise’s Christmas wish, and express the hope that the copyright hoarders of this wonderful music will someday make it possible for you to hear all of it. For now, just get yourself the Canadian DVD. It will become one of your favorite Holiday albums.