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300 - Best Fascist Propaganda Film Ever made
I finally saw it, and I must say I'm impressed and deeply saddened.
I loved it. It translated the techniques of the comic medium to film with surprising fluency. It was exciting and it evoked very credibly, even through it's comic book conceits, what it could possibly be like to think like a Spartan. The Spartans, by the way, would have detested us. This is the most brilliant piece of fascist propaganda I have ever seen, and few are talking about this fact. The Spartans practice eugenics. The foreign invaders are alien, mutated, decadent and feminine haters of freedom. That freedom, by the way, is based on trumpeting the rule of law but side-stepping it when it becomes inconvenient. Diplomacy is for fagots. The racially impure among us are weak and will betray us, but ultimately Whitey can whoop every other race you can send at them from all the corners of the world because we have the will, we have the discipline, and our culture is superior. This is a fascist masturbation fantasy. Never mind that the Spartans are only white by revisionism. The Aryans weren't exactly what we'd call white either. If you want to draw parallels to our modern world, keep in mind that we are not the Spartans. We are the decadent, feminine, lustful and avaricious mutants who worship false idols and want the world to kneel before us. But never mind that. This film will be de rigeur for the next generation of wanna be race warriors who won't recognize that in this story we are the Persians. We cannot let people forget that this is a fantasy. It did not take place in our world, and we have seen what becomes of trying to make such stories come true. We cannot let people forget where this kind of thinking leads. |
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#2
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I think you may be taking it a tad too seriously.
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#3
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I think Hero, Triumph of the Will, and Starship Troopers are better fascist manifestos.
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#5
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Last edited by Revenant Threshold; 04-18-2007 at 08:19 PM. |
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#7
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I think that your investment in a movie adaptation of a graphic novel that was loosely based on an extraordinarily old account of an undocumented battle is perhaps greater than average.
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#8
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Ever see Ballad of the Green Berets, John Wayne? A contender, if one accepts a very broad definition of "facism".
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#9
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I finally caught the film myself, and I would have been more deeply offended by the racism and homophobia if the film hadn't been, on a purely aesthetic level, so incredibly painful to endure in its own right. Tedious macho-bullshit-posturing pretending to be "action", characters that are largely interchangeable and uninteresting, and a "story" devoid of any drama, tension, or emotional investment. Plus ugly as sin to look at (and if that was the filmmaker's goal: mission accoplished!).
Absolutely horrible. |
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#10
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::looks away from the screen::
There was a *plot*? They talked? It's *not* just hot guys? ::looks back at the screen:: |
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#12
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I, personally, am deeply astonished that a movie based on a Frank Miller comic book would have undertones of fascism and homophobia. No one could have predicted this.
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#13
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#14
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I've gotta agree that 300 had some deeply fascist undertones, though I wouldn't have put it that way. It did occur to me, half way through, that Hitler would have liked it. That doesn't mean that everyone that likes it is even a little bit like Hitler--I imagine he liked chocolate milkshakes, as well--but the movie does do a great job of setting up everyone who isn't Greek as "other"--not just other people, but creepy, alien, decadent. It's a world where opposing sides could never co-exist. When that's orcs vs. humans, that seems better than when its "vaugely British" vs. everyone else, mostly brownish. It's a movie that helped me understand facisim.
This isn't to say it's a bad movie--I loved it--or even to say it's a "facist manifesto"--mayhap instead it's a much more cynical look at human nature than it appear on first glance. And either graphic arts (and their spawn) are real art, in which case one should be passionate about them, or they are fluff, in which case they can be dismissed. |
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#15
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I agree with the OP. You can't just dismiss the message of a movie with "well, it's just a movie." People watch movies and take values from what they see. It's not irresistable mind control - you can watch The Birth of a Nation without deciding to join the Klan or Triumph of the Will without becoming a Nazi - but they do have an impact.
And the content of 300 was a fascist fantasy. For all that everybody said that they were fighting for freedom, nobody actually had any - freedom was just an empty slogan that was used to get the soldiers in a fighting mood. And the themes of "our country is better than any other country in the world and our people are better than any other people in the world" and "the law is holding us back - we need to ignore the law in order to fulfill our destiny" and "you have no worth as an individual - your worth comes from being a part of the state" all fit in well with the fascist mindset. |
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#17
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Last edited by lissener; 04-18-2007 at 08:58 PM. |
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#21
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Not till now, no.
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#27
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In 300, it is the Spartans very practice of eugenics that causes their downfall.
SPOILER:
I wouldn't call that as saying eugenics is a good idea. |
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#28
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By the way, was it your intention to post this in the Pit? Or did you mean it to go in CS?
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#32
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Which leads to thier deaths. |
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#33
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I wouldn't say that Hero is necessarily on the Qin's side, though - it's much more ambiguous than that. Sure, he "wins" in the end, but he's not portrayed as terribly heroic. And Nameless's choice was made with great difficulty, and the film ends without a definite endorsement of his final action.
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#34
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Yeah, I can kind of see some fascist elements in the flick, though I'm not about to get too excited about it. I was also able to find Christian elements in Pleasantville.
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#37
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I tried to do the calculation on the Riefenstahl piece but my wristwatch calculator doesn't support scientific notation. |
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#45
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Big Stick diplomacy The Persians were threatening to invade if they weren't satisfied in their demands. In other words: They were threatening the Spartans with a gun to their heads. If you have the capability, you remove the gun. They did that first with the Persian's Diplomat. Now, I'd have sent him back with the bit of land they had asked for and then gathered my army. Once done, I'd have tweaked Xerxes nose and then goaded him into his attack at the place of my choosing, not force it sooner like Leonidas did. But his act demonstrated the forthright and action-oriented nature of the Spartans. Quote:
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#48
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#49
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That's a bit of the movie that lots of people miss - early on, when Nameless asked the King about his future plans, he answered that after uniting China he would look outward and start adding foreign lands to his empire. But the at the very end of the movie, we see a card saying that the King - now Emperor -was the one who built the Great Wall, bringing peace and turning China's attentions inward . To me, that was the whole point of the film- the King's conversation with Nameless brought about the epiphany that the ultimate use of strength was in not using strength, and that unity must lead to peace. |
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#50
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If 300 was fascist propaganda, wouldn't that imply that the creaters of the film were fascists?
I thought it was a homo-erotic gorefest, but I missed the Heil Hitler overtones o_0; |
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