|
|
|
#51
|
|||
|
|||
|
"Puzzle movies" - there was a tragedy, nobody knows what happened, the cops have a witness who can't or won't talk, they run through 50 different scenarios of what MAYBE happened, then at the very end there's a flashback that shows what REALLY happened. Blah blah blah... film school crap.
Also, movies that are essentially memoirs of the screenwriter and his buddies running around town in the good old days. I think every major city in the US and Europe has dozens of these movies made as tributes. Again, mostly worthless for an audience with no personal connection to those people. |
| Advertisements | |
|
|
|
|
#52
|
|||
|
|||
|
White people fucking up or taking advantage of everybody's obviously superior misunderstood culture.
Sure there has been plenty of history but beating that drum endlessly gets tiresome. Aliens don't always escape whitey's wrath either. Avatar is the latest example. |
|
#53
|
|||
|
|||
|
The son or daughter who has left a dysfunctional family and gone on to make a better life is called 'home' when parent has one foot in grave. Much heavy dialogue, weeping, forgiveness as dysfunctional parent kicks off, and son or daughter is a better person for having learned important life lesson. "Your crazy, mean, squalid old dad is in the hospital. You have to come home, Bob, to handle affairs/reach forgiveness/take over the family farm or business."
|
|
#54
|
|||
|
|||
|
The scenario where women have created an all-female or nearly so society after men have most or all died off or the women went off and created their own male-free society, and the resulting female run society is nicer, kinder, more enlightened, more environmentally enlightened, and in general better in all ways than a society with those evil filthy men running around. And the related trope with all-male societies that are hyperwarlike, tyrannical and randomly destructive. And the other related trope where the men are all gone because some faction of women killed them off, and the female population in general doesn't care or actively approves of it.
Shows where the tough women ("Vasquez Always Dies") and the sexually active women die first; or worse, exclusively. Quote:
Last edited by Der Trihs; 06-02-2012 at 07:59 AM. |
|
#55
|
|||
|
|||
|
Oh. And The Troublesome Little Sister. Let's not forget the Troublesome Little Sister. The older sister (usually) gets custody of younger sister after parents die in tragic car crash. Little sister acts out, butts in, drinks all the liquor, smuggles in boyfriends, royally messes up her sibling's romantic life, makes trouble in school, needs supervision, is staggering through life with a bucket over her head, adrift - and most importantly: gets kidnapped by The Villain or otherwise needs a dramatic rescue. Because FAMILY is all that matters.
|
|
#56
|
|||
|
|||
|
Quote:
|
|
#57
|
|||
|
|||
|
People behaving in ways directly contrary to all logic and reason, not to mention survival instinct, for no reason other than to drive the plot forward, like in the aforementioned Jurassic Park sequels ("I'm taking this baby T-Rex back to our camp to fix it's leg!"), or basically the entirety of Cloverfield ("I've got to rescue my not-girlfriend, who happens to live on the other side of that gigantic monster and all of its no-so-little spider-parasite thingies!" "I'm coming with you!" "Let's all go!" "Dark subway tunnel? I'm in!" "Let's all go!").
|
|
#58
|
|||
|
|||
|
Quote:
|
|
#59
|
|||
|
|||
|
Anything childbirth or labor related. Actually, I don't really need to see anyone under ten.
|
|
#60
|
|||
|
|||
|
That would be extreme feminist "utopian"*, not lesbian**; and not a lot. But I've come across the occasional sci-fi short story and leafed though some in the library. It kind of sticks in my head when I read some short story collection that just casually throws in a story where men are all rounded up and killed in order to end violence (killing men isn't violence, you see; it's only violence when men kill someone). I don't think I've ever read a story when exterminating all of womenkind is portrayed as a good thing.
* "Kill all men" isn't very utopian in my view ** Hating men is not the same as being attracted to women |
|
#61
|
|||
|
|||
|
When the hero corners the bad guy (after an epic chase and/or fight, during the course of which they both killed dozens of other people and caused massive property damage), and the partner/sidekick/freshly-rescued-damsel-in-distress stops him just before delivering the fatal blow because "that would make us just as bad as him," followed immediately by the bad guy attacking with a hidden weapon and the hero killing him anyway.
|
|
#62
|
|||
|
|||
|
...and leaves the string quartet?
|
|
#63
|
|||
|
|||
|
Quote:
I'm not the one who came up with it. Of course the wiki article lists Nicola Griffith's Ammonite as an example of lesbian utopian fiction. I've read it but I don't see how it was a utopia. Her manless world still had violence. |
|
#64
|
|||
|
|||
|
Quote:
|
|
#65
|
|||
|
|||
|
I despise all of the standard twist endings, including but not limited to.
"I'm actually the insane one/It was all in my head" "I/he/she/it was actually dead the whole time/already died." "This isn't the past/another planet it's actually ours in the future." "The killer/villain I've been chasing is actually me." "Oh my god it's actually our government/company/organization/etc. that has orchestrated it all." Each of these and others have been around for decades and in some cases centuries. It's usually obvious when a story is looking to include a twist ending, and it's almost always one of the above. Plus nine times out of ten it's so poorly handled that you can figure out the ending less than half way through. |
|
#66
|
|||
|
|||
|
well he's back in the OP mentioned the worst to me when I saw the thread title and I'd be interested in the Dope's take on this because no one I've expressed this to ever agrees with me.
A lot of people buy into the soppy, 'powerful' Chosen One routine, but I think this literary cop out has the opposite effect of what it's supposed to. If the hero is THE CHOSEN ONE, then surely, that invalidates every heroic thing they did (in a sense), because they were chosen to be the one. It doesn't mean anything. If you were singled out by some stars-aligning, magical, fateful mystery as the only one that can save the world/defeat the evil lord/whatever, then surely that's less of a great story than if some average nobody did what the hero accomplished? To use Harry Potter as an example, and I know that it was explained in the books that technically the Prophecy didn't mean only Harry could kill Voldemort, but surely it would have been more heroic for someone like Ron Weasley to kill Voldy since he wasn't 'chosen' at all? He wasn't special or singled out at all? The whole Chosen One meme has always felt to me like it accomplishes the exact opposite of what it tries to and cheapens what otherwise may have been a good story. Not sure if I explained that very well but I do get kind of a meh feel in any story where someone's actions and character aren't what make them special, and instead it's an accident of birth the same has blue eyes or brown hair. |
|
#67
|
|||
|
|||
|
Quote:
|
|
#69
|
|||
|
|||
|
Quote:
|
|
#70
|
|||
|
|||
|
#71
|
|||
|
|||
|
I am growing tired of the spunky, free-spirited, impractical woman who jumps to absurd conclusions about nearly everything.... "I see him give someone a hug....he must be having an affair with her/hiding his marriage and six children under ten/a secret agent!"... and then makes rash decisions about the relationship/business deal/mystery without asking questions or, better yet, LISTENING to anything anyone is telling her! She usually storms off in a huff, sells her car and moves 600 miles away to take a job as an art restorer in a tiny seaside village, and the Hero has to track her down to finally tie her to a chair and make her LISTEN as he explains that the woman he was hugging was the widow of his business partner's brother whom he saved from eviction by sacrificing his chance at the Big Contract in order to take her landlord to court (said landlord being the same man who was offering the Big Contract) But his willingness to sacrifice melted the landlord/client's heart and he got not only the Big Contract but a partnership and a corner office. And once she realizes how wrong she was in her assumptions they have amazing sex and get married.
|
|
#72
|
|||
|
|||
|
Quote:
Quote:
He's just an ordinary kid -- a little on the thick side, but good at sports -- who's caught up in other people's machinations. |
|
#73
|
|||
|
|||
|
Gay male nurses
|
|
#74
|
|||
|
|||
|
Quote:
ETA - I fully support the vomit reaction. Even as a librarian, I tend to avoid Newberys unless someone I trust reads them first and tells me they're relatively ok. I have never actually really LIKED one, just found a few that aren't totally awful. I like the Caldecotts much better. Last edited by Lasciel; 06-03-2012 at 12:19 PM. |
|
#75
|
|||
|
|||
|
Quote:
I can't off the top of my head think of any other Newbery book that comes close to Despereaux's wonderfulness. Except Holes, which is also pretty brilliant. Last edited by Left Hand of Dorkness; 06-03-2012 at 12:29 PM. |
|
#76
|
|||
|
|||
|
I absolutely hate plot lines where the government and/or military is always evil/corrupt/incompetent/omnipotent/unanswerable to anyone. Yes, there is corruption and incompetence within these, and many other, organizations, but unless you're telling a fantasy story, the story line is just stupid.
I spent 37 years either in or working with the military (and by default, somewhat close to the government) and for the most part, each is made up of ordinary people doing their jobs in order to follow a career path and earn a paycheck. And like any business, there are good and bad workers, good and bad managers, dedicated and wasteful and incompetent and hard-working and glad-to-be-there and just-putting-in-time employees. I'll suspend disbelief a little bit in the interest of drama, but sometimes, I hurt myself rolling my eyes - I'm thinking specifically of E.T. - when the scary men in decontamination suits descended upon the house in the dark of night, not talking to anyone, not explaining anything, just coming in and grabbing the poor, cute little alien. Or the conspiracies where the "government" is keeping a deep, dark secret from the governed. Get real - look at all the leaked information that shows up on the news, some of which should have been kept secret. What sane person believes that secrets can be kept? Ben Franklin hit the nail on the head - "Three can keep a secret if two of them are dead." No kidding... |
|
#77
|
|||
|
|||
|
Quote:
I, also, hate the "chosen" child or teenager coming into his/her power. Can be a useful coming of age story for an actual child or teenager, but after reading dozens, if not hundreds, of iterations of the theme, and becoming an adult, it palls. It palls. Exception: Greg Bear's The Infinity Concerto. (That, an its sequel, constitute Songs of Earth and Power. Recommended.) That continues to be brilliant. Oh, too, the kid was chosen not because he was fated so, but had the seeds of skills that could be developed, if he survived the training. |
|
#78
|
|||
|
|||
|
Body switching. I'm sure it's tons of fun for the actors, especially on a series where the characters are well-established, but what a bore.
Alternate timelines, especially where the impending death of everyone is averted at the last second by whatever deus ex machina returns the timeline to "normal," as though nothing had ever happened. |
|
#79
|
|||
|
|||
|
#80
|
|||
|
|||
|
Quote:
|
|
#81
|
|||
|
|||
|
Quote:
Quote:
Quote:
|
|
#82
|
|||
|
|||
|
Quote:
|
|
#83
|
|||
|
|||
|
If the story is about police detectives, the uniformed police are bumbling incompetents, or at least only good for following instructions like "guard this door". If it's American, the FBI are soulless, interfering and way too anal, official and obtuse to get the job done the "right" way. The FBI tries to walk all over them but in the end the detectives prove their worth.
If it's about the FBI, all police mean well but are essentially useless at anything other than open and shut. They're quite likely resentful of the FBI's involvement but in the end realize their superiority. Other government agencies take on the "soulless" role occupied by the FBI in the detective stories. If the story is about an intelligence agency or something along the lines of 24's CTU, the FBI take on the role occupied by detectives in the FBI stories - i.e. they mean well but they're cute and naive and really don't understand. There will probably still be some soulless interferers somewhere. |
|
#84
|
|||
|
|||
|
Quote:
Wow... After watching that and the intro to the actual movie, I don't know how I managed to live happily without knowing this existed. I am going to have to watch this, and I have a feeling that I'll have to add this to Logan's Run on my list of really awful movies that I like with no rational explanation at all. |
|
#85
|
|||
|
|||
|
Quote:
|
|
#86
|
|||
|
|||
|
I hate the "realistic" story with the supernaturally unkillable villain.
People really just aren't that hard to kill, writers! THEY AREN'T! |
|
#87
|
|||
|
|||
|
Quote:
Quote:
|
|
#88
|
|||
|
|||
|
Quote:
|
|
#89
|
|||
|
|||
|
It was all a dream / hallucination / inside the mind of the insane guy. This never, ever makes sense. There are always elements of depth and detail that have nothing to do with the dream or hallucination, and in 99% of cases we hear dialogue or see things that the character supposedly dreaming / hallucinating would not be and could not be aware of. This plot device is just lazy writing by hack writers.
In sci-fi, the character is supposed to be a hologram or projection but looks just like any other character, and interacts with the environment just like any other character, and the only lip-service paid to the 'hologram' idea is a couple of cheap, do-it-on-a-laptop FX shots per series. Holograms and projections do not look the same as 3D solid objects under any conditions. |
|
#90
|
|||
|
|||
|
So we start with a premise that there are vampires in the world which have remained hidden from the population as a whole. Now, this may be totally overdone by now, but there's a certain logic to it:
(a) vampires look just like humans, so they CAN remain hidden (b) but they do have some serious vulnerabilities, so it is to their BENEFIT to remain hidden I'm OK with this premise, and am willing to enjoy fiction with that as the backdrop. However, we often go from there (I'm looking at you, Buffy (which I love), True Love (which I enjoyed for a while), Twilight (which I've never read), and the pulpy "The President's Vampire" series) to "oh, and every other supernatural thing under the sun also exists", which just makes no sense at all. There's no way that people can learn to cast magic spells and there are thousands of species of humanoid demons, some of them friggin' enormous, and some people turn into wolves every full moon... and it all still remains secret. |
|
#91
|
|||
|
|||
|
Have we done "Eeeeviil Scientists Who Want To Rule The World" yet? There might be one scientist alive now who wants to rule the world, but he can't dress himself. The rest of the scientists want to rule their granting agency. Need to derail a scientists' coup? Fully fund their labs, and they'll never bother you again.
|
|
#92
|
|||
|
|||
|
What sort of stories have this meme? I've never heard of any.
|
|
#93
|
|||
|
|||
|
SF stories where Humanity Triumphs Against Impossible Odds.
The aliens invade, or come into conflict with Earth in some way, or maybe just look at us funny, and suddenly Earth is in a desperate conflict against an immeasurably (technologically) superior enemy against which we cannot possibly win. But of course we do, because we're sneakier, or luckier, or gutsier, or something. Bonus hate points if we only win because humanity is Special, and our win was Fated To Be. ... Actually, this hate can easily extend to sports stories where the heroes come from far behind to win competitions that they couldn't possibly have won. There are a lot of those, too. The SF version is presumably supposed to make us feel good about ourselves. The sports version is presumably supposed to make us feel good about ... well, something. But what it mostly makes me feel is angry that the writer cheated. |
|
#94
|
|||
|
|||
|
Quote:
when I watched it)
|
|
#95
|
|||
|
|||
|
I'm tired of seeing petite women flipping, punching-out, delivering devastating kicks and just generally beating the shit out of men twice their size, because...they know Kung Fu or some shit. It's just unrealistic and over-done. The choreography usually requires the male combatants to stand still with their arms spread wide, like woah, I can't defend myself against her blazing speed and power. Meanwhile, the heroine finishes off the hapless guy with a painfully slow and obvious roundhouse kick to the ear. Uh huh, sure.
|
|
#96
|
|||
|
|||
|
Quote:
SPOILER:
|
|
#97
|
|||
|
|||
|
Quote:
SPOILER:
|
|
#98
|
|||
|
|||
|
An episode of Zena had this. Zena was trying to prevent a man killing his child because a "god" told him to. In the end you hear a voice say basically, nevermind, then it is implied the one true god stopped it. And this show had other gods everywhere, yet the Christian one was actually real. It has been a while since I saw it, but that episode stood out for that reason.
|
|
#99
|
|||
|
|||
|
I left out that it was obviously a take on the Abraham and Isaac story.
|
|
#100
|
|||
|
|||
|
The perpetual loser that fate always pisses on. Think Al from Married with Children or Alan from Two and a Half Men. In fact, 2 1/2 Men is virtually unwatchable for me because the situation Alan is in with an $4000/mo alimony and losing his condo after his new wife spent the rest of the money and a second alimony for a 4 month marriage is unbelievable to the point of not being entertaining.
|
![]() |
| Bookmarks |
| Thread Tools | |
| Display Modes | |
|
|