Well, sports fans, here we are. After sixty-ish straight years of “worst year for pop music EVER”, we’ve made it to 2011, the final poll in our year-by-year series (since 2012 and 2013 were accounted for before I started this retrospective). The best of the decade finals will begin on Tuesday, so after you’ve voted on this poll, please make use of the handy-dandy links below to make your voice heard in any year you haven’t voted on yet so that your vote can count towards which winning songs progress to the semi-finals.
But business aside, here’s 2011 itself. There are 14 songs this year, including Katy Perry’s carryover (her successes this year would make her the second artist in history, after Michael Jackson, to chart five #1s off the same album), and it was also this year that the 1000th #1 in the history of the Hot 100 was crowned.
This was another very tight contest (although not a tie like in 2010), with “Give Me Everything” just barely finishing ahead of “Rolling in the Deep” in the world-famous Ponch8 Music Rating System. “Rolling in the Deep” will probably advance to the best-of-the-2010s poll anyway and doesn’t need my vote.
In dead-ass last place, there is a three-way tie between “Hold It Against Me,” “ET,” and “Last Friday Night.” Each song gets an AUTOMATIC ZERO score in the Ponch8 Music Rating System, like all Dr. Luke-produced songs that don’t feature Kesha. Hopefully this abuser/rapist motherfucker will end up broke, in jail, or dead before too long.
Looking up these songs for the past few years has brought one thing out: Katy Perry has amazing YouTube view counts compared to most of the other artists on these lists. Went with “Last Friday Night”, as Adele is almost guaranteed to win this thing and doesn’t need my support.
For me, this one was practically a tie between “Rolling In the Deep” and “Born This Way”. I love Born This Way for its message, but in the end I went with Rolling In the Deep because it’s just the kind of song one can listen to over and over again, and it’s pretty much the closest thing to straight-up disco to hit #1 since the early '80s.
Surprised myself, voted for Lady Gaga. Tied in second place was Katy Perry’s “Fireworks” and Maroon 5 with Christina Aguilera. The others do not merit my vote. Adele makes me zzzzzzzz.
Not given any particular affinity toward this list, I would vote for I Found Love. It was one of the first house/club beats that went big mainstream (no doubt due to Rihanna), ushering in the EDM renaissance that has been all the rage the last few years.
Adele’s voice is unpleasant for me to listen to. I went with Last Friday Night (T.G.I.F.) because it is kind of fun in a brain-damaged way.
We Found Love repeats its line too much. Or, perhaps I should say -
We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much. We Found Love repeats its line too much.
Born This Way is a rip off of one of Madonna’s also-not-very-interesting songs.
None of the songs will live forever, and none of them is horribly offensive. I must be mellowing in my old age.
Curious - how come? She has a wonderful instrument. True, it is a Big Voice and best-suited to Big Voice Songs, but she seems to pick her material effectively. I have enjoyed the fact that her voice stands out in a world of AutoTune and over production.
I guess the thing about Adele is that she’s really boring. She has a Big Voice for Big Songs but for the most part they’re all about her - like a lot of singers now she prefers to write most of her songs in the first person - and a 21-year-old really doesn’t have a lot about themselves to say.
Her best song by far is “Skyfall” because it’s not really about Adele Adkins. Actually, maybe it is, but you can pretend it’s not.