Of what I’ve seen:
Cavemen was bad. At least they don’t use a laugh track, and there are a couple of chuckles, but it was bad. The argument over if using “cro-mags” to describe themselves…“It’s ok if we use it”…was painful.
However, my views and America’s views on comedy seldom intersect, so who knows.
Reaper is ten kinds of awesome. Ray Wise as the devil? Oh man, it’s great. I laughed out loud several times, and am really, really looking forward to it. I think it has a place on television…it fits with the CW attitude pretty well, and I think it’ll be given a chance. If Smallville and Supernatural can flourish, it should do fine.
Pushing Daisies…look. I get that some people might appreciate it, but it is going to be soul-crushingly dull to 90% of the audience. Voiceover dialogue can be cool (see: Burn Notice.) About 3/4 of the show being narrative non-character voiceover? That just means (and this will be the biggest complaint, whether you agree with the statement or not) that nothing happens. Seriously. It’s a half hour show that got stretched to an hour. It’s not that it’s “dark,” - though it is - it’s actually rather life-affirming. It’s just dull, dull, dull. And of course, there’s the fact that the main character
murders a guy in the first episode by virtue of not re-touching whats-her-name. Granted, he’s a “bad guy” - but still…this is where our sympathies are supposed to lie? It does lead to the rather funny, “Bitch, I was in the proximity” joke, though.
Seriously. If it succeeds, I will be floored. FLOORED. It’s quirky for the sake of being quirky, and I don’t think that flies post-Twin Peaks.
Bionic Woman? I thought it was OK. I didn’t think it was bad. I thought it was a pilot. I don’t think it will last, though. I just don’t think it will drum up enough interest, and it can’t be cheap to produce.
Sarah Connor Chronicles: If this was on FX or Spike, I’d have no problem with it. I just don’t think there’s a mass market for it. I thought it was fantastic.
Chuck: This might survive, actually.