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Old 06-09-2019, 08:25 AM
UltraVires is offline
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Join Date: Jul 2007
Location: Bridgeport, WV, US
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Quote:
Originally Posted by Lamoral View Post
My opinion: this show has gone from one of the best serial dramas on TV to one of the worst, in just two seasons (that has to be some kind of record.) The tight writing, gripping plots, sharp direction and editing, stark and dramatic lighting and composition, all of it, are gone - replaced by tedious, asinine contrivances that are either too boring or too confusing, all apparently shot using a camera with a dusty pillowcase draped over it.

There was one moment and one moment only, where a bit of the old HT poked through: the sequence where June/Offred in Martha disguise walks through the city street leading to the laundry area, where she is told that handmaids are not allowed (because of chemicals in the air, presumably risking their childbearing ability) and we see a brief glimpse of the industrial workers of Gilead. That's what I want to see on the show - world-building, immersion, a sense of Gilead being a real place inhabited by real people and not just an abstract notion of oppressive dystopia peopled by the same handful of characters in every scene. I want to see the laundry workers of Gilead, I want to see the janitors, I want to see the barracks where the soldiers live, I want to see the scientists who work on whatever scientific shit they need, I want to see the guys who design the propaganda banners that will be displayed on the street - and so on.

I know that there are primary protagonists and antagonists who need to be the focus of the story, but there is still room for the other stuff too. Or, rather, there WOULD be room, if the directors exercised a little bit of judicious editing for economy of scene and story. Not every scene with dialog needs to have three second pauses between the lines. Not every shot of characters doing something dramatic needs to be in slow motion. Many of the scenes in the first episode of this new season could have been half as short and equally effective. They're wasting precious minutes of the show by running down the clock with bloated filler.

I've also seen just about enough of Bradley Whitford's character, Lawrence. We get it, the guy is sarcastic and aloof. As it is, he's practically channeling Bill Murray as Steve Zissou in The Life Aquatic every time he finishes a sentence, like we've got to be hit over the head with the fact that he's a real quirky character. Enough! The Waterfords have also just about worn out their welcome, their overwrought personae are becoming one-dimensional and tedious.

Get it together, Hulu.
I tend to agree. This season has been very lackluster.