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Old 05-29-2019, 04:12 AM
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Quote:
Originally Posted by Infovore View Post
The opening synth riff in Rush's "Subdivisions."

More Rush choices:

In "Nobody's Hero," the line "...is the pride of purpose/in the unrewarding job."

In "Manhattan Project," the line "...the pilot of Enola Gay/flying out of the shockwave on that August day..."

In "Far Cry," "One day I fly through a crack in the sky, and the next it's fallin' in on me."
My Rush moments:

Geddy's bass during Alex's solo in "Freewill", especially how it intros at 3:04 .

Alex's wailin' harmonic at exactly 2:00 .

More sections than moments...starting at 2:00 ...starting at 8:47 (culminating in what may be the longest drum fill ever)...Alex at 1:10 .


The layered vocals in the chorus to Dillinger Escape Plan's "Unretrofied".

Possibly the most tingly moment, like, evar: the armpit fart at 2:42 in Killdozer's "The Puppy". Beautiful.

Lovely trade-off vox in the Butthole Surfer's "The O-Men" at 0:29 .
More B.S.: "Pass me some of that dumbass over there - hey bubba, I tell ya." at 1:43 . ("Lady Sniff") and the perfectly useless (and quite possibly the only) drum machine solo ever at 15:06 ("Booze, Tobacco, Dope, Pussy, Cars")

The drums/synth break in The Fall's "LA" at 3:09 .

The "swooping" guitar riff in Island Girl .