God is reaching out, trying to keep his balance while holding on to his cherubs for dear life but Adam’s just leaning back on one elbow giving him the finger in a passive, lazy display of the world’s first “meh”. What’s up with that? Is there something I’m missing? Shouldn’t it be the other way around? Adam has always looked like a slacker in that painting.
Because that is the moment, not of creation, but of animation. Before then, Adam is just a lump of clay - formed, but without life. Without God’s literal inspiration, the most Adam could ever be is kind of “meh”.
It would have been awfully funny if Adam had been painted with a huge dong.
Good little Catholic boys and girls giggling hysterically - nuns rolling thier eyes - “yeah, yeah, we all see it, get over it”
My first instinct when I noticed the angels was that they were trying to hold God back. God looks like he’s struggling to reach Man.
And the whole thing is symbolic, anyways, as the whole ensemble with God is really just the human brain, and thus it is when Adam’s starts working that he becomes human.
Yeah. I’ve read that Michelangelo’s typical technique for sculpting or painting female figures was to use a male model and then just beef up the chest a bit so it looked like breasts, and this Eve looks like a plausible example of that.