Open spoilers! If you haven’t seen this movie, then get in your time machine and watch it in the theater in 1985!
Soon it will be 30 years after this movie came out. Does it still hold up? Well, I watched it today and I would say: yes, it absolutely does. Some things seem better, a few seem worse than when I first saw it in the theater, but it’s still a great movie (I actually have not seen it many times since I first saw it, perhaps only once, so it was indeed a big refresher for me).
Pros:
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The acting in this is fantastic. Scott, Lloyd, and Crispin put in performances that are, well, classic. Thompson and Wilson (as Biff) are also fabulous.
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The movie creates real excitement. I of course knew what was going to happen, but I was still on the edge of my couch. I had kind of forgotten what that feeling was like, really. Few movies deliver that. And this one does again and again.
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The movie delivers the time travel experience as few have ever done (one that equals it, IMO, is “Peggy Sue Got Married,” which came out one year later).
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There is real satisfaction in seeing the bully get beaten in this. Again, few movies have delivered this well IMO.
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The plot is intricately crafted and all the pieces fit together beautifully. This is a movie to emulate when it comes to plot and flow. One of the all-time best.
Cons:
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There is a lot of ham-fisted Hollywood-style foreshadowing. I understand the point, but it could have been done a bit more subtly.
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Characters react a bit too forcefully to McFly not making sense to them. For example, he mentions John F. Kennedy Drive, and Lorraine’s dad says, “Who the hell is John F. Kennedy?” Haw haw, future president. In reality, a person would say, “Who’s that?” or, “I don’t know that street,” or just not notice he had said it in the first place. Again, more subtlety would have been better.
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One un-PC thing that I’ve read about elsewhere and agree with is showing McFly play a Chuck Berry tune and thus influence Chuck Berry. I.e., showing a white guy schooling the black guy who actually wrote the music. Now since McFly learned from Berry himself, one can argue he wasn’t really doing that. But it had been better just to leave this out.
One interesting thing is that this movie is now double-dipped nostalgia. It is a movie that inspires nostalgia for seeing this movie in the theater, that era, while being nostalgic about the 50s.
Here is an article that gets this nostalgia and some things about BttF wrong:
This is laughably wrong, but the person believes that the technological Singularity is coming soon, so… But the interesting question is, “Why is it wrong?” I think there are two reasons:
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There is not nostalgia for the 80s in the same way there was and still is nostalgia for the 1950s and early 1960s.
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The world has actually changed a lot less 1985-2015 than 1955-1985.
A related thread is one I started about a year ago but before I read the above article:
Why are the 50s and 60s a unique target of nostalgia, and is it justified?
I was 14 in 1985 and am not nostalgic for that period beyond liking some pop culture from the time. I think very few people want to go back and live there, whereas the world of the 1950s still is attractive to many in this regard. Moreover, the 80s don’t seem that long ago. They seem like today but without cell phones and the Internet (actually, my dad had Prodigy in the 80s, so technically we did have the Internet, though I wasn’t interested in going online at that point… And my mom had a phone in her car…)
What was different about the 80s was that there was still unironic pop culture, and I think people look back on that with nostalgia. BttF is a very sincere movie. The Breakfast Club was a very sincere movie. Music was pretty earnest in general. In contrast, I saw a couple days ago the movie, Easy A which desperately wants to be a John Hughes movie but is all ironic, referential (to John Hughes movies, etc.), fatigued (no, I didn’t like it). (FWIW, right after that I watched Pitch Perfect, a fairly entertaining movie that also references The Breakfast Club.)
BttF is entirely predicated on the world in 1985 feeling a lot different than in 1955. It was just 30 years, but it felt like forever. If someone tried to remake BttF now with someone going back to 1985, people would go, “Huh?!” It wouldn’t work at all. But if you had someone going from 2015 to 1955, yep, that would still work!
So the double-dip nostalgia is not wanting to go back to 1955 and also wanting to go back to 1985. Rather, we see 1955 as a wonderfully different world and BttF as a wonderfully different type of movie.