Yes. I’m mildly embarrassed that I didn’t pick up that “Porto Rican” was as likely as
“black”, but I think that the dialog was intentionally open-ended / generic about prejudice target (at least, that’s my excuse).
I missed the opening court scene the first time around. The jury was dancing around the subject of who “they” were, and I just filled it in. In my life, ‘black’ people and ‘wogs’ have been more the subject of prejudice than ‘spics’, so that’s what I jumped to.
It’s been a while since I last watched it, but what I remember is that after Juror 10 (the bigot) went on one of his rants, Juror 5 said he’d lived in a slum all his life, that he had played in yards that were filled with garbage, and finished with “maybe you can smell it on me.” I think that was the only reference to smell.
Anecdotally, my husband’s grandparents experienced anti-Italian racism as late at the 1970s. So it’s plausible to me they were really talking about Italians. But they were also, probably, really talking about racism in general.
I loved that movie. I don’t know if my takeaway was supposed to be the takeaway, because I came away with an impression of how terrifyingly arbitrary our justice system can be. I had no sense of whether the guy was truly innocent because you have to go based on the impressions of suggestive, fallible jurors. Truly harrowing.
A third-generation Italian-American friend in the early 1980s got a bit of that from the parents of a super-WASPy girlfriend. Sort of gender-swapped Love Story, so to speak. Although by that time (and this includes the time of the 1970 Love Story itself), it was hard to disentangle “pure” ethnicity-based racism from anti-Catholicism and class prejudice.
In their case, they were extremely successful in business and it was often assumed they were earning it dishonestly. Which really hurt his grandfather.
No, the very end has Juror 3 admit that his strained relationship with his son was the reason why he was strongly voting guilty, and the revelation causes him to change his vote. And Jurors 8 and 9 exchange names before leaving.
But, I think that a lot of people analyzing the film came away with the impression that the defendant may have been guilty, despite everything discussed in the film to change people’s votes, and maybe that’s what you were remembering.
Yeah, I wish they had left off at the end when Henry Fonda walks out of the jury room and we see the detritus of what everyone left on the table. That last little vignette just takes me completely out of the picture.
Detritus including the second knife. Probably not the smoothest move to leave behind evidence of juror misconduct, but, hey, it was the 1950s, simpler times and all.
I wondered if jury directions had changed since the 1920’s (Assuming, as per usual, that anything represented in 1955 had to be already long out of date)
I’ve never read an example of Jury Directions at all. I know that it was an iconic moment in English law when they found that paying off the jury to achieve a result was improper.