15th anniversary of Peter Jackson LOTR Fellowship of the Ring

It’s pretty consistently held up. None of the minor flaws have been either magnified by time nor corrected by advancing techniques or technology.

The biggest flaw from a cinematography perspective is the occasional failure of forced perspective: in many instances it appears the hobbit and Gandalf were not really looking at each other when they were ostensibly conversing.

Also, sometimes the characters, especially Gandalf, seemed to react to unexpected news a half second or so before it happened.

And there is at least one way in which it is better than today’s movies. The action was never frenetic enough that it was difficult to follow. Today’s movies seem to go for dazzle and constant speed and action in battle scenes, so much so that the actual deaths and violence seems less visceral. Even The Hobbit trilogy had this to a degree (one big exception was the final battle in the side, added, story: it seemed bad in a modern way as well: it seemed overly static, like an MMO battle.)

I don’t especially like some of the uses of CGI for the supernatural, such as the spirits in the mountain and the spirits in the dead marshes. But that is not a time issue either because the Ringwraiths were flawless: instead it shows that Peter Jackson could not resist reverting to schlocky horror occasionally.

I’m curious. What was it about the oliphants you found objectionable? Sam’s report from watching the battle between Faramir’s forces and the Haradrim is that the mumak he saw was as big as a moving hill, if I recall correctly. I always was of the opinion, reading The Two Towers*, that they were intended to be more like wooly mammoths than modern elephants.

And I’m REALLY curious what you found objectionable about Minas Tirith? It’s actually pretty close to pictorial interpretations contemporary with J. R. R. Tolkien. I recall one such picture from a 1973 calendar I had that was not significantly different…

No it isn’t. It’s a much worse firm than “Ben-Hur” or “Titanic.”

I can’t think of a picture to win a lot of Oscars that was worse. “Return of the King” was a muddled, boring, and uninspired movie; one got the distinct impression that Jackson was running out of gas. Apparently that isn’t so, as he still had the energy to turn a short novel into three ghastly-long movies, but it wasn’t great.

A lot of movies have piled up a bunch of Oscars - I’d guess two dozen have won at least seven. All of them I can think of were better movies. And I didn’t like “The Last Emperor.”

Titanic? :eek: That piece of over done tearjerker crap?

Ben Hur was fine- for it’s time. Terribly dated now.

Did any of those films win 11 Oscars? Return of the King is a fair bit more than the “at least seven” bar you’re setting there.

Yes. Titanic was a better movie. Not even a close call.

Was “Titanic” overdone tearjerker stuff? Sure, and Star Wars was just a goofy space opera, and Pulp Fiction was… uh… pulp fiction, and Jaws was just a monster movie, and The Godfather was a gangster movie. Oh, and Fargo was a police procedural, man, you see those on TV every damn week.

What Titanic was, though, was a well done tearjerker. It was a clear cast of characters, a protagonist, a romantic interest (PROTIP: Rose is the protagonist) and so on and so forth. It told a story with a beginning, middle and an end in a fashion that was logical, well paced, well edited and well directed. The acting was good, and the visual effects were spectacularly good without distracting from the movie.

“The Return of the King” simply wasn’t a good movie. The story was not entirely coherent or logical, the pacing was not good, the effects get in the way of the film at times (and are, on a few occasions, downright silly) and the movie, rather famously, ends and ends and ends and ends. The direction was often lazy and overly reliant on CGI and green screens. I could point out fifty things wrong with it if I had the time. It just didn’t have the same sense of adventure and wonder as “The Fellowship of the Ring.” I realize the Academy wanted to reward Jackson for the overall achievement, but by picking ROTK as the movie to hang the awards on they gave it a lot of awards that particular movie should not have gotten.

(Of course, I know Jackson didn’t write the story and his ability to deviate from the tale was rather limited. When he did make changes they were often good ones, such as cutting Tom Bombadil. But whatever, the movie is the movie.)

[QUOTE=Chronos]
Did any of those films win 11 Oscars? Return of the King is a fair bit more than the “at least seven” bar you’re setting there.
[/QUOTE]

Er, I think you missed two points. One, Return of the King is not the “worst, best, and median” movie to win as many Oscars as it did, because two other movies won that many Oscars and were better movies. It can’t be all three, unless you think they’re all equally good.

Secondly, my point was it’s the worst movie to win a lot of Oscars. By “a lot of Oscars” we have to expand the pool past movies that have won eleven, and into movies that have won seven, eight or nine Oscars (no movie has ever won exactly ten) or else our statistical pool is too small to mean anything. Comparing it just to Ben-Hur and Titanic doesn’t mean a lot; it would hardly mean anything to say “I think these two movies are better than that one.” That would be a total cop-out. My point takes on more meaning if I am willing to say it’s not as good a movie as any movie that won at least seven Oscars, which is a reasonably good sample of movies, and includes a wide variety of films - Gravity, Slumdog Millionaire, Schindler’s List, Dances With Wolves, Cabaret, The Bridge On The River Kwai, and The Sting are now all in the conversation. So is Star Wars if you count the special award given to Ben Burtt.

Green snow? Yuck, and I thought yellow snow was bad. I don’t even want to know how it turns green.

Fantastic film. Holds up beautifully. I think I’ll have a Second Breakfast tomorrow to celebrate!

I think RotK was the best of the three, myself, although I thought all 3 were wonderful to watch. The Hobbit movies were mostly a mess. No comparison.

Disagree entirely. Watched Ben-Hur for the first time 3 or so years ago and fell instantly in love with it. Immediately bought the 50th Anniversary Blu-Ray. Absolutely amazing film that still holds up today.

I went to the theater to watch Fellowship Of The Ring, with the decades-old execrable Ralph Bakshi version still fresh in my geeky mind. In other words, expecting complete shit because I considered the story totally unfilmable. Needless to say, the awesomeness of Peter Jackson’s creation, contrasted with my lowest of low expectations, blew me away! FOTR is still my favorite of the three, although I loved them all, and still do.

All these references in this Thread to the Blu-ray Extended Edition, specifically the Blu-ray Extended Editions. I have watched the DVD Extended Editions multiple times- that’s what was available when I first purchased them and I never felt the need to purchase them a second time on Blu-ray.

Is there a lot that’s different about the Blu-ray Extended Editions?
Such that people feel compelled to specifically refer to the Blu-ray Extended Editions rather than just saying “the Extended Editions” without reference to format?
Mahaloth points out one difference between the Blu-ray release and the DVD release (in this case, in favor of the DVD). Are there other significant differences?

Goblin piss, m’boy, goblin piss.

Thought everyone knew that.

As far as I know, the Blu ray EEs are the exact same edit as the DVD EEs. The difference–obviously–is that the resolution is much better on the blu rays, for a significantly better overall picture quality when viewing on a decent-sized HDTV. I am aware of the green tint issue on the Fellowship blu ray, but I’ve watched it several times and did not find it all that bothersome. If you didn’t know about it, you might not notice it at all.