I don’t understand what you’re saying here. You might mean that motion requires a timelike dimension, but time is not “the” fourth dimension. That’s merely a spoken convention for the everyday world. The dimensions are not numbered. If there are two spacelike dimensions and one timelike dimension then no fourth dimension exists at all. If there are ten spacelike dimensions and one timelike dimension, then time in the usual convention would be the eleventh dimension.
In fact, in the numbering most often used by actual physicists, time is actually the zeroth dimension. Oh, we could call it the fourth, or the first, or the seventeenth, and it would all work out the same way, but zeroth happens to be the terminology that caught on.
What would be the point?
That was a clever line.
You’d really get to know your neighbours.
Thanks all, for your responses!
I get the “Point” of your answers.
I don’t get point of these dimension related puns and I think a line needs to be drawn; I’ll be plane: the sheer volume of them is leaving little room four-space for sensible discussion!
Definitely a good read on this subject. Entire text (including original illustrations) is on-line here!
For a good compendium of related puns, view The Dot and the Line, in which a love-struck straight line attempts to win the heart of a dot, who, alas, is in love with an unkempt squiggle.
As always, people can’t leave well enough alone. Hence Sphereland.
There are combined editions of the two books.
A.K. Dewdney’s The Planiverse is the most in-depth book on this topic I’ve seen. There are ways to get signals to cross over each other in two dimensions. The discussion on crossover switches can be found here (see “Logical circuits in Planiverse”). Dewdney’s creatures have exoskeletons and “zipper organs” that allow them to circulate fluids and nutrients.
Also, Ian Stewart (who wrote Flatterland: Like Flatland, Only More So) has also come out with an Annotated edition of Flatland that makes reading the original much more informative for modern readers.
Oh, and Rudy Rucker’s The Fourth Dimension continues Flatland and Sphereland’s concepts (and the narration using A. Square as the protagonist), and discusses four spatial dimensions in great detail (and using lots of illustrations).