This is a hijack, sorry, but I really don’t get this. They’re nothing alike. Benjamin has no mental deficiencies; except for World War II he’s not involved with any historical events (and there are thousands of movies that surround themselves with WWII); he meets no major historical figures; and doesn’t do anything of cultural or historical importance himself. His girlfriend isn’t an abused fuckup. He has no son that looks like Haley Joel Osment. The mother figure in his life is nothing like Sally Field (she isn’t even his mother, or white). Is it because they’re both set in the south? Well, so is The Long, Hot Summer, and Cat On A Hot Tin Roof, and A Streetcar Named Desire, and Hush, Hush Sweet Charlotte, and In the Garden of Good and Evil, and The Big Easy. Is it because they’re both long? Well, so is Titanic, and King Kong, and the Lord of the Rings trilogy. Is it because it was nominated for so many Oscars? Well, so was Ben-Hur, and All About Eve, and The Color Purple, and again with the Lord of the Rings trilogy and Titanic. I swear, I do not get why people say that, other than the fact that both leads are male, played by movie stars. It perplexes me. [/hijack]
Yep, you’re right. I already said that her performance was hardly crucial to the film (“you could put any other actress in there and it wouldn’t make much of a difference”) but the point is that the character is pivotal, and Julia Ormond happened to play the character, so she’s still working, and is in big movies. I agree that she got hyped just by being in Sabrina, which had the unfortunate effect of being compared to Audrey Hepburn. No one could live up to that. I think she took some time off to have and raise a daughter, which also explains her being interested in the role of the mother in Kit Kittredge: An American Girl (which I actually enjoyed quite a bit, and Ormond was luminously beautiful in it). If hers is not a household name, and the average person couldn’t identify her by sight, then the same could not only be said about a lot of people mentioned in this thread, of course (since they never “stuck” which I take to mean, got name and face recognition, a “Q” factor), but could also be said about actresses who most of us know and would never be mentioned in this thread, but who Joe Blow wouldn’t know either, like Samantha Morton or Michelle Williams or Hope Davis.
I’m not trying to be overly contrary. It’s not like I’m a huge Julia Ormond fan who has to defend her, though I do like her. I also realize that Julia Ormond certainly is much more generic than those very distinctive but unknown (to the general public) women, and doesn’t work near as often or in as many American movies. However, I just checked out her next project on IMDB and I can’t wait to see it. It’s Temple Grandin, with Clair Danes, David Strathairn, Catherine O’Hara, and is directed by Mick Jackson, who’s done some exceptional TV work, such as Threads, Traffic (the miniseries), and Tuesdays with Morrie. He’s done some paycheck movies, such as Volcano, but he also directed L.A. Story, with Steve Martin, which I thought was pretty good. The movie synopsis is: “A biopic of Temple Grandin, an autistic woman who has become one of top scientists in humane livestock handling.” Sounds good.
As garygnu points out, she’s still in demand. Her next three movies are whoppers. State of Play, with Russell Crowe, Ben Affleck and Helen Mirren, directed by Kevin McDonald (The Last King of Scotland), and screenplay by Tony Gilroy (Michael Clayton); the title character in The Time Traveler’s Wife, with Eric Bana as the wayward time-challenged hubby; and Sherlock Holmes’ main squeeze (I assume) with Robert Downey Jr. and Jude Law, directed by Guy Ritchie. After that, she’ll be in Morning Glory, directed by Roger Mitchell (Notting Hill, Changing Lanes, Venus) with Harrison Ford. Ok, that one has the capacity to be dismal, simply because it’s likely she’s the love interest of Harrison Ford, a man old enough to be her grandfather. That could get icky, but we’ll see. She did seem to take a couple of years off, but last year she was in a couple of fantastic indie films. I saw her recently in a terrific little indie film called The Lucky Ones, with Tim Robbins and Michael Peña. It got terrible reviews and I don’t understand why. Plus, she was in a 40’s-set noir called Married Life, with Chris Cooper and Patricia Clarkson. I didn’t see it, but I wanted to see it and wish I had.