Anyone here been on the STAGE? Any pointers for a theatrical virgin?

I’ve been in a couple or three productions over the years, starting with dance recitals when I was about four. The best advice ever given to anyone about to go onstage was that first time, when the mom of one of the girls in my group said, “Now, Tracey, just remember: don’t pick your nose and don’t pull at your panties, and everything else will be all right.” Priceless words to live by, on or off stage.

Props to my mom for overhearing this and remembering it for years until I was old enough to appreciate.

Now, where’s the fun in that? :wink:

Hehe… that’s priceless.

'Course, that advice sort of goes out the window once you get to the modern dance lessons, especially those involving pole, table, or lap-dancing. Then I think pulling at your panties (or someone else’s) is the point!

Breathe.
Speak from your tum tum, not from your nose.
No suprise in the artist, no surprise in the audience. Surprise yourself (after opening night)
Breathe.
Enjoy yourself. (If you don’t, who will?)
Don’t forget the intake of oxygen thru the nasal passages as well as the oral opening thingie.
And, of course, breathe.

The universe, as matter of course, does not manifest itself the way we envision it… mostly out of crankiness… the play is always a disaster, right up to the moment it’s a ringing success.

The main cross-over between performance and life is: ad lib when things go bad. Nobody except: the playwright with white knuckles, & that one guy with the script in his lap is going to notice. Flirt lightly with these 2 (probbaly a raised eyebrow will do it) and you’re home free.

Dr. Pinky, professional theatre critic

screech~ We are performing on the 13th, 14th, 15th matinee, 19th, 20th, 21st, 22nd matinee, 26th, 27th, 28th, 29th matinee close and strike… As far as a phone number, I will get you one tonight, and post it tomorrow.

All who replied: Thanks for the tips!!! I will try to keep the panty thing in mind, as well. (Although I am not dragging for any of my roles…)

O

Vidi Vici Veni!

Omygod. I grew up in Winter Haven, and even performed in the community theater there. Do you know if Norman Small still directing there?

Tips:

  1. Have fun.
  2. Breathe.
  3. Speak clearly and slightly slower than normal.
  4. When speaking, try to be pointing in a general downstage (towards the audience) direction. If the person you’re talking to isn’t downstage of you, try to angle yourself slightly downstage of where they are.
  5. Play it off. If someone (even you) screws up, keep going. Don’t try to back up and do it again.
  6. Memorize, memorize, memorize. Practice with a friend, 'til you can nearly recite both your lines and your cue lines from memory. Watch out for speaking your lines too fast, though (see #3).
  7. Don’t poke yourself in the eye with a metal coathanger during intermission. When they said the show must go on, they weren’t kidding.

Oops. Forgot one point.
8) Contrary to pezpunk’s first point, do not have a drink. Don’t put anything stronger than caffeine (and maybe not even that) in your body before going on stage. You need to be in full control of yourself out there.

Make sure to get the video for me and bring it up when you make it up this way??

I’d give you some advice, but much more of my skill was behind the scenes rather than in front of them… But, from the few times I did make it onstage, the thing that I remember the most was RELAX! (That, and don’t do what one of the guys at my school did and miss your cue by going to the cafeteria for a glass of milk before you’re supposed to go on! :wink: )

Break a leg!

I’ve been acting for the last few years now, and just recently began rehearsing for Tied to the Tracks, a melodrama. I’ve also been in Much Ado About Nothing, and Macbeth (there, I said it!), to name a few.

The warmups already mentioned are a good idea. I personally find it useful to meditate before a performance, but that’s just me.

Run lines whenever you can. Even if you already know them, find another cast member and run them. You should be totally comfortable with them.

Think about your character. When, not if, something goes wrong, you are less likely to break character if you have a good idea who this person is. Does that make sense?

This probably doesn’t apply to your show in particular, but if there is any stage combat or very active scenes, be careful. That is one area in which a screw up can be very, very bad.

Have fun, and break a leg!

Here is the website with the phone numbers and contact info:
http://www.theatrewinterhaven.com/

Punoqllads: Norman Small is still the manager/director of the theatre itself. I don’t think he is actually directing shows, though…

TP: I am certain that several of the people either in or assisting with the show will be videotaping. I will NOT be coming to NYC, due to our trip being cancelled. I will make SURE that I get a copy for you, though, and send it up via FedEx. Thanks for the kind words.

All: Thanks. And does anyone know if GolfWidow is still around? She, TroubleAgain, Screech and PezPunk might make this a dopefest of sorts, come to the show and we can meet at Appleby’s across the street for drinks after…

O

Vidi Vici Veni!

Don’t let me forget Michi, Sani, Bear and all of the other area dopers in this, either. If you will work out a time, I will arrange for tickets, hopefully at a REASONABLE discount. This will be a LOT of fun. Come watch me make an ass out of myself on stage!!!

O

Hoosier Daddy!@?

:eek: Are you speaking from experience here? Obviously, someone wished you ‘good luck’ prior to the show!

We had a Judas who ran into some scenery and knocked himself out during “Jesus Christ Superstar” [amazingly only for one scene, and was back onstage for his next number].

Final night of “Twelfth Night” - one of the maracas broke and bounced across the stage (Carribean setting), Sir Toby broke the entire top off an aspirin bottle, Maria pulled her chemise a little too low and ended up flashing Sir Andrew and the first couple rows of the audience, and Malvolio slammed a door, causing the ornate ‘skylight’ to come crashing to the stage, missing him by inches.

BWAHAHAHAHAHAHAHAHAHAHAHAHA!!!
I can picture someone reading this resume at your next audition.

Hey, Screech… Do you know anyone in the Society (or anyone on the SDMB, for that matter) that is into Commedia Del Arte’? The tech director wishes to do a Renn~type show with high school aged kids, and was asking about local SCA’dians…

O

Check with the Barony of Wyvernwood (Darkwater has no theatre group, as far as I know).
Check you e-mail also for some phone numbers.

I used to do college and dinner theater, and have directed a children’s and high school plays. Alas, my dreams of Broadway and Hollywood glory faded in a series of tragedies.
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In other words, I had to get a real job!:mad:

Never would have thunk that ol’ Vinnie was a ham from way back, would ja? Well, it’s been ten years since the Slayer has knocked 'em dead, but I have some real good tips here for ya!

I take it that this is your first ever stage part, and I am assuming your a dude, so here goes a few:

  1. You will be as nervous as shit. But that is a good thing. Ask the actors how they channel that nervous energy into their character. I was nervous as hell when I did my first high school play. When I got off the stage, it was such a rush, I was stage-bit for years. It’s like the first time you ride a roller-coaster. Your scared shitless, but when you get off it, you can’t wait to ride again!

If you do the show a few times, and start to get too relaxed, look out! Find a way to get nervous again, otherwise you will end up just “walking through” the role.

  1. PROH-JECT. Unless you are miked, which I hate. If you are not miked, unless you have an unnaturally loud voice, you will need to actually shout your lines, loudly and slowly. It will seem weird at first, but trust me, if you forget everything else I teach you here, remember this:

You can be the best actor on God’s green Earth- but if the audience cannot hear you, they will fucking hate you with a vengeance. When the play is over, they will all go home saying, “Boy that was a good show, but that guy who had nine roles, he sucked! I couldn’t hear a godammned thing he was saying!”

Make sure the director tells you if you are loud enough. When I directed, I used to almost have my actors strangle me because I would sit at the back of the auditorium constantly yelling “I CAN’T HEAR YOU!!!” But it was true! If I couldn’t hear them, and I knew the lines, how in the hell is someone that paid $5 to see this going to hear them???

  1. Take care of your voice. I think booze before performing is a bad, bad idea. Drink lemon juice instead. And avoid yelling or screaming when not rehearsing.

  2. The avoiding taco bell-pizza thing: good idea. Eat a light salad before the show. You’ll have something healthy in your stomach, but won’t be bloated or tired. Don’t eat anything that causes indigestion.

  3. Make sure every single thing your character says and does has a reason for it. This is called method acting. If the script calls for your character to walk across the stage, rationalize a reason why he would do so. Just don’t block out the other actors (it’s the director’s job to make sure you don’t do this). I can’t teach you his on a thread- ask your director or other actors about this. Your library should have about 20 books on this. Try Stanislavski. Of course, you are doing a musical, but hey, it never hurts to learn now.

  4. Never, EVER, under any circumstances, wish another actor or stage crewmember “Good luck.” Say “Break a leg” instead. Or they will break YOUR leg.

  5. Improv is important. As I said before, create your character. Become your character on stage. If you do this and immerse your self in him, if someone forgets his or her line, or the unexpected happens, then it will be second nature to improvise.

Okay, your playing 9 different roles. But I’m trying to help here!

I used to do this exercise as a dress rehearsal where in secret I would give all the different actors instructions telling them to deliberately do something completely off script. This would force the other actors to improvise on the spot.

Unfortunately in one play the actors didn’t memorize their FUCKING lines, and boy, did I throw a fit (I was well respected- not well liked.)

8.And finally, dump your girlfriend. 90% of the guys in theater are gay, and if you are a halfway decent looking straight dude, you will be banging more hot actress chicks than you know what to do with (you don’t actually think the Vin Man was in it because he liked to listen to show tunes, do you???)Oh, and if your a chick, well, your just screwed. Hey! Some of them might be bi!.:cool:

BREAK A LEG! Tell us how it goes!

Sorry to take up the bandwidth, but your e-mail is coming back as undeliverable. E-mail me and I’ll try to get the info to you another way.

I’ll also find my copy of a book detailing commedia dell’arte typical gags. Quite good for improv situations.

As a former stage manager - Practice whispering - so you can communicate backstage without the audience hearing you. This includes practicing LISTENING to others whisper.

Enjoy the parties - sometimes the best part of the theatre is the parties. And remember - in theatre sexual harrassment is not only tolerated - it’s encouraged (as long as it’s not mean-spirited, that is).

Panic. At every available opportunity, including onstage. This will enliven your performance for the audience’s benefit. Remember, it’s better to have people laughing at you than with you.

[sub]I have no idea where that came from.[/sub]

Esprix

show up on time
don’t be a show-off
learn your lines
don’t drink before a performance
be nice to the rest of the cast, no matter what you think of them
learn your lines
don’t chew gum while on stage
learn your marks
project
learn your lines

Then, once you know your lines, relax and have fun!

I’d probably just drink to excess, then vomit into the orchestra pit.

Repeatedly.