A few things:
One: Want to destroy the experience of anyone watching a move that include gunplay? Ask them, “where is the brass?” Most cheap movies forget to include the little “ting!” of the brass cartridge casing falling onto the ground - and you won’t see the brass shooting up from the ejector port and falling on the good guys’ hat, or hot brass down the shirt (ouch!) or in anybody’s eye…a few spend the extra money but they are rare.
There are a lot of prop “guns” on the set that throw what looks like brass, but is really plastic. They have enough of a powder charge to rack the slide and throw out the little brass “casing” but the barrel is blocked.
I recall cleaning one and getting a little too much oil on the slide. I test-fired one and had the whole magazine go off, in a pretty arc of “brass” that described a neat parabola away from the “gun.”
Two: If you want a pretty contrast/comparison between actors who know guns and those who don’t, take a look at Zulu (1964).
In one scene, watch both Stanley Baker (who didn’t know guns) and Michael Caine (who did. The man had fought in Korea before ever making a living as an actor – bodies hanging on the barbed wire and the full combat experience).
Mr. Baker can be seen “throwing bullets,” i.e., firing while shaking the gun in the direction of the Zulus in the time-honored Tom Mix western tradition. In the same scene Mr. Caine can be seen with the same model Webley (great gun!) traversing with the pistol, tracking a single target…and not moving the gun at all while he drops the hammer. Who had actually fired at people who can fire back?
To actually get around to answering the OP, however, Ronin had a good gun trainer. The lead player, Sam treats the guns like a professional would. “It’s a toolbox. You put the tools for the job in the box.” When they do fire…if you’re going to hit a guy a long way away with a 1911 (the Flying Ashtray), you’d better have a rock to brace your wrist while you aim, dammit, aim!
Even better, Ronin had none of the following silly points:
[ul]no pulling the hammer back on a 1911 with no round in the chamber.[/ul]
[ul]no “click!” of someone releasing the safety catch on a Glock (it hasn’t got one!)[/ul]
[ul]nobody being thrown by the impact of a bullet.[/ul]
But my favorite thing about Ronin is that it’s not about the war, it’s about the warriors. (Spoiler follows!)
You never find out what’s in The Case, (although it’s pretty obvious it’s one of those suitcase nukes that went missing from the Soviet arsenal after the fall). It’s not about that. It’s about trust, and the loneliness of people who have nobody else who understands them except people in their line of work.