# Artists that sampled themselves

**URL:** <https://boards.straightdope.com/t/artists-that-sampled-themselves/853421>\
**Category:** Cafe Society\
**Created:** [May 8, 2020, 7:06pm UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421 "2020-05-08T19:06:10Z")\
**Posts on this page:** 9\
**Page:** 1

<div class="post-metadata">

**Author:** ![ChockFullOfHeadyGoodness](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/chockfullofheadygoodness/32/511_2.png) [@ChockFullOfHeadyGoodness](https://boards.straightdope.com/u/ChockFullOfHeadyGoodness)\
**Post date:** [May 8, 2020, 7:06pm UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/1 "2020-05-08T19:06:10Z")

</div>

Just listened to Robert Plant’s 1988 solo song [Tall Cool One](https://www.youtube.com/watch?v=Ka_ALgG9hqY), which features samples from several Led Zeppelin songs.

Reminded me of Mick Jones’ post-Clash band Big Audio Dynamite’s [The Globe](https://www.youtube.com/watch?v=rPrPNpzLHIk), which sampled The Clash’s _Should I Stay or Should I Go?_

Who else has sampled themselves or an act they were previously part of?

And, no, despite what people were saying at the time, George Harrison did not sample any Beatles material in _When We Was Fab_. That was just Jeff Lynne indulging his life long Beatles fetish.

---

<div class="post-metadata">

**Author:** ![Joey\_P](https://avatars.discourse-cdn.com/v4/letter/j/919ad9/32.png) [@Joey\_P](https://boards.straightdope.com/u/Joey_P)\
**Post date:** [May 8, 2020, 7:29pm UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/2 "2020-05-08T19:29:33Z")

</div>

Not exactly a sample, but John Fogerty was sued by his previous record company for writing a song that they felt sounded too similar to a CCR song.

---

<div class="post-metadata">

**Author:** ![RealityChuck](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/realitychuck/32/195_2.png) [@RealityChuck](https://boards.straightdope.com/u/RealityChuck)\
**Post date:** [May 8, 2020, 11:46pm UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/3 "2020-05-08T23:46:46Z")

</div>

Matthew Fisher (ex- Procul Harum) wrote “Going for a Song,” singing about a song he was tired of playing all the time. It shouldn’t be hard to guess which song he sampled.

The Beatles sampled “She Loves You” in “All You Need Is Love.”

---

<div class="post-metadata">

**Author:** ![EinsteinsHund](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/einsteinshund/32/8400_2.png) [@EinsteinsHund](https://boards.straightdope.com/u/EinsteinsHund)\
**Post date:** [May 8, 2020, 11:50pm UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/4 "2020-05-08T23:50:06Z")

</div>

This was before sampling was a thing (but AFTER the Beatles had made music that used a primitive kind of sampling in “Tomorrow Never Knows”), but there’s the chorus of “She Loves You” in the outro of “All You Need Is Love”.

ETA: Damned, ninja’d by **RealityChuck**.

---

<div class="post-metadata">

**Author:** ![EinsteinsHund](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/einsteinshund/32/8400_2.png) [@EinsteinsHund](https://boards.straightdope.com/u/EinsteinsHund)\
**Post date:** [May 8, 2020, 11:57pm UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/5 "2020-05-08T23:57:23Z")

</div>

Got another one: in the fade-out of “[Helpless Dancer](https://www.youtube.com/watch?v=w2W1-69yraU)” on the Who’s “Quadrophenia”, there’s the start of “The Kid’s Are Alright” as played on a radio.

---

<div class="post-metadata">

**Author:** ![EinsteinsHund](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/einsteinshund/32/8400_2.png) [@EinsteinsHund](https://boards.straightdope.com/u/EinsteinsHund)\
**Post date:** [May 9, 2020, 12:11am UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/6 "2020-05-09T00:11:42Z")

</div>

On the live “How The West Was Won”, Led Zeppelin play the intro riff from [Out On The Tiles](https://www.youtube.com/watch?v=v_FVnuP-EkY) that blends into [Black Dog](https://www.youtube.com/watch?v=gulqMtFanBo).

---

<div class="post-metadata">

**Author:** ![Shakester](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/shakester/32/437_2.png) [@Shakester](https://boards.straightdope.com/u/Shakester)\
**Post date:** [May 9, 2020, 6:32am UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/7 "2020-05-09T06:32:41Z")

</div>

Just to be clear here: Sampling was invented around 1980. Sampling is digitally recording something and playing it back.

Musical quotes and references are **not** sampling. Replaying a tape is a kind of proto-sampling, but is still not sampling.

---

<div class="post-metadata">

**Author:** ![road\_lobo](https://avatars.discourse-cdn.com/v4/letter/r/d78d45/32.png) [@road\_lobo](https://boards.straightdope.com/u/road_lobo)\
**Post date:** [May 16, 2020, 8:13am UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/8 "2020-05-16T08:13:12Z")

</div>

> [@Shakester](#):
>
> Just to be clear here: Sampling was invented around 1980. Sampling is digitally recording something and playing it back.
> 
> Musical quotes and references are **not** sampling. Replaying a tape is a kind of proto-sampling, but is still not sampling.

Strongly disagree. Sampling is the contemporary term for a type of synthesis that’s as old as musique concrete.

Digital recording is not essential: hip-hop deejays used turntables to play looped breakbeats at parties. Hip-hop producers used this technique with multi-track tape recorders to build up songs using turntablist techniques like scratching.

“Sampling” comes from the frequency at which A/D converters record/play samples of audio. The compact disc had a sample rate of 44100 Hz. The essential element of sampling is the artistic non-linear manipulation of recorded audio.

> **[Pierre Schaeffer](https://en.wikipedia.org/wiki/Pierre_Schaeffer)**
>
> Pierre Henri Marie Schaeffer (English pronunciation: /piːˈɛər ˈhɛnriː məˈriː ˈʃeɪfər/ ⓘ, .mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}French pronunciation: \[ʃɛfɛʁ\]; 14 August 1910 – 19 August 1995) was a French composer, writer, broadcaster, engineer, musicologist, acoustician and founder of Groupe de Recherche de Musique Concrète (GRMC). His

> **[Mellotron](https://en.wikipedia.org/wiki/Mellotron)**
>
> The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which causes a length of magnetic tape to contact a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds.
> The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. ...

> **[Fairlight CMI](https://en.wikipedia.org/wiki/Fairlight_CMI)**
>
> The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New Engl In th...

> **[Nyquist–Shannon sampling theorem](https://en.wikipedia.org/wiki/Nyquist%E2%80%93Shannon_sampling_theorem)**
>
> The Nyquist–Shannon sampling theorem is an essential principle for digital signal processing linking the frequency range of a signal and the sample rate required to avoid a type of distortion called aliasing. The theorem states that the sample rate must be at least twice the bandwidth of the signal to avoid aliasing. In practice, it is used to select band-limiting filters to keep aliasing below an acceptable amount when an analog signal is sampled or when sample rates are changed within a digital...

---

<div class="post-metadata">

**Author:** ![Aspidistra](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/aspidistra/32/3894_2.png) [@Aspidistra](https://boards.straightdope.com/u/Aspidistra)\
**Post date:** [May 16, 2020, 8:24am UTC](https://boards.straightdope.com/t/artists-that-sampled-themselves/853421/9 "2020-05-16T08:24:49Z")

</div>

Kiiara’s _Gold_ samples its own pre-chorus in the chorus itself, which is probably some kind of self-referentiality record
