True dat.
I am not sure I can articulate why some plot holes are endearingly forgivable, and some drop off the screen with a clank and break the flow. The Magic Water Vaporizer of Death is funny and forgivable - Katie Holmes (and the street kid who Batman gives the periscope) reacting differently from everybody else to Scarecrow’s panic gas - clank.
Overall - B at best, and not a B+ either.
Action scenes were filmed interestingly. If they didn’t want to escalate the wire-work standards of many recent films, the confused blur of combat came across well. Katie Holmes is a completely forgettable piece of eye candy, and should have been treated that way - i.e. drop the whole lost/reunited/relost lovers from childhood subplot. Liam Niessan holding his own with Batman in a sword fight? Come on.
The Scarecrow was great. Especially that effeminate looking actor playing him. And it set up the “here come a batch of super villians next time” well.
Bale is fine as Batman. Michael Caine as Alfred - not so much. That cockney accent is completely out of place - Alfred is supposed to be dignified, not a smart-ass. Where the heck did Bruce Wayne learn to be a super-martial arts guy? He could do that in the Chinese prison, long before he went to the top of the mountain. And by the way, if he had to struggle his way up a mountainside, how did Ras make it there before him without messing up his nice suit?
The whole Legion of Shadows thing was fine but overdone. Batman is about the gadgets - the Batmobile (which should not be a tank, but sleekly futuristic), the utility belt, the batarang - “wonderful toys”. What the heck is he doing sword-fighting?
Biggest problem - they’re messing with the canon, especially the canon of the films. That is not how the Joker comes to Batman’s attention, darnit. And if you start doing that, there is no sense of continuity to the character and the whole series gets broken up.
Maybe that’s why I stopped reading comic books - the tendency for a new author to come along and say, “No, that never happened.” That violates the “willing suspension of disbelief” that makes the whole movie possible. If they do that, then there is no tension to sustain the series from movie to movie.
If this is the start of a new canon, I guess I can wait and see how it develops. If they are going to start from scratch every time, forget it. They are bringing a well known character to life, not rewriting him from scratch.
Regards,
Shodan