But my point was (and still is) that BE is a lesser work. I’ve enjoyed plenty of novels that were light entertainment, but I’ve never considered them to be among the best I’ve ever read. I’ve enjoyed lesser works certainly, but I knew that they were lesser works.
The fact that everyone who claims to have liked it also seems to say “but that was when I was a teenager” seem to indicate it was fairly juvenile (which is what I meant by a boy’s book; I didn’t mean to imply anything about the readers). I’d be interested in seeing if they felt that way if they read it again.
If its time was 1938, you’d be right. Doc Smith wrote a lot of that sort of gee-whiz space opera. By 1982, though, BE was hopelessly dated. That’s why it appealed so much to teenagers (I’ve yet to see anyone who read it as an adult and liked it) – there was very little of that sort of old-fashioned clunky space opera. But 1982 featured DOWNBELOW STATION, THE PRIDE OF CHANUR, OATH OF FEALTY, AT THE EYE OF OCEAN (by Hilbert Schenk, who was one of the best at writing a fast-paced adventure story), DREAM PARK, and THE MANY COLORED LAND, all of which were much superior entertainments (and much better novels) than BE.
Faint praise indeed. If an author can’t do that, he has no business being published. And I’m sure the plot did seem excellent. It had, after all, been used hundreds of times before Hubbard. Young hero overthrowing evil alien overlords was not exactly anything new in 1942, let alone 1982.