[QUOTE=fessie]
Whatchoo talkin bout Willis? Wilford Brimley wasn’t in “Alien”. You already posted about him in “The Thing” once.
[/QUOTE]
Evil Captor has suffered a mental collapse, and he doesn’t even know what movies he’s talking about anymore. He thinks Wilford Brimley starred in every action movie since 1980.
Gael Garcia Bernal’s Stephane isn’t happy at the beginning of The Science of Sleep–he’s dealing with his father’s death, talking to his dad in dreams, and chasing his artistic dreams in a country across the world with a language he feels shaky in. But he’s certainly “normal” and functioning.
Does being on the edge of a nervous breakdown count?
My mother swears she hates Almodóvar and his movies (she’s, uh, slightly prejudiced) but got hooked on watching that one with me once - now whenever she starts her “I hate Almodóvar” speech all I need to shut her up is remind her of the only Almodóvar movie she’s actually watched.
[QUOTE=riker1384] Evil Captor has suffered a mental collapse, and he doesn’t even know what movies he’s talking about anymore. He thinks Wilford Brimley starred in every action movie since 1980.
[/QUOTE]
I can’t imagine making an action movie without Wilford Brimley.
[QUOTE=Cartooniverse]
The cross-cutting between a physically damaged but mentally very healthy Jon Voigt and Dern in the final moments left me sobbing.
[/QUOTE]
It wasn’t a permanent collapse, but William Forsythe losing hope during The Waterdance left me crying too.
How so? Does he belong to some minority group she dislikes?
Which movie?
On a similar note: Peter in the original Dawn of the Dead when he
[spoiler]gives up on life and holes up in his room with a gun to his head. That moment, when the strongest (mentally and physically) character in the movie–the one who inspired the other three with his “never-say-die” mentality, empowered Roger in his final days and overcame the animosity between himself and Stephen to unify the party in the name of survival–is overcome by the horror of fighting another zombie onslaught, is powerful.
Apparently Romero wanted to have Peter and Fran both commit suicide, and both scenes were shot–Peter putting a hole through his brain and Fran putting her head in the way of the chopper blades, and then the chopper was going to run out of fuel and die a couple of minutes later to show that their escape would have been futile anyway. Someone convinced him to have them both survive, but you can still see the build-up to their suicides when Fran hesitates once she’s inside the helicopter.[/spoiler]
Jessica Walter started out (seemingly) sane in Play Misty for Me (I never thought about it before, but this movie was its generation’s “Fatal Attraction”).
[QUOTE=Gatopescado]
Nick Nolte in “Affliction”. This movie also features one of the best lines in cinematic history, delivered by a powerful James Coburn. If you’ve seen it, you know what I’m talkin’ about!
[/QUOTE]
[QUOTE=Argent Towers]
Are any of these examples of characters who are completely normal, happy, and functioning at the beginning of the movie, and totally off the deep end by the conclusion?
[/QUOTE]
Yeah, Ellen Burstyn in Requiem For a Dream qualifies. She’s just a regular old lady at the start. By the end she’s . . . a babbling lunatic in an asylum.
And it’s so gradual, too. It was a real shock to me to watch the movie a second time and see how normal and healthy she looked at the start. A completely different character by the end.