I’m going to come right out and say it: “The Dynamite Book of Ghosts and Haunted Houses.”
Yes, Dynamite: those of us of a certain age demographic will perhaps remember the groovy 1970’s-era kid’s magazine that offered “Hot Stuff,” Wacky Packages stickers, and pinup posters of Erik Estrada. However, they also periodically published books through Scholastic Paperbacks, generally spotlighting one of the magazine’s regular features or columns: “Magic Wanda’s DYNAMITE Magic Book,” “Count Morbida’s Fang-Tastic Activity Book,” “The DYNAMITE Book of Bummers,” and so on. All brought to you by the friendly neighborhood Bookmobile, because Reading Is Fundamental.
Anyhoo… other than Count Morbida and a keen 3-D Wolf Man poster, I don’t recall the magazine having any particular emphasis on horror; but at some point they also published the aforementioned Book of Ghosts and Haunted Houses, written by Margaret Ronan, illustrated by Arthur Thompson.
Now, I was no stranger to horror fiction even at that age. Poe, Lovecraft, William Hope Hodgson, Algernon Blackwood, Alfred Hitchcock and Rod Serling anthologies-- all good, red meat. Sure, many of the stories gave me the shudders-- wasn’t that the point? But I kept going back.
So I probably wasn’t too impressed by the appearance of this slim paperback volume, with its competently if cartoonishly depicted haunted house on the cover. “THE BOOK YOU ARE HOLDING IS 100% DYNAMITE!” read the inside title page. Ooo, terrifying.
“WARNING: Do not read this book if you are home alone!”
I read the book while I was home alone.
How to explain? Something about this book struck home hard, in a way that I find impossible to analyze or describe clearly. Undoubtedly anyone else reading this book would see it exactly as it is: an unremarkable collection of mildly spooky anecdotes, written for children. I’m not sure why it affected me so memorably, but there it is.
The stories themselves run the gamut from old folklore to modern-day settings. About the only ones I was familiar with beforehand were the story of the Winchester House, and an account of the Vanishing Hitchhiker-- the others were new to me. The writing has a dry, journalistic quality, phrasing the anecdotes as if pieced together from interviews. One story tells of a house haunted by a red rubber ball that appears from nowhere, bouncing back and forth endlessly on the cellar stairs. Another tells of a little girl who disappeared in a snowstorm during Colonial times, and the trail of child-sized bloody footprints that still sometimes appear in the snow outside her home.
At the back of the book is a short list of haunted houses around the United States. (The entry for New Hope, PA: “Every building in this town is said to be haunted, but the folks who live there don’t mind.”)
I stumbled across a dog-eared copy recently at a library sale. Though it’s probably been over a quarter-century since I saw it last, I recognized the book instantly, mixed in among a pile of terminally fatigued Sweet Valley High paperbacks. It was a strange sensation to peruse it again, vividly recalling that sick thrill of anxiety that kept me from going into the basement alone for weeks, for fear of hearing the THUD, THUD, THUD of a rubber ball come bouncing out of the darkness. (Fortunately I live in Florida now, where there are no cellars.)
To my knowledge, I never read anything else by Margaret Ronan. However, in this marvelous internet age we live in, I now discover that she was a reasonably prolific author of children’s books, with approximately 50 entries at Amazon.com. Of these, it appears that her most popularly reprinted work was the vastly tedious-sounding “Arrow Book of States.” However, I am delighted to find that almost all of the others are seriously fucked-up kid-lit.
“Dark and Haunted Places.”
“Curse of the Vampires.”
“Master of the Dead.”
“Death Around the World: Strange Rites and Weird Customs.”
“House of Evil and other Strange Unsolved Mysteries.”
“Hunt the Witch Down: Twelve Real Life Stories of Witches and Witchcraft.”
“The Hindenberg is Burning! and other Dirigible Disasters.”
Is this not the best list of children’s book titles EVER? Honestly, I ask you. This list nails Encyclopedia Brown to the wall and flays him ALIVE.
Apparently she also has a story in the anthology “Alfred Hitchcock Presents: Stories for Late at Night,” alongside such illustrious peers as Roald Dahl, Cyril Hume, Evelyn Waugh, George Langelaan, C. L. Moore, Margaret Millar, and Ray Bradbury. This is exactly the sort of anthology I devoured as a kid, so maybe I have read something else of hers after all. More research is needed.
Sadly it appears that her most recent publication date was 1985, so it seems likely that she is no longer with us. Nonetheless, I feel it necessary to declare:
MARGARET RONAN, I LOVE YOU. You are a horrible, beautiful fucked-up probably dead old woman. You scared me shitless and I want to marry you. I need a woman who understands the importance of dirigible disasters. I need a woman who knows the Strange Rites and Weird Customs of Death Around the World. I don’t know what the hell your deal was, or what you were trying to do to the children, but I am in serious awe of your freaked-out bibliography.
MARGARET RONAN, you were GLORIOUSLY FUCKED-UP and I thank you for it.