Classical music performance as an exercise in memorization

And that’s the key to understanding modes.

Once you start thinking in terms of intervals and not notes, it all becomes much clearer.

That about describes me…hammering 1/5s at pace, and…something happens.
I regularly remind my wife when she worries about improvisation two important things:

  1. There’s no such thing as a wrong note; you are just “going chromatic”!
  2. When you do, in fact, hit the wrong note, you are always a half step away from a good note. Just slide into it and pretend that’s what you intended all along!

I alway imagine doing that with an expression on my face like a cat who did some clumsy move and suddenly starts licking his fur vigorously and acting like that was the plan all along.

AIUI, it’s like the way, say, a London taxi driver’s “Knowledge” develops a particular area in the brain.

Coincidentally, I’ve just watched a documentary about the musician/broadcaster Clemmie Burton-Hill came back from a severe brain haemorrhage, which included some discussion about how the music-developed parts of the brain might help provide alternative neural pathways to compensate for parts at least of what was lost elsewhere.