And that’s the key to understanding modes.
Once you start thinking in terms of intervals and not notes, it all becomes much clearer.
And that’s the key to understanding modes.
Once you start thinking in terms of intervals and not notes, it all becomes much clearer.
That about describes me…hammering 1/5s at pace, and…something happens.
I regularly remind my wife when she worries about improvisation two important things:
I alway imagine doing that with an expression on my face like a cat who did some clumsy move and suddenly starts licking his fur vigorously and acting like that was the plan all along.
AIUI, it’s like the way, say, a London taxi driver’s “Knowledge” develops a particular area in the brain.
Coincidentally, I’ve just watched a documentary about the musician/broadcaster Clemmie Burton-Hill came back from a severe brain haemorrhage, which included some discussion about how the music-developed parts of the brain might help provide alternative neural pathways to compensate for parts at least of what was lost elsewhere.