# Covers that change what the song means.

**URL:** <https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408>\
**Category:** Cafe Society\
**Created:** [October 17, 2008, 5:05pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408 "2008-10-17T17:05:54Z")\
**Posts on this page:** 20\
**Page:** 1

<div class="post-metadata">

**Author:** ![Biggirl](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/biggirl/32/3294_2.png) [@Biggirl](https://boards.straightdope.com/u/Biggirl)\
**Post date:** [October 17, 2008, 5:05pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/1 "2008-10-17T17:05:54Z")

</div>

Without changing the words or the melody.

In [Best and Worst Political Songs](http://boards.straightdope.com/sdmb/showthread.php?t=488039) thread, I mention Rage Against The Machine’s version of I Could Just Kill A Man.

To me, this song is about impotent rage (against the machine, I guess) and how it all can get to be too much. Cypress Hill’s original take was more of a funny drug song.

Then there’s Smooth Criminal. Michael Jackson’s original sounds to me like a song about a bad lover, Alien Ant Farm’s version-- a guy who actually kills someone.

Completely OT: Does anyone else hear Michael sing “Annie are you Oakley”? Only me, huh?

---

<div class="post-metadata">

**Author:** ![FallenAngel](https://avatars.discourse-cdn.com/v4/letter/f/5daacb/32.png) [@FallenAngel](https://boards.straightdope.com/u/FallenAngel)\
**Post date:** [October 17, 2008, 6:16pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/2 "2008-10-17T18:16:12Z")

</div>

I definitely heard, “Annie are you Oakley? Are you Oakley, Annie?”

Mine is Faith Hill’s godawful cover of Janis Jopin’s, “Take Another Little Piece of My Heart.” The original is an angst-filled resignation of a lover who knows her heart will never let her escape her relationship, even though the guy’s a right bastard.

Hill’s is enthusiastic and peppy. It makes me want to stab my ears.

---

<div class="post-metadata">

**Author:** ![alice\_in\_wonderland](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/alice_in_wonderland/32/176_2.png) [@alice\_in\_wonderland](https://boards.straightdope.com/u/alice_in_wonderland)\
**Post date:** [October 17, 2008, 6:25pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/3 "2008-10-17T18:25:47Z")

</div>

_Cry_ by the Philosopher Kings.

The original by Godley & Cream is fantastic, and applicable to any type of relationship.

The Philosopher King’s version is a drecky ‘Girl, why you done me wrong?’ type deal.

ETA: I hear “Annie are you Oakley? Are you Oakley, Annie” as well.

---

<div class="post-metadata">

**Author:** ![Cliffy](https://avatars.discourse-cdn.com/v4/letter/c/59ef9b/32.png) [@Cliffy](https://boards.straightdope.com/u/Cliffy)\
**Post date:** [October 17, 2008, 6:40pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/4 "2008-10-17T18:40:24Z")

</div>

Jeff Buckley’s version of Leonard Cohen’s Hallelujah. Cohen’s version is steeped in sarcasm; in Buckley’s version he mostly seems legitimately joyful. I think it’s a mistake.

–Cliffy

---

<div class="post-metadata">

**Author:** ![RealityChuck](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/realitychuck/32/195_2.png) [@RealityChuck](https://boards.straightdope.com/u/RealityChuck)\
**Post date:** [October 17, 2008, 6:43pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/5 "2008-10-17T18:43:57Z")

</div>

There was a disco version of Pink Floyd’s “Have a Cigar” that turns the song from a condemnation of the greedy record business to “Isn’t this great? We’re making a record! We’re going to be big stars!”

---

<div class="post-metadata">

**Author:** ![PoorYorick](https://avatars.discourse-cdn.com/v4/letter/p/ecccb3/32.png) [@PoorYorick](https://boards.straightdope.com/u/PoorYorick)\
**Post date:** [October 17, 2008, 7:22pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/6 "2008-10-17T19:22:51Z")

</div>

> [@Cliffy](#):
>
> Jeff Buckley’s version of Leonard Cohen’s Hallelujah. Cohen’s version is steeped in sarcasm; in Buckley’s version he mostly seems legitimately joyful. I think it’s a mistake.
> 
> –Cliffy

Funny how two different people can hear the same song and come away with opposing interpretations. I hear anguish and loneliness in Buckley’s version. I had to listen to the song again to make sure we were talking about the same thing. Still way different from Cohen, though.

---

<div class="post-metadata">

**Author:** ![Annie-Xmas](https://avatars.discourse-cdn.com/v4/letter/a/ecc23a/32.png) [@Annie-Xmas](https://boards.straightdope.com/u/Annie-Xmas)\
**Post date:** [October 17, 2008, 7:31pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/7 "2008-10-17T19:31:36Z")

</div>

“Memory” from CATS is supposed to be a quiet reflective song. Too many people sing it like a dirge.

---

<div class="post-metadata">

**Author:** ![CalMeacham](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/calmeacham/32/35_2.png) [@CalMeacham](https://boards.straightdope.com/u/CalMeacham)\
**Post date:** [October 17, 2008, 8:24pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/8 "2008-10-17T20:24:15Z")

</div>

My favorite is an intentional change – Big Daddy’s version of Celine Dion’s song “My Heart Will Go On” from Titanic turns it into a bouncy, upbeat Elvis Presley song. The first time you hear it, it doesn’t register exactly what song it is.

Of course, changing the style and mood of songs was Big Daddy’s stock in trade. But this one’s such a big change that it’s hilariously wonderful.

---

<div class="post-metadata">

**Author:** ![carnivorousplant](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/carnivorousplant/32/3563_2.png) [@carnivorousplant](https://boards.straightdope.com/u/carnivorousplant)\
**Post date:** [October 17, 2008, 8:56pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/9 "2008-10-17T20:56:41Z")

</div>

You Better Come On In My Kitchen.  
Robert Johnson’s is about seduction; Rory Block’s cover is about affection and caring.

That woman sure can play the guitar.

---

<div class="post-metadata">

**Author:** ![Ponch8](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/ponch8/32/9883_2.png) [@Ponch8](https://boards.straightdope.com/u/Ponch8)\
**Post date:** [October 17, 2008, 9:16pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/10 "2008-10-17T21:16:43Z")

</div>

The Red Hot Chili Peppers’ version of “Love Rollercoaster” changes the Ohio Players’ lyrics from “your love is like a roller coaster, baby, I refuse to ride” to “your love is like a roller coaster, baby, I **wanna** ride”.

---

<div class="post-metadata">

**Author:** ![Biggirl](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/biggirl/32/3294_2.png) [@Biggirl](https://boards.straightdope.com/u/Biggirl)\
**Post date:** [October 17, 2008, 10:36pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/11 "2008-10-17T22:36:09Z")

</div>

> [@Ponch8](#):
>
> The Red Hot Chili Peppers’ version of “Love Rollercoaster” changes the Ohio Players’ lyrics from “your love is like a roller coaster, baby, I refuse to ride” to “your love is like a roller coaster, baby, I **wanna** ride”.

Ah, but that’s changing the words. I’m talking about covers that use the same words but convey a totally different meaning to the song.

Plus, I think the Ohio Players did say ‘I wanna ride’. Hold up. . . lemme play it. . .

It’s sounds more like “I want you to ride” actually. Accentuated by the lead singer saying, “Ride baby, ride.”

---

<div class="post-metadata">

**Author:** ![Ponch8](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/ponch8/32/9883_2.png) [@Ponch8](https://boards.straightdope.com/u/Ponch8)\
**Post date:** [October 18, 2008, 1:03am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/12 "2008-10-18T01:03:44Z")

</div>

> [@Biggirl](#):
>
> Ah, but that’s changing the words. I’m talking about covers that use the same words but convey a totally different meaning to the song.
> 
> Plus, I think the Ohio Players did say ‘I wanna ride’. Hold up. . . lemme play it. . .
> 
> It’s sounds more like “I want you to ride” actually. Accentuated by the lead singer saying, “Ride baby, ride.”

I’m trying to google the lyrics to the Ohio Players version, but it seems they’re all saying “I wanna ride.”

---

<div class="post-metadata">

**Author:** ![RealityChuck](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/realitychuck/32/195_2.png) [@RealityChuck](https://boards.straightdope.com/u/RealityChuck)\
**Post date:** [October 18, 2008, 1:27am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/13 "2008-10-18T01:27:03Z")

</div>

Once nice example is in **Annie Get Your Gun**. Ethel Merman’s version of “You Can’t Get a Man with a Gun” is an upbeat song about an independent woman who puts men in their plae, but Bernadette Peters sings it more slowly, turning it into a sad reflection on how she drives men away.

---

<div class="post-metadata">

**Author:** ![Flip\_Pancake](https://avatars.discourse-cdn.com/v4/letter/f/f1d935/32.png) [@Flip\_Pancake](https://boards.straightdope.com/u/Flip_Pancake)\
**Post date:** [October 18, 2008, 2:22am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/14 "2008-10-18T02:22:00Z")

</div>

Most versions of Cole Porter’s ‘Night and Day’ (like [Sinatra’s](http://www.youtube.com/watch?v=qsdzGzLzA2Q)) sound lovely and romantic. [U2’s cover](http://www.youtube.com/watch?v=orSBHem9e3s) is dark, almost stalker-ish.

_Look out behind you, it’s Bono!_

---

<div class="post-metadata">

**Author:** ![Hunter\_Hawk](https://avatars.discourse-cdn.com/v4/letter/h/50afbb/32.png) [@Hunter\_Hawk](https://boards.straightdope.com/u/Hunter_Hawk)\
**Post date:** [October 18, 2008, 2:52am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/15 "2008-10-18T02:52:41Z")

</div>

The [NIN version](http://www.youtube.com/watch?v=Oc1mP4ae2Io) of “Hurt” is…bombastic.

The [Johnny Cash cover](http://www.youtube.com/watch?v=AO9dbmJ_2zU) is a painful reminiscence.

---

<div class="post-metadata">

**Author:** ![Hunter\_Hawk](https://avatars.discourse-cdn.com/v4/letter/h/50afbb/32.png) [@Hunter\_Hawk](https://boards.straightdope.com/u/Hunter_Hawk)\
**Post date:** [October 18, 2008, 2:54am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/16 "2008-10-18T02:54:43Z")

</div>

> [@PoorYorick](#):
>
> Funny how two different people can hear the same song and come away with opposing interpretations. I hear anguish and loneliness in Buckley’s version.

[aside]I once saw a striptease act to that song.  
Not the best choice of music.  
\<shudder\>

[/aside]

---

<div class="post-metadata">

**Author:** ![appleciders](https://avatars.discourse-cdn.com/v4/letter/a/85f322/32.png) [@appleciders](https://boards.straightdope.com/u/appleciders)\
**Post date:** [October 18, 2008, 3:08am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/17 "2008-10-18T03:08:28Z")

</div>

**Elton John** ’s _Rocketman_ is mournful, contemplative, almost sad. He likes his job, but he doesn’t like leaving his family and Mars is a scary, lonely place. **Me First and the Gimme Gimmes** are excited- they’re going to fucking _Mars_!

---

<div class="post-metadata">

**Author:** ![TWDuke](https://avatars.discourse-cdn.com/v4/letter/t/e495f1/32.png) [@TWDuke](https://boards.straightdope.com/u/TWDuke)\
**Post date:** [October 18, 2008, 3:21am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/18 "2008-10-18T03:21:30Z")

</div>

> [@Cliffy](#):
>
> Jeff Buckley’s version of Leonard Cohen’s Hallelujah. Cohen’s version is steeped in sarcasm; in Buckley’s version he mostly seems legitimately joyful.

:eek: [http://www.youtube.com/watch?v=AratTMGrHaQ](http://www.youtube.com/watch?v=AratTMGrHaQ) ☹

---

<div class="post-metadata">

**Author:** ![astorian](https://avatars.discourse-cdn.com/v4/letter/a/ad7895/32.png) [@astorian](https://boards.straightdope.com/u/astorian)\
**Post date:** [October 18, 2008, 5:05am UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/19 "2008-10-18T05:05:54Z")

</div>

Decades ago, Tom Robinson, one of the first openly gay rockers, did a cover of Steely Dan’s “Rikki Don’t Lose That Number.”

A gay guy singing that song gives the lyrics a whole different meaning. Rikki then seems like an insecure straight guy, or a guy in denial of his sexuality… someone who “kinda scared himself” but who “might have a change of heart” and give gay love a try.

---

<div class="post-metadata">

**Author:** ![casdave](https://avatars.discourse-cdn.com/v4/letter/c/c6cbf5/32.png) [@casdave](https://boards.straightdope.com/u/casdave)\
**Post date:** [October 18, 2008, 5:18pm UTC](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408/20 "2008-10-18T17:18:41Z")

</div>

‘Stairway to heaven’ Led Zeppelin - was somehow er…refreshed by Rolf Harris

[![]( " - YouTube") ](https://www.youtube.com/watch?v=sAxuV4Tvu5g)

‘No matter what’ Meatloaf, and then Boyzone came along and fucked it up big time

[![]( " - YouTube") ](https://www.youtube.com/watch?v=kbEId3LCrE4)

His version is so very differant in sentiment, one is a witness, the other is just teenybopper dreck.

[Next page](https://boards.straightdope.com/t/covers-that-change-what-the-song-means/468408.md?page=2)
