Dealbreaker screenplay clichés

I’ve seen a couple where the pursuee (good-guy spy betrayed by his own agency, or just average guy who’s “tradecraft” is brilliant) realizes the bad guys are tracking his phone. At which point, he tosses the phone into the back of a pickup truck, or onto a bus.

The first time I saw this, the protagonist dropped his phone into a woman’s rolling suitcase as she got on a bus. They immediately cut to the Evil Conglomerate Execs looking over the shoulders of the Evil Conglomerate IT Guys…

“He’s heading down Perimeter Street, now he’s turning onto the highway…” “He’s on the Trailways bus! Quick, he can’t get off til the next town, we can get there first!”

Cut back to Good Guy, calmly strolling down the city street… and me cheering.

Reminds me of another CSI dealbreaker cliché, maybe the biggest head-slapper they routinely committed:

“Enhance video!” (grainy security cam footage of a car parked 40 yards away is enlarged and sharpened until license plate number can be clearly read).

I think I even remember one ep where they enhanced a screen capture image of a guy wearing sunglasses until they got a recognizable view of someone’s face in the sunglasses’ lens reflection.

They could also remove disguises in security camera videos to reveal the perpetrators’ true faces.

I’ve never watched CSI, but I’ve seen this one a lot in various cop shows. I love it when they “enhance” to the point where they can read the license plate. Yeah, right. :roll_eyes:

Best version of enhance ever.

I don’t know. I kinda like the “enhance” scene in the original Bladerunner (1982). That software could enhance around corners !

But you can’t beat “uncrop”.

My blood pressure became more manageable once I started calling these shows Science Fiction.

There was. BBC show, maybe Spooks, that once used “computer enhancement” to extrapolate a man’s face from a pic of the back of his head.

See? Science Fiction!

I once had a graphic design client who gave me a pic of a girl with her hands covering her face and asked to get rid of the hands in Pshop.

Should have sent this back:

We haven’t even talked about dog cliches.

The heroic dog whose barking alerts everyone of the danger.

The heroic dog whose barking annoys everyone and they fail to recognize the danger.

And of course in supernatural stories, the dog can always sense that the normal-looking person who’s just entered is actually a Demon in Human Form (or whatever).

(The cat may sense it too, but never bothers to inform its humans of this disturbing fact.)

Or the dog who barks at the intruder to alert his family and gets eaten by the T-Rex.

The fact that a cat-snarl sound effect accompanies the entrance of any cat in any context.

Like the metallic schwik made by any steel blade, no matter the circumstance.

The Scream franchise turns this into a drinking game.

To ThelmaLou-

So true!

See also, audible sharpness:

If the dog stops barking, it takes forever for the family to realize something bad has happened (i.e., Fido is dead).