I think it is one of the funniest bits in the history of English language comedy. And I have heard it a dozen times. Or more.
Because the tension builds and builds and builds, and you want to jump in and correct. And Costello asks the questions in the right way, in the way that should resolve it, but don’t.
A simple idea for a sketch, that should be obvious, but wasn’t, until it was performed. And so obvious that the audience immediately “gets” the joke right at the outset, and it builds up to the punch line “Oh, that’s our shortstop!”
Some things will always be funny - farts, and “Who’s On First?”
I haven’t shown this to my kids (and probably won’t) but I would expect my 8 year old would be tickled by the word play. It’s pretty similar to the sort of thing he likes to do anyway (not quite as polished of course).
It isn’t terrible. The delivery is pretty good, and it is reasonably fast paced. Pacing is often the reason I can’t watch very old comedy and why the Airplane style series of movies feels like such a comedic turning point (just the sheer deluge of jokes).
I was mildly amused for a minute or two. But I don’t need to see it again, and I shut it off after a couple of minutes. It’s a pretty steady variation of the same joke so I don’t think the third minute and beyond add any more enjoyment than I got out of the first couple.
I haven’t shown this to my kids (and probably won’t) but I would expect my 8 year old would be tickled by the word play. It’s pretty similar to the sort of thing he likes to do anyway (not quite as polished of course).
It isn’t terrible. The delivery is pretty good, and it is reasonably fast paced. Pacing is often the reason I can’t watch very old comedy and why the Airplane style series of movies feels like such a comedic turning point (just the sheer deluge of jokes).
I was mildly amused for a minute or two. But I don’t need to see it again, and I shut it off after a couple of minutes. It’s a pretty steady variation of the same joke so I don’t think the third minute and beyond add any more enjoyment than I got out of the first couple.
I’ve listened to it probably hundreds of times, and I still laugh out loud. In the particular recording I have (you can find dozens on the internet), Bud’s timing and delivery are impeccable, and some of Lou’s exasperated reactions are simply uproarious.
As an aside, everybody is, of course, free to like and not like whatever they want to. But I find that the practice of putting down something that is beloved by millions to the point of insult is a weird kind of egotism, possibly coupled with insecurity. Are you trying to appear smarter than everybody else by going against the flow? Whatever, dude.
There are two main versions. The short version where the only players are Who,
What, Idontknow and Idontgivea----*. In the long version the players Why, Because, Tomorrow and Today are also given. (No name for one position, right field, is given.)
A good filmed version of the short routine is superb. The looks that Costello gives make the bit. A radio version just isn’t the same.
The longer version I oscillate on. Sometimes I think it’s good, sometimes I think it just drags on.
Also … “Hey look, a bunch of cows.”
The ending varies depending on censorship restrictions.
My first exposure to it was a parody about a rock festival featuring The Who, the Guess Who, and Yes. I was a tween telling my parents about it, and was surprised when they told me that they knew what I was talking about (sort of).
Here’s another example of a comedy routine that doesn’t hold up to repeated listens. May be NSFW for language.
We’re all so jaded because we’ve seen/heard the bit constantly since we were children.
It’s first-class word play that Abbott and Costello sharpened to a fine point. I don’t need to hear it over and over again, but then again, I don’t* need* to hear Groucho* say, “One morning I shot an elephant in my pajamas. How he got into my pajamas I’ll never know” to appreciate it.
*I know. I don’t need to hear Groucho again? DIE INFIDEL!
In 2007, when Chen-Lung Hu got his first hit for the Dodgers, even Vin Scully had to say “Hu’s on first”.
In 1938, everything was still scrubbed so clean by the Hays Code, nothing was allowed that was actually funny. To this day, if a person falls down in a film, it is certain to get a prominent spot in the trailer to identify it a comedy film (“Home Alone”). Slapstick still sells, but it has long since stopped being funny.
You could also say “Take me out to the ball game” is cringe worthy music, but it endures as a tradition.
Is “Who” funny? Sure, if you’re 9 and you’re hearing it for the first time. But how many things that you “got” at age 9 are still funny?
Here is a version of Who, Guess Who, Yes with Harry Shearer
I actually thought that was pretty funny when I saw it but in retrospect it was because the rest of that so-called movie *Crackin Up* sucked so very badly. Somebody shoudl redo it today with some new names. Someplace I can't hear it.