# Dollhouse: Epitaph One \[SPOILERS\]

**URL:** <https://boards.straightdope.com/t/dollhouse-epitaph-one-spoilers/504629>\
**Category:** Cafe Society\
**Created:** [July 29, 2009, 2:20am UTC](https://boards.straightdope.com/t/dollhouse-epitaph-one-spoilers/504629 "2009-07-29T02:20:22Z")\
**Posts on this page:** 2\
**Page:** 2

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**Author:** ![Windwalker](https://avatars.discourse-cdn.com/v4/letter/w/5e9695/32.png) [@Windwalker](https://boards.straightdope.com/u/Windwalker)\
**Post date:** [October 12, 2009, 3:16am UTC](https://boards.straightdope.com/t/dollhouse-epitaph-one-spoilers/504629/21 "2009-10-12T03:16:59Z")

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I just watched all of Season 1 and ended with this. Wow!

An incredible episode that reminds me of the best parts of the Terminator storyline. I guess I’m a sucker for good apocalypse stories, and to have it come out as such a natural outgrowth of the foreboding (but still pretty much functional) setting of Season 1 Dollhouse is just awesome.

What I think would be cool is if they used this ep as a lead-in to Season 3, and we actually have a true apocalyptic series. That would take balls to go from the current “Gee whiz this week I’m a dominatrix/negotiator/housewife” type of story with sinister Alpha/Rossum currents to a full-blown dystopian nightmare, but damn, that would be amazing. I think Joss does have the cajones to do it, but I don’t know if that’s where he wants to take the show. Let’s have the heroes FAIL to save the world for once, but then find a way to reclaim it in the ruins.

If they don’t go this route, I really hope Epitaph One was just a possible future, because otherwise, its presence really deflates the narrative.

Now time to watch the first few eps of Season 2… 🙂

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**Author:** ![Alessan](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/alessan/32/465_2.png) [@Alessan](https://boards.straightdope.com/u/Alessan)\
**Post date:** [October 12, 2009, 5:30am UTC](https://boards.straightdope.com/t/dollhouse-epitaph-one-spoilers/504629/22 "2009-10-12T05:30:14Z")

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It’s interesting how Joss returns to essentially the same themes. First Jasmine, then Miranda, and now this.

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