Bjork - Post
Breeders - Last Splash
Dirty Three - Dirty Three
I’m surprised to see Nirvana, PJ Harvey, and the Pixies mentioned. In Utero is quite a bit better than Nevermind, Is This Desire? (which PJ considers her best) is at least as good as Rid of Me, and Surfer Rosa is at least as good as Doolittle (probably better).
Not sure why Doolittle surprises you. Doolittle as the Pixies greatest work is not a controversial statement among fans. It’s not a consensus, but it’s a popular choice, and one I happen to agree with.
I do think In Utero is better and more mature than Nevermind, but the sheer impact of Nevermind caused me to bring it up, in addition to it being one of the greatest sophomore albums by any band in the last generation.
Note that I do say “all these are arguable.” I will defend Doolittle, personally, as clearly being the best Pixies album. For me, there is no question on that. Nirvana, I can go either way on.
Sisters Of Mercy - Floodland Paradise Lost - Gothic My Dying Bride - Turn Loose The Swans Candlemass - Nightfall Darkthrone - A Blaze In The Northern Sky
Seems to be a lot of metal bands peaking with their second albums…
Well it’s certainly better than Vision Thing, but I like the raw energy of F+L+A slightly better than Floodland. But there’s hardly a bad track on either of the two albums (and there are even good songs on Vision Thing, but hardly the whole album.)
The most obvious one of all! Pretty on the Inside does have some interesting melodies beneath all the noise, but overall Live Through This is 100 times better.
Jethro Tull, Stand Up. I love all their early LPs but that remains my favorite.
Overall, I think the Allman Brothers Band’s Idlewild South is my favorite LP by them.
I know she doesn’t meet the definition of “enduring” but my favorite album featuring Janis Joplin is Cheap Thrills (the second Big Brother LP). I would say the same for Cream’s Disraeli Gears. Another candidate is Simon & Garfunkel’s Sounds of Silence.
Fairport Convention took a big leap forward with What We Did on Our Holidays, but I’m not sure I would call it their best. Similarly, Neil Young’s Everybody Knows This Is Nowhere is great, but probably narrowly beaten by its successor. And The Freewheelin’ Bob Dylan is great, but he did a couple other pretty good ones after that…
There’s a good argument that it’s their best all-studio album. In terms of their whole body of work, not a lot of people are going to put Idlewild South ahead of At Fillmore East and Eat a Peach.