# Favorite Poems Redux--This Time in Translation

**URL:** <https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223>\
**Category:** Cafe Society\
**Created:** [January 16, 2006, 3:19pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223 "2006-01-16T15:19:56Z")\
**Posts on this page:** 20\
**Page:** 1

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**Author:** ![Humble\_Servant](https://avatars.discourse-cdn.com/v4/letter/h/47e85d/32.png) [@Humble\_Servant](https://boards.straightdope.com/u/Humble_Servant)\
**Post date:** [January 16, 2006, 3:19pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/1 "2006-01-16T15:19:56Z")

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[In the current poetry is irrelevant/snobbish thread](http://boards.straightdope.com/sdmb/showthread.php?t=353961), a couple of posters mention that it is futile and silly and to attempt to translate poems. I disagree with this, but I don’t feel like arguing. I’d rather _show_ by weight of example what can be done. So, show me one of your favoirte poems that didn’t start life in English. Ancient, modern, haiku, tanka, psalm, song, ode–it doesn’t matter–in fact, the more styles and languages that we can collect the better.

I’ll start with an excerpt from a Polish poem by Czeslaw Milosz, “A Book in the Ruins” (about picking up a damaged book from a library in Warsaw in 1943):

You pick a fragment  
Of grenade which pierced the body of a song  
On Daphnis and Chloe. And you long,  
Ruefully, to have a talk with her,  
As if it were what life prepared you for.  
–How is it, Chloe, that your pretty skirt  
Is torn so badly by the winds that hurt  
Real people, you who, in eternity, sing  
The hours, sun in your hair appearing  
And disappearing? How is it that your breasts  
Are pierced by shrapnel, and the oak groves burn,  
While you, charmed, not caring at all, turn  
To run through forests of machinery and concrete  
And haunt us with the echoes of your feet?  
If there is such an eternity, lush  
Though short-lived, that’s enough. But how…hush!  
We were predestined to live when the scene  
Grows dim and the outline of a Greek ruin  
Blackens the sky. It is noon, and wandering  
Through a dark building, you see workers sitting  
Down to a fire a narrow ray of sunlight  
Kindles on the floor. They have dragged out  
Heavy books and made a table of them  
And begun to cut their bread. In good time  
A tank will clatter past, a streetcar chime.  
The rhymes make it for me–rhymes in English for a poem written in Polish. Masterful.

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**Author:** ![dotchan](https://avatars.discourse-cdn.com/v4/letter/d/9d8465/32.png) [@dotchan](https://boards.straightdope.com/u/dotchan)\
**Post date:** [January 16, 2006, 3:37pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/2 "2006-01-16T15:37:52Z")

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I agree - poetry is translatable, just very, very, very, very (etc.) difficult. Especially if you want to try to keep within the established form of the poem (meter, rhyme, etc.).

I can’t find the example I have in mind at the moment, but I’ve especially had an interest in finding good translations of classical Chinese poetry. (Li Bai especially had a gift for writing while drunk. :D)

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**Author:** ![jjimm](https://avatars.discourse-cdn.com/v4/letter/j/ba8739/32.png) [@jjimm](https://boards.straightdope.com/u/jjimm)\
**Post date:** [January 16, 2006, 3:43pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/3 "2006-01-16T15:43:05Z")

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That’s stunning. Who did the translation?

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**Author:** ![Boulter\_s\_Canary](https://avatars.discourse-cdn.com/v4/letter/b/e79b87/32.png) [@Boulter\_s\_Canary](https://boards.straightdope.com/u/Boulter_s_Canary)\
**Post date:** [January 16, 2006, 3:44pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/4 "2006-01-16T15:44:20Z")

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[QUOTE=Humble Servant]  
[In the current poetry is irrelevant/snobbish thread](http://boards.straightdope.com/sdmb/showthread.php?t=353961), a couple of posters mention that it is futile and silly and to attempt to translate poems. I disagree with this, but I don’t feel like arguing. I’d rather _show_ by weight of example what can be done. So, show me one of your favoirte poems that didn’t start life in English. Ancient, modern, haiku, tanka, psalm, song, ode–it doesn’t matter–in fact, the more styles and languages that we can collect the better.  
QUOTE]  
(SNIP)

I’ve got two favourites:

**The Parrots**

My friend Michel is an army officer  
in Somoto up near the Honduran border,  
and he told me he had found some contraband parrots  
waiting to be smuggled to the United States  
to learn to speak English there.

There were 186 parrots  
with 47 already dead in their cages.  
He drove them back where they’d been taken from  
and as the lorry approached a place known as The Plains  
near the mountains which were these parrots’ home  
(behind those plains the mountains stand up huge)  
the parrots got excited, started beating their wings  
and shoving against the cage-sides.

When the cages were let open  
they all shot out like an arrow shower  
straight for their mountains.

The Revolution did the same for us I think:  
It freed us from the cages  
where they trapped us to talk English,  
it gave us back the country from which we were uprooted,  
their green mountains restored to the parrots by parrot-green comrades.

But there were 47 that died.

_Ernesto Cardenal (trans. Dinah Livingstone)_

and:

**Waiting for the Barbarians**

What are we waiting for, assembled in the forum?

The barbarians are due here today.

Why isn’t anything happening in the senate?  
Why do the senators sit there without legislating?

Because the barbarians are coming today.  
What laws can the senators make now?  
Once the barbarians are here, they’ll do the legislating.

Why did our emperor get up so early,  
and why is he sitting at the city’s main gate  
on his throne, in state, wearing the crown?

Because the barbarians are coming today  
and the emperor is waiting to receive their leader.  
He has even prepared a scroll to give him,  
replete with titles, with imposing names.

Why have our two consuls and praetors come out today  
wearing their embroidered, their scarlet togas?  
Why have they put on bracelets with so many amethysts,  
and rings sparkling with magnificent emeralds?  
Why are they carrying elegant canes  
beautifully worked in silver and gold?

Because the barbarians are coming today  
and things like that dazzle the barbarians.

Why don’t our distinguished orators come forward as usual  
to make their speeches, say what they have to say?

Because the barbarians are coming today  
and they’re bored by rhetoric and public speaking.

Why this sudden restlessness, this confusion?  
(How serious people’s faces have become.)  
Why are the streets and squares emptying so rapidly,  
everyone going home so lost in thought?

Because night has fallen and the barbarians have not come.  
And some who have just returned from the border say  
there are no barbarians any longer.

And now, what’s going to happen to us without barbarians?  
They were, those people, a kind of solution.

_Constantine Cavafy (1864-1933), (trans: Edmund Keeley)_

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<div class="post-metadata">

**Author:** ![jjimm](https://avatars.discourse-cdn.com/v4/letter/j/ba8739/32.png) [@jjimm](https://boards.straightdope.com/u/jjimm)\
**Post date:** [January 16, 2006, 4:02pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/5 "2006-01-16T16:02:38Z")

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> [@dotchan](#):
>
> I agree - poetry is translatable, just very, very, very, very (etc.) difficult. Especially if you want to try to keep within the established form of the poem (meter, rhyme, etc.).
> 
> I can’t find the example I have in mind at the moment, but I’ve especially had an interest in finding good translations of classical Chinese poetry. (Li Bai especially had a gift for writing while drunk. :D)

When I worked in an ad agency in Hong Kong, one of my jobs was to translate a few lines of a classical Chinese poem. I drew up a big grid, then got one of my Chinese colleagues to give me all the meanings of each character, and any hidden meanings or puns within the character combinations. He then gave me his overall impression of the poem, and his impression of what each line was trying to convey. I combined all these meanings and tried to fit the scansion of the original. It was only about eight lines and it took an entire week. Gratifyingly, the (Japanese) client recognised the poem from my translation. Alas, I lost it along with my entire portfolio of work, and I can no longer remember the poet, but the lines I remember writing are something like:

Wild geese above the river  
In the snow-sky before dawn.  
I tighten my coat against the winter,  
And the lonely peals of temple bells  
File down to the river bank and join me  
As passengers on my boat.

If anyone happens to recognise this, I’d love to see some other translations.

Some of my favourite French language poems are in the songs of Jacques Brel, but I’ve never seen a translation that does any of them justice.

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**Author:** ![Humble\_Servant](https://avatars.discourse-cdn.com/v4/letter/h/47e85d/32.png) [@Humble\_Servant](https://boards.straightdope.com/u/Humble_Servant)\
**Post date:** [January 16, 2006, 4:17pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/6 "2006-01-16T16:17:24Z")

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> [@jjimm](#):
>
> That’s stunning. Who did the translation?

Isn’t it? Robert Hass in collaberation with Milosz (who subsequently emigrated to the US and wrote some of his later things in English).

B. Canary–I liked both of those–had to google Cavafy to find out his original language is Greek. The Parrot one could be about the tyranny of English, so it is specially relevant.

Here’s a Li Bai drunk poem called “Amusing Myself:”

Facing my wine, I did not see the dusk,  
Falling blossoms have filled the folds of my clothes.  
Drunk, I rise and approach the moon in the stream,  
Birds are far off, people too are few.  
Polish, Spanish, Greek, Chinese

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**Author:** ![Biffy\_the\_Elephant\_Shrew](https://avatars.discourse-cdn.com/v4/letter/b/e47c2d/32.png) [@Biffy\_the\_Elephant\_Shrew](https://boards.straightdope.com/u/Biffy_the_Elephant_Shrew)\
**Post date:** [January 16, 2006, 4:57pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/7 "2006-01-16T16:57:37Z")

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My favorite non-English poem is “El Lagarto Viejo” by Lorca. [Translation here.](http://www.agonia.net/index.php/poetry/126902/)

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**Author:** ![Humble\_Servant](https://avatars.discourse-cdn.com/v4/letter/h/47e85d/32.png) [@Humble\_Servant](https://boards.straightdope.com/u/Humble_Servant)\
**Post date:** [January 16, 2006, 7:09pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/8 "2006-01-16T19:09:04Z")

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Who better to follow Lorca than Neruda?:

Sometimes I see alone  
coffins under sail,  
embarking with the pale dead, with women that have dead hair,  
with bakers who are as white as angels,  
and pensive young girls married to notary publics,  
caskets sailing up the vertical river of the dead,  
the river of dark purple,  
moving upstream with sails filled out by the sound of death,  
filled by the sound of death which is silence…

Death is inside the folding cots:  
it spends its life sleeping on the slow mattresses,  
in the black blankets, and suddenly breathes out:  
it blows out a mournful sound that swells the sheets,  
and the beds go sailing toward a port  
where death is waiting, dressed like an admiral.

From “Nothing but Death,” as translated by Robert Bly.

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**Author:** ![jjimm](https://avatars.discourse-cdn.com/v4/letter/j/ba8739/32.png) [@jjimm](https://boards.straightdope.com/u/jjimm)\
**Post date:** [January 16, 2006, 7:14pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/9 "2006-01-16T19:14:25Z")

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And of course there’s Fitzgerald’s translation of the [Rubaiyat of Omar Khayyam](http://tehran.stanford.edu/Literature/Poetry/Omar_Khayyam.html) (I think he was the guy who liked the razor so much he bought the company):

Awake! for Morning in the Bowl of Night  
Has flung the Stone that puts the Stars to Flight:  
And Lo! the Hunter of the East has caught  
The Sultan’s Turret in a Noose of Light.

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**Author:** ![dotchan](https://avatars.discourse-cdn.com/v4/letter/d/9d8465/32.png) [@dotchan](https://boards.straightdope.com/u/dotchan)\
**Post date:** [January 16, 2006, 7:34pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/10 "2006-01-16T19:34:59Z")

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> [@jjimm](#):
>
> Wild geese above the river  
> In the snow-sky before dawn.  
> I tighten my coat against the winter,  
> And the lonely peals of temple bells  
> File down to the river bank and join me  
> As passengers on my boat.

The closest match I can think off is [this](http://www.asiawind.com/forums/read.php?f=2&i=4932&t=4931), but there’s a few details that don’t read right.

(Augh, I so need to brush up on my Chinese Classical poetry…)

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<div class="post-metadata">

**Author:** ![jjimm](https://avatars.discourse-cdn.com/v4/letter/j/ba8739/32.png) [@jjimm](https://boards.straightdope.com/u/jjimm)\
**Post date:** [January 16, 2006, 7:50pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/11 "2006-01-16T19:50:19Z")

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Hey! That’s the one! Clearly I, or my memory, took some liberties.

Thanks very much.

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**Author:** ![ddgryphon](https://avatars.discourse-cdn.com/v4/letter/d/8c91f0/32.png) [@ddgryphon](https://boards.straightdope.com/u/ddgryphon)\
**Post date:** [January 17, 2006, 10:54am UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/12 "2006-01-17T10:54:53Z")

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Gacela of the Dark Death

I want to sleep the sleep of the apples,  
I want to get far away from the business of the cemeteries.  
I want to sleep the sleep of that child  
who longed to cut his heart open far out at sea.

I don’t want them to tell me again how the corpse keeps all its blood,  
how the decaying mouth goes on begging for water.  
I’d rather not hear about the torture sessions the grass arranges for  
nor about how the moon does all its work before dawn  
with its snakelike nose.

I want to sleep for half a second,  
a second, a minute, a century,  
but I want everyone to know that I am still alive,  
that I have a golden manger inside my lips,  
that I am the little friend of the west wind,  
that I am the elephantine shadow of my own tears.

When it’s dawn just throw some sort of cloth over me  
because I know dawn will toss fistfuls of ants at me,  
and pour a little hard water over my shoes  
so that the scorpion claws of the dawn will slip off.

Because I want to sleep the sleep of the apples,  
and learn a mournful song that will clean all earth away from me,  
because I want to live with that shadowy child  
who longed to cut his heart open far out at sea.

Federico García Lorca

And a little Jaques Brel (Lyrics I know, but some of the best ever)

“Why all these bugles crying,  
For squads of young men drilled,  
To kill and to be killed,  
And waiting by this train.

Why the orders loud and hoarse,  
Why the engine’s groaning cough,  
As it strains to drag us off,  
Into the holocaust.

Why crowds who sing and cry,  
Who shout and fling us flowers,  
And trade their right for ours,  
To murder and to die.

The dove has torn her wing,  
So no more songs of love.  
We are not here to sing.  
We’re here to kill the dove.”—from LA COLOMBE by Jacques Brel

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**Author:** ![Captain\_Amazing](https://avatars.discourse-cdn.com/v4/letter/c/6de8d8/32.png) [@Captain\_Amazing](https://boards.straightdope.com/u/Captain_Amazing)\
**Post date:** [January 17, 2006, 3:25pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/13 "2006-01-17T15:25:11Z")

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I like Heine. An excerpt from his “On Teleology”

> [@](#):
>
> But, now tell me why God chose,  
> After making all of nature,  
> To go on and then create your  
> Scandalizing requisite,  
> That a man must use as fit  
> For his race’s propagation  
> And, as well, for urination?  
> My dear friend, a duplicate  
> In this case were truly needed,  
> Functions that can’t be impeded,  
> Vital for the nation state,  
> For the individual,  
> And the common good as well:  
> These two functions, which so horribly,  
> Hideously and deplorably  
> Thus to contrast are inclined  
> And embarrass all mankind.  
> How a maid, whose heart is free,  
> Blushes, when she has to see  
> How her loftiest ideal  
> Is profaned, so trivial!  
> How love’s shrine, where angels flutter,  
> Now becomes a common gutter!  
> Psyche shudders, as her Cupid  
> In the darkness fondly kissing,  
> By her lamp, becomes a stupid  
> Statue of a youngster – pissing.
> 
> Thus she ended her discourses,  
> And I answered: Hold your horses!  
> Like all women, dim and flighty,  
> Child, you do not grasp God’s mighty  
> System of utility,  
> How He works economy:  
> So, in turn, the apparatus  
> Serves all kinds of need and status,  
> Holy needs just like profane ones,  
> Piquant needs just like mundane ones,  
> All is simplified, refined;  
> All is clever when combined:  
> That, which man must use to piss,  
> Doubles as his genesis,  
> On the same old bagpipe plays  
> Same old riff-raff, come what may.  
> Dainty paws and mitts much grosser  
> Fiddle on the same viola,  
> Through the same old wheels and vapors  
> Each one yawns and sings and capers,  
> And the same old omnibus  
> Takes us all to Tartarus.

And a shorter one. “I Don’t Believe in Heaven” (Ich glaub nicht an den Himmel)

> [@](#):
>
> don’t believe in Heaven,  
> Whose peace the preacher cites:  
> I only trust your eyes now,  
> They’re my heavenly lights.
> 
> I don’t believe in God above,  
> Who gets the preacher’s nod:  
> I only trust your heart now,  
> And have no other god.
> 
> I don’t believe in Devils,  
> In hell or hell’s black art:  
> I only trust your eyes now,  
> And your devil’s heart.

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<div class="post-metadata">

**Author:** ![Humble\_Servant](https://avatars.discourse-cdn.com/v4/letter/h/47e85d/32.png) [@Humble\_Servant](https://boards.straightdope.com/u/Humble_Servant)\
**Post date:** [January 17, 2006, 3:38pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/14 "2006-01-17T15:38:25Z")

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> [@Captain Amazing](#):
>
> Child, you do not grasp God’s mighty

Ha! Never read that before!

Let’s do sacred now that we’ve done profane:

The LORD is my shepherd; I shall not want.  
He maketh me to lie down in green pastures: he leadeth me beside the still waters.  
He restoreth my soul: he leadeth me in the paths of righteousness for his name’s sake.  
Yea, though I walk through the valley of the shadow of death, I will fear no evil:  
for thou art with me; thy rod and thy staff they comfort me.  
Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over.  
Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the LORD for ever.

(As one of my husband’s students once cited a Biblical passage: “James, K.–trans.”)

Love the Lorca too.

That’s Spanish, Polish, Greek, Farsi, German, French, Chinese and Hebrew.

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**Author:** ![Maeglin](https://avatars.discourse-cdn.com/v4/letter/m/8baadc/32.png) [@Maeglin](https://boards.straightdope.com/u/Maeglin)\
**Post date:** [January 17, 2006, 5:15pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/15 "2006-01-17T17:15:08Z")

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There’s Housman’s inimitable translation of Ode 4.7 of Horace:

> [@](#):
>
> The snows are fled away, leaves on the shaws  
> And grasses in the mead renew their birth,  
> The river to the river-bed withdraws,  
> And altered is the fashion of the earth.
> 
> The Nymphs and Graces three put off their fear  
> And unapparelled in the woodland play.  
> The swift hour and the brief prime of the year  
> Say to the soul, Thou wast not born for aye.
> 
> Thaw follows frost; hard on the heel of spring  
> Treads summer sure to die, for hard on hers  
> Comes autumn with his apples scattering;  
> Then back to wintertide, when nothing stirs.
> 
> But oh, whate’er the sky-led seasons mar,  
> Moon upon moon rebuilds it with her beams;  
> Come we where Tullus and where Ancus are  
> And good Aeneas, we are dust and dreams.
> 
> Torquatus, if the gods in heaven shall add  
> The morrow to the day, what tongue has told?  
> Feast then thy heart, for what thy heart has had  
> The fingers of no heir will ever hold.
> 
> When thou descendest once the shades among,  
> The stern assize and equal judgment o’er,  
> Not thy long lineage nor thy golden tongue,  
> No, nor thy righteousness, shall friend thee more.
> 
> Night holds Hippolytus the pure of stain,  
> Diana steads him nothing, he must stay;  
> And Theseus leaves Pirithous in the chain  
> The love of comrades cannot take away.

I cannot read this poem without chills. My wife and I incorporated some of the above and more tidbits from Horace into our marriage vows.

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**Author:** ![Lissla\_Lissar](https://avatars.discourse-cdn.com/v4/letter/l/8491ac/32.png) [@Lissla\_Lissar](https://boards.straightdope.com/u/Lissla_Lissar)\
**Post date:** [January 17, 2006, 10:58pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/16 "2006-01-17T22:58:47Z")

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The River-Merchant’s Wife, a Letter, translated by Ezra Pound.

\*While my hair was still cut straight across my forehead  
I played about the front gate, pulling flowers.  
You came by on bamboo stilts, playing horse,  
You walked about my seat, playing with blue plums.  
And we went on living in the village of Chokan:  
Two small people, without dislike or suspicion.

At fourteen I married My Lord you.  
I never laughed, being bashful.  
Lowering my head, I looked at the wall.  
Called to, a thousand times, I never looked back.

At fifteen I stopped scowling,  
I desired my dust to be mingled with yours  
Forever and forever and forever.  
Why should I climb the lookout?

At sixteen you departed,  
You went into far Ku-to-en, by the river of swirling eddies,  
And you have been gone five months.  
The monkeys make sorrowful noise overhead.  
You dragged your feet when you went out.  
By the gate now, the moss is grown, the different mosses,  
Too deep to clear them away!  
The leaves fall early this autumn, in wind.  
The paired butterflies are already yellow with August  
Over the grass in the West garden;  
They hurt me. I grow older.  
If you are coming down through the narrows of the river Kiang,  
Please let me know beforehand,  
And I will come out to meet you  
As far as Cho-fo-Sa.  
\*

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**Author:** ![Humble\_Servant](https://avatars.discourse-cdn.com/v4/letter/h/47e85d/32.png) [@Humble\_Servant](https://boards.straightdope.com/u/Humble_Servant)\
**Post date:** [January 17, 2006, 11:09pm UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/17 "2006-01-17T23:09:51Z")

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Latin too–dust and dreams–there could be no doubt.

**Lissla** –I think that is the poem I have seen in the greatest number of English translations. Pound translated this from Chinese (from, as **jjimm** explains, literal translations of the Chinese characters–he didn’t actually read Chinese at the time) and many poets/translators have since been unable to resist the urge to try it for themselves. (Pound was big on translations generally.)

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**Author:** ![Nature\_s\_Call](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/nature_s_call/32/19006_2.png) [@Nature\_s\_Call](https://boards.straightdope.com/u/Nature_s_Call)\
**Post date:** [January 26, 2006, 12:20am UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/18 "2006-01-26T00:20:40Z")

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In honour of Robbie Burns’ Day I submit the following “translations”…

[Extracts from **The Best of Robert Burns** , translated into the de’il’s tongue!](http://www.robertburns.org/inenglish/extracts.shtml)

In particular I just love “To a Mouse”

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**Author:** ![Dr.Drake](https://avatars.discourse-cdn.com/v4/letter/d/ad7895/32.png) [@Dr.Drake](https://boards.straightdope.com/u/Dr.Drake)\
**Post date:** [January 26, 2006, 1:42am UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/19 "2006-01-26T01:42:36Z")

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The thing about translating poetry is you can translate the _sense_ into another language really well, or you can concentrate on the form (rhyme, meter, alliteration, syllable count, what have you) and preserve the sense more loosely, but it’s hard to replicate the original. That said, here’s one of my favorites (I think it’s public domain but I’ll just post the first stanza. The translation is my own):

\*Rhyfel \* (Hedd Wyn)

Gwae fi fy myw mewn oes mor ddreng,  
A Duw ar drai ar orwel pell;  
O’i ôl mae dyn yn deyrn a gwreng,  
Yn codi ei awdurdod hell.

_War_ by Hedd Wyn

Woe is me that I live in such a bleak age,  
With God on the ebb on the far horizon;  
In his stead is man, sovereign and common,  
Raising his ugly authority.

When he felt God going away  
He raised a sword to kill his brother;  
The sound of the fighting is in our ears  
And its shadow on the cottages of the poor.

The old harps that once played  
Are hanging on that willow there;  
And the men cry out as the wind does,\*  
And their blood mixes with the rain.

- This is that translation thing: literally, “and the [boys / young men] shout (fullness-of-the-wind)-ly.”

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**Author:** ![booklyn](https://avatars.discourse-cdn.com/v4/letter/b/a88e57/32.png) [@booklyn](https://boards.straightdope.com/u/booklyn)\
**Post date:** [January 29, 2006, 11:29am UTC](https://boards.straightdope.com/t/favorite-poems-redux-this-time-in-translation/340223/20 "2006-01-29T11:29:26Z")

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“Translation is like looking at the back of a tapestry”  
-Octavio Paz  
Thank you all for the wonderful poems.  
Means alot.
