Of the 3 selections from the OP, Time comes in at about 120 secs (excluding the clocks), Do It Again at 65 seconds and Won’t Get Fooled Again 40 seconds (from Who’s Next), which I actually recall as being longer. The intros so far can be divided into (a) songs I’ve never heard (b) those I’ve heard but forgotten somehow and (c) songs I’ve heard and remember well. Some of the latter are on the short side but it doesn’t diminish the quality.
Spoons has just motivated me to play Year of the Cat (68 secs) and his description of the piece as an overture nails it for me. I love a long, complex intro which builds to the opening vocal.
The Immigrant Song and Riders on the Storm are conundrums. I’m a big fan of Led Zeppelin but only for some of their work and I’ve always hated The Immigrant Song. In fact, I’d give an honourable mention to Black Dog if Robert Plant hadn’t come in too soon on the vocals. Stairway to Heaven and Kashmir have fine intros though, IMO. Similarly with The Doors - Riders on the Storm just doesn’t do it for me.
I’m looking to make a couple of discs of favourite intros and many of those nominated upthread but not mentioned in this post will get a listen from me at some stage. Thanks for all the tracks submitted so far.
“All Along the Watchtower/ Voodo Chile (Slight Return)/ Purple Haze/ Hiway Chile” Jimi Hendrix
and that tiny little lick Jeff Beck plays to open Donovan’s “Goo Goo Barabajagal”
The nice thing about the original album version is, it’s almost exactly 1 minute long. Great to hum to yourself while timing steaks, and only half as many repeats as the Jeopardy! music.
Locomotive Breath by Jethro Tull, featuring the criminally overlooked John Evan on piano. Evan’s piano sound is crucial to the sound and mood of the whole Aqualung album.
Formentera Lady by King Crimson
Close to the Edge by Yes…but come to think of it, Heart of the Sunrise is even better.
I’m weird. Besides the classical intros Max the Vool listed. I like:
1.) Billy Joel Scenes from an Italian Restaurant
2.) Rick Wakeman Return to the Centre of the Earth (also the original Journey to the Centre of the Earth. And Myths and Legends of King Arthur and the Knights of the Round Table.)
So sue me.
I’ll second Locomotive Breath
Since Aqualung is just a few notes, as great as they are, I’ll hold that in reserve.
Crazy Train
Broadsword (another Tull) - the synthesizer pulls you in, almost reluctantly. Overwhelmed briefly by the drum beat that so nearly matches the rhythm of your own heart, causing the synth to respond, protesting the martial nature of the drum…