Some forms of music never go away. People young and old have been listening to classical music for hundreds of years. Rock may be around just as long.
If anything, I think the strange period between 1920 and 1970 is the outlier here - the rapid advance of mass communication, the rise of the automobile, the urbanization of the population and the end of rural life as the driving force of culture all happened at the same time.
Before the phonograph came along music was an interactive, shared experience. If you wanted to hear music, you’d gather around the piano and sing and play. It was a bonding experience. The music was safe and predictable.
Along comes the phonograph, and now you don’t have to listen to what Dad is listening to. Music is no longer a bonding experience, but potentially a divisive one. In the meantime, the music industry itself and the artists were learning to cope with the new technology. Pop music was a reflection of the music people had been exposed to before the phonograph came along - traditional instruments, female groups with multi-part harmonies, family singers, and traditional instruments.
But music started growing up. The phono album allowed musical genres such as the Blues and Bluegrass to be heard by people who had never experienced that music before. Music started to meld together, and something new was created. New instruments like electric guitars and synthesizers started to appear. The young embraced all this first (as they usually do with new technology and new experiences), and this threatened their parents.
Those of us who lived through some of this came to think that this generational split was the norm - that we could fully expect that our kids would think Rock was as stupid as we thought the Andrews Sisters and Fabian were, and they’d be groovin’ to the latest space-age Theremin ensemble or something, and we’d be telling them to turn that racket down. But I think what happened was really a one-shot deal. We lived through a transitional period, and now we’re out of it. Now music is music, and it no longer has the power to split generations.
Something similar happened with the automobile, which has been widely credited with creating the ‘teenager’. Before the auto, teens had no way to really get away from their families. They were children while they lived at home, then they left as adults. There was no quasi-adult ‘teenager’ status.
The car came along and made this possible. And at the same time, it became somewhat divisive. Kids who were not old enough to live on their own could still travel long distances from their families and hang out with other kids their age. And an entire car culture was born. There were drive-in movies, drive-in soda shops, teen car gatherings every night in designated areas, and all the rest.
But that was a transitional phase too. Cars are just part of the fabric of society now. Teens don’t identify themselves with their cars like they used to. Cars aren’t a factor in the generational divide - if you see a new Mustang driving down the road, the driver could just as easily be an 18 year old woman or a 65 year old man. Back in the day, old people drove Buicks and Cadillacs or Chevy sedans, and young people drove Camaros and Mustangs and hot rods. Cars fit into generational categories in a way they no longer really do.
Anyway, Rock has been around for a long time now, and it’s now enjoyed by people of all ages. I’ve been to a few concerts recently, and it always astounds me that the age range is as wide as it is. I went to see the White Stripes last year, and there were kids no older than 12 there - and a lot of grandparents, too. Rock is simply not ‘youth’ music anymore. It’s just music.
I’ve been listening to Kid Rock’s new album, which is near the top of the charts, and there are songs on there I could swear are Bob Seger anthems from 30 years ago. The big hit off it right now is ‘Summertime’ - a mashup of “Sweet Home Alabama” and “Werewolves of London” - two songs that were written 35 years ago.