Maybe he’s thinking of the “coda” from the Shepperton version.
I actually thought of that one, but I’d go with the coda/outro from Paradise City myself, if it counts. I always get irritated when this one radio station (94.7 WLS in Chicago) plays the song and cuts the outro. That’s the best part of the song!
I would define the coda of WGFA as everything after “Meet the new boss, same as the old boss.”
(I didn’t read the OT carefully, sounds like I should have.)
Edit: I read it, looks like “coda” has similar but different meanings.
Mr. Blue Sky by ELO
Rocket Queen by Guns N’ Roses
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GNR have a bunch of good codas. I think my favorite is the one from Patience.
Sunrise - Pulp
I Am The Resurrection - Stone Roses (ignore Ian’s “singing”)
The live versions of these are good ways to end the song and the concert.
Will You?- Hazel O’Connor. Probably the finest of all 80s saxophone codas.
The one at the end of Starship Troopers blows it completely out of the water.
I have my songs on random shuffle, and it had already been playing when I got to this thread. The coda started up when I read the OP.
Only in Dreams by Weezer. Number one seed.
That is beyond ! Almost as
as when I stopped at a food truck a couple years ago and the radio was playing “Yours Is No Disgrace” and I had the “Yes Album” CD in my car and listened to it again as I drove on home.