If you look at the Pixar shorts they tend to use a minimum of dialog. It gives them a chance to show off what great animators they are. With out a word they set the mood, clue you into what the characters are thinking and tell the entire story. All that is there in the moves too, because they really are great animators, it’s just that you may not always be as aware of it because of the talking.
You don’t see as much of that in television cartoons because it’s cheaper to talk then it is to animate. Samurai Jack would be one of the best exceptions.
I think being silent makes the viewer pay better attention.
Funny how social changes can affect plots. If a bunch of teenagers were unable to speak because of a curse today, they’d just shrug and text each other.
There are at least two silent scenes in Manhunter where Will Graham (played superbly by William Peterson) investigates the evidence to find a serial killer.
Sadly I couldn’t find the precise clips on Youtube, but they are:
when Graham walks through one of the bloody crime scenes
and
when Graham finds the connection between the two sets of victims - and thus how to find the killer
The scene in Jaws where Chief Brody’s son is mimicking his gestures at the dinner table. A wonderful little moment that has nothing to do with the plot, but it’s part of what makes Brody such a sympathetic character.
Just a side note, as this made me think of it. This month marks 20 years since the long-standing Rififi Bar closed it’s doors for good in Bangkok’s Patpong red-light district. In it’s heyday it was one of the top bars in the area, but in latter years it had become so run down that people started calling it the Riff-Raffi.
It gives them a chance to show what great story-tellers they are — and they avoid the hard-to-fake face animation you need for talking.
All the best bits of Jaws
“Mr Bean”, particularly the Mr Bean Holiday movie, particularly the last scene where he walks out to the ocean. The rest of the movie if funny, or cringe-worthy, but watching that last ending is like being in love.
At least some of the long tracking shots in Children of Men have little or no dialogue. There are shouts from attackers and crowds and the like, but very few contribute any “meaning” to the scene.
The Quiet Earth is almost dialogue-free until… the truck rolls into his path. (Semi-spoiler, there.) So is the ending.