That’s an interesting case, since a lot of those songs were issued on LP (in the UK) but not here. And even if it is kind of a catch-up package rather than a true anthology, I’d count at least four of its songs as “musts.”
Honestly, I’m not even that big a Beatles fan, but I don’t think any 45-minute anthology of their music could do them justice. You could probably do a good one for every year 1963-1970 they worked together.
“Legend” is a wonderful compilation, but there had been backlash from the beginnning from people complaining that almost none of Marley’s political songs landed on the album, with the exception of “Redemption Song”, and as such misrepresented his songwriting and larger impact. The label (Island) made up for it in 1986 by releasing “Rebel Music”, an equally strong companion piece with some of his deepest political anthems.
I thought the issue was that the songs were issued only on singles in the UK. British labels maintained an attitude that people didn’t like paying for the same song twice, so some singles weren’t on the LPs released at around the same time.
The album wasn’t released at all in the UK, and the songs didn’t make it onto an official Beatles UK album release until the Red and Blue albums in 1973. Except “Rain,” which was left off for mysterious (to me) reasons.
You’re probably right. I thought they were mostly songs from British LPs that were left off the American versions so Capitol could issue “new” albums with the leftovers, as happened earlier in their career with Yesterday and Today.
Don’t want to be the smart aleck, but the opener of Exile is “Rocks Off”. But it’s a two punch attack, second is “Rip This Joint”. I’m sure you knew this.
This thread is heavy with nostalgia for me. My wife and I met as teenagers and I fondly recall driving around in her crappy yellow ford fiesta (I couldn’t afford a car) and listening to many of the albums mentioned here.
Certainly “Queens Greatest hits” “Legend” and “Standing on a Beach” were on constant replay. As was “live under a blood red sky” which may count and “Snap” by The Jam which a was a double album and so doesn’t count.
I always think of the Doors as one of the few 60s acts who couldn’t be represented by their singles, only by their album cuts. Not that the cuts on this compilation aren’t all good ones.