# Guitar gods - G/D notation?

**URL:** <https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319>\
**Category:** Cafe Society\
**Created:** [May 4, 2009, 7:06pm UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319 "2009-05-04T19:06:48Z")\
**Posts on this page:** 7\
**Page:** 2

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**Author:** ![tdn](https://avatars.discourse-cdn.com/v4/letter/t/94ad74/32.png) [@tdn](https://boards.straightdope.com/u/tdn)\
**Post date:** [May 6, 2009, 2:37pm UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/21 "2009-05-06T14:37:50Z")

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> [@fachverwirrt](#):
>
> I had managed (accidentally) to stumble into one of the circumstances where it’s actually permitted.)

Interesting. What circumstance would that be?

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**Author:** ![fachverwirrt](https://avatars.discourse-cdn.com/v4/letter/f/94ad74/32.png) [@fachverwirrt](https://boards.straightdope.com/u/fachverwirrt)\
**Post date:** [May 6, 2009, 3:04pm UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/22 "2009-05-06T15:04:13Z")

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> [@tdn](#):
>
> Interesting. What circumstance would that be?

Well, there’s the “Mozart fifth” which is a German augmented sixth resolving to a V chord; apparently the parallel fifth is OK there. That’s not what I did though. If I remember correctly (keeping in mind that this was about 12 years ago), it involved one voice moving directly to a functional tone (part of the next chord), while the other voice moved through a passing tone. Since the passing tone isn’t part of the functional harmony and immediately resolves to another tone, the parallelism doesn’t really sound parallel, instead it sounds like a fifth moving to a fourth with a passing tone in between.

For example (a pretty poor example, but we’ll go with it):

In F, start with a d-min chord (vi) voiced thus: D[sup]3[/sup]-A[sup]3[/sup]-F[sup]4[/sup]-D[sup]5[/sup]. Then move to a I[sup]6[/sup][sub]4[/sub], voiced thus: C[sup]3[/sup]-F[sup]3[/sup]-A[sup]4[/sup]-F[sup]5[/sup]. But, have the tenor pass through G on the way, so there is a suspension into the second chord. Technically, the D-A followed by C-G is a parallel fifth, but because the G is passing and quickly resolves, it works. At least, that’s how I remember it.

(The voicing of the subsequent resolution of this cadence is pretty horrendous.)

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**Author:** ![tdn](https://avatars.discourse-cdn.com/v4/letter/t/94ad74/32.png) [@tdn](https://boards.straightdope.com/u/tdn)\
**Post date:** [May 6, 2009, 3:21pm UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/23 "2009-05-06T15:21:43Z")

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Wow, that’s cool. Thanks!

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**Author:** ![Eonwe](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/eonwe/32/240_2.png) [@Eonwe](https://boards.straightdope.com/u/Eonwe)\
**Post date:** [May 6, 2009, 4:04pm UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/24 "2009-05-06T16:04:01Z")

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> [@tdn](#):
>
> Ooh, we’re gearing up for a Pit thread! 😃
> 
> Seriously, can you post some examples? I’d love to see them.
> 
> I’m going to bed now. My synth and I have just disagreed on time signatures, tempos, and key signatures. I hate to anthropomorphize that instrument, but she’s acting like a total cunt. 😃

Oops! In brushing up on my memory, I realize I was thinking of incomplete voicings, either 3 and 5, or 1 and 3. My bad. ☹

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**Author:** ![NoCoolUserName](https://avatars.discourse-cdn.com/v4/letter/n/5fc32e/32.png) [@NoCoolUserName](https://boards.straightdope.com/u/NoCoolUserName)\
**Post date:** [May 7, 2009, 1:10pm UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/25 "2009-05-07T13:10:41Z")

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To get away from the what-to-double conversation and mention a few other uses for the chord/bass notation, two oft-used types of chords are:

chord/2nd–e.g. F/G (used in Bohemian Rhapsody, which I’m currently learning)  
chord/4th–e.g. C/F (a Laura Nero and Steely Dan fav)

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**Author:** ![Acsenray](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/acsenray/32/4519_2.png) [@Acsenray](https://boards.straightdope.com/u/Acsenray)\
**Post date:** [May 28, 2009, 12:49am UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/26 "2009-05-28T00:49:12Z")

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I was perusing the Ultimate Guitar Web site, and one of the tabs I was looking at used the notation “H” for a chord. What’s H? I’ve been reading music since I was 6 years old, and I’ve never seen reference to an H.

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**Author:** ![Biffy\_the\_Elephant\_Shrew](https://avatars.discourse-cdn.com/v4/letter/b/e47c2d/32.png) [@Biffy\_the\_Elephant\_Shrew](https://boards.straightdope.com/u/Biffy_the_Elephant_Shrew)\
**Post date:** [May 28, 2009, 1:15am UTC](https://boards.straightdope.com/t/guitar-gods-g-d-notation/495319/27 "2009-05-28T01:15:48Z")

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> [@acsenray](#):
>
> I was perusing the Ultimate Guitar Web site, and one of the tabs I was looking at used the notation “H” for a chord. What’s H? I’ve been reading music since I was 6 years old, and I’ve never seen reference to an H.

If it was in German, H equals our B (and B equals our B-flat). Otherwise, could it have been indicating some kind of hammer-on?

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