I wonder what future generations will listen to, when today’s “classics” are performed with AD2300 cutting-edge technology. Why do you think they have to resort to this, rather than compose something new that modern audiences can respond to? If that’s what you call “innovation,” you’ve set the bar pretty low.
I do have one caveat, though, and admit my inconsistency. I cannot stand hearing “ancient” (pre-baroque) music played on “original” instruments, especially the ones that sound like wheezing, distressed cats.