Sorry, too late to edit, but I might’ve got it: Belle And Sebastian’s “Sleep The Clock Around” from the BBC Sessions (though it’s not at the end, but in the middle of the song).
But I’m still convinced that I know a song where the “Let’s Spend The Night Together” riff is only shortly played at the end…
Napoleon XIV had a novelty hit with “They’re Coming to Take Me Away, Ha-Haa!”
Josephine XV followed with “I’m Happy They Took You Away, Ha-Haa!” YouTube video playing both tracks
I wanna do it with Madonna would be okay though. However, songs *about *musical artists probably aren’t quite in the spirit of the OP.
One that is - Oasis’ Don’t Look Back in Anger. Interestingly, you usually hear more about the Beatles-influence than the Bowie-influence, title notwithstanding
Near as I can tell, this was the whole point of Billy Joel’s AN INNOCENT MAN album: doing “Uptown Girl” as an homage to Frankie Valli and the Four Seasons, after doing the title track in the style of Ben E. King and the Drifters, all while doing his best to structure “The Longest Time” as Frankie Lymon and the Teenagers doo-wop…
“They stab it with their steely knives, but they just can’t kill the beast” was a little Post-It back to Steely Dan. Apparently, Walter Becker’s girlfriend loved the Eagles, and she played them all the time. I think it drove him nuts. So, the story goes that they were having a fight one day, and that was the genesis of the line, “turn up the Eagles, the neighbors are listening” in “Everything You Did,” from Steely Dan’s The Royal Scam album. During the writing of “Hotel California,” we decided to volley. We just wanted to allude to Steely Dan rather than mentioning them outright, so “Dan” got changed to “knives,” which is still, you know, a penile metaphor. Stabbing, thrusting, etc.
Yeah, it’s not so easy to define what I was getting at, and obviously I didn’t do a very good job. What I was trying to describe is a song which, whilst not covering another song, has musical (or lyrical) links to that other song, in a reverential way, which clearly marks it out as an homage. A similar (stylistic?) homage to an artist would be just as interesting.
This is a perfect example of what I was thinking about
actually quoting from Green Green Grass of Home.
All that said - If you have a song which is just a straightforward tribute to another song or artist, let’s have that as well. If only because of the great stuff that is being posted - I hadn’t heard Night Shift by the Commodores in years - I had forgotten just how wonderful it is.
Surely the classic is The Rutles: All You Need Is Cash. And it is really funny. The Pre-fab Four - Dirk, Nasty, Stig and Barry accurately capture all the varied sounds of another foursome.