[QUOTE=Zoe]
What evidence do you have that it was common practice to work a slave to death young and then replace him? Cite, please. The movie focus is generally on only two plantations.
I was left with the impression that the overseer at Tara (played by Victor Jory) was not without his brutal moments, but it’s been a while since I’ve seen the film and I can’t be specific. I do remember him in an unfavorable light. Field hands were mentioned – usually by Mammy who looked down on them. “Loving old Mammy” is a strange way to describe that character.
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Working slaves to death young for maximum profit: I did not specifically say it was common practice. I used it as an example of some of the more horrible apects of slavery that one would never suspect existed from reading or viewing GWTW.
The trouble is that many of the facts I give in my posts are stuck in my mind from as long as 30 or 40 years ago, and while I am fairly certain they are valid, I would be hard pressed to give you an exact internet link.
The BBC produced a history of the British Empire in the 1970s that pulled no punches. When they got to the part about the “sugar islands” of the Carribean, the narrator said quite plainly that as long as the slave trade existed and kept the supply of slaves abundant, many planters considered it more economical to work a slave so hard that he died young – since the declining years (after 40) were years of decreasing “profitability” – and replace him.
Around 1966, Life Magazine ran a special on black history. I remember the author was a black history professor who was head of the history department at the U of Chicago. I specifically remember that he dealt with the myth that slaves were well treated if only because they were valuable property. He quoted a planter in the Sourthern US saying something along these lines: "Time was when you could work a nigger to death young and buy another, but now that the slave trade has been stopped. . . . "
I am sorry I cannot be more specific. But the idea that you could maximize profits by working a slave extra long in his/her years of youthful stength, even if that caused him to die young is obviously a business consideration that must have come into the minds of some plantation owners. It is also obvious that abolition of the slave trade probably did a lot to improve the lot of existing slaves by making them more valuable (supply and demand) harder to replace and therefore more worth keeping healthy and well fed.
On the other hand, I realize we cannot generalize, and assume that every single slave-owner was an inhuman monster. A modern example is Oscar Schindler, a Nazi capitalist who was literally a slave master, but who is beloved by his “victims” because he evidently had a human heart.
A middle-class family in the south might have had one “auntie” slave woman who helped the mistress of the house with the 10 children, housework, etc., for whom the family may have had a genuine affection.
GWTW: I have a copy of GWTW that I have watched frequently, and I do not recall any reference to the overseer at Tara brutalizing slaves. Mrs. O’Hara despised him because he had gotten a young (white) woman pregnant and refused to accept his responsibility, and later in the film he becomes sell-out to the northern carpet-baggers.
As for the other plantation, Seven Oaks, you have only to look at the scenes where it is shown to understand what I mean by “sanitizing”. You see Melanie and Ashley out on the terrace looking at the arcadian calm and beauty of the place. Once again, I ask you, would an alien from another planet viewing this scene even suspect that all this wealth and beauty was financed by a system in which abducted human beings were kept in captivity and forced to work for free their entire lives, under threat of violence and torture if they failed to comply?
Concerning Mammy, I see no reason NOT to describe her as “loving”. It is pretty clear that a loving relationship exists between her and Scarlett. She is like a second mother.
“If’n you don’t care what folks thinks about this family, I do!” she snaps at Scarlett, implying that she is sort of a secondary member of the O’Hara family.
As I said, such affectionate relationships may have existed between masters and house slaves. But what would have happened if Mammy had announced before abolition that she was quitting and moving up north? What do you call a place from which you may not leave?