Thanks, all, for your generous and insightful input! I was aware of his British connections and was just really curious as to how he sounded to native speakers; one of you posted a link to a YouTube file. I think I had listened to it by Googling “Hitler speaking normally” (you won’t believe how few entries there were!) but listening to it gave me a very, very creepy feeling.
I speak three languages, among them Japanese – I speak it well enough to tell you whether someone comes from Tokyo or Osaka, and French well enough to tell you whether someone comes from Brussels or Paris – but my German is decidedly below high-school level.
But upon listening to that tape of “Hitler speaking normally,” I could swear someone had somehow slowed the tape down, but only when Hitler was speaking.
I know that’s an odd thing to say, but one can hear some weird resonance in his voice – certainly way too low for someone of his stature (wasn’t he, like, 5-foot 7?) that either is something he is deliberately putting on (for who? his generals?) or just is his natural speaking voice. And even hearing it in German . . . it’s just. Plain. Creepy.
I can see what people meant (that dog, Goebbels, for example) when they talked about his “oratorical genius.”
If you’ve ever heard a speech by Stalin, for example, you’ll quickly realise why he didn’t exactly tour the country making speeches – he sounds whiny and nasal. Bill Clinton – same.
Similarly, all the top Japanese people during the war kept THEIR oratory to a minimum. When I listen to the Emperor’s surrender speech, I hear this scraping, almost sheeplike mumble that fits his image perfectly.
I think the addition of Hitler’s eyes greatly contributed to his overall impression – when you watch Bruno Ganz in Downfall do Hitler, he does very well, but his eyes lack that basilisk, demonic laser-stare that Hitler’s had that, well, almost could mesmerize you right then and there without a single word.
But it’s also a . . . what. Lack of warmth? Flatness? Almost-robotic inhumanity in even Hitler’s “normal” voice that seems to be the key to his power. Presumably that and his chameleon-like adaptability – we all remember that final scene where he pinches that little Hitler-jugend kid’s cheeks and pats him indulgently on the head in the Bunker garden . . . he was all things to all people, a mesomorph of almost uncanny ability.
I wish I could go back in time and smash the teacher in the face who denied him entry to the art school he so desperately wanted to get into – except he couldn’t draw people.
If Hitler had been granted entry to art school . . . well, that’s for another post.
Thanks, guys, every single one of you!