# Indie rock: the new white kids' music

**URL:** <https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934>\
**Category:** Cafe Society\
**Created:** [September 16, 2005, 6:22am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934 "2005-09-16T06:22:05Z")\
**Posts on this page:** 20\
**Page:** 3

<div class="post-metadata">

**Author:** ![Soapbox\_Monkey](https://avatars.discourse-cdn.com/v4/letter/s/ed655f/32.png) [@Soapbox\_Monkey](https://boards.straightdope.com/u/Soapbox_Monkey)\
**Post date:** [September 17, 2005, 5:38am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/41 "2005-09-17T05:38:16Z")

</div>

> [@Big Bad Voodoo Lou](#):
>
> Boy oh boy, I know this isn’t the Pit, and I know I’ve described myself as a “music snob” in the past, but you come across as such a music snob… in the most negative way possible. If you like those bands, I’d think you would be happy for them for reaching a wider audience, or happy that different crowds actually cared enough to come out to the shows. But no, like other little hipster indie elitist music snobs, you think you’re cooler than everyone else, and wish you could keep your bands in obscurity forever, all for yourself. As a fan, and as a musician who has played in bands and tried hard to build a loyal fanbase, I cannot stand that attitude.

I see no problem with building a REAL fanbase, but most people don’t give a shit about the music. “Play the song we know man! Woo!” A great deal of people at that show CLEARLY didn’t give a shit about Modest Mouse, they wanted to see “that Float On band.” And as soon as another Good Charlotte album comes along, the fad will be over and the people who really like the music will remain.

You say music snob, and maybe that’s true (scratch that, yeah it’s true, but so fucking what?), but I too didn’t get into Modest Mouse until GNFPWLBN. But the clear difference is that I LIKE the band, liked them enough to check out most of their back catalog, payed money to see them and was able to appreciate the songs that I didn’t know because I like the band and respect them as artists.

You give me shit about “oh, I was in a band, I know what its like fighting to build a loyal fanbase!” Well you said it yourself - LOYAL. When your band becomes the latest flavor of the month, loyal fans will be few and far between.

---

<div class="post-metadata">

**Author:** ![Soapbox\_Monkey](https://avatars.discourse-cdn.com/v4/letter/s/ed655f/32.png) [@Soapbox\_Monkey](https://boards.straightdope.com/u/Soapbox_Monkey)\
**Post date:** [September 17, 2005, 5:45am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/42 "2005-09-17T05:45:11Z")

</div>

> [@Yookeroo](#):
>
> Don’t you know that once enough people start liking “your” band, their music start sucking. Sometimes even the early stuff that was previously thought of as good becomes crap. Can’t let that happen.

That’s a nice attempt at being condescending, but I’ll have you know that Radiohead is among my favorite bands and for as long as I’ve been into them they have been immensely popular. Kid A, their best album IMHO, debuted at #1 on the Billboard Charts.

Why oh why did they have to get all popular and release that electronica crap? :rolleyes: :wally

---

<div class="post-metadata">

**Author:** ![Excalibre](https://avatars.discourse-cdn.com/v4/letter/e/898d66/32.png) [@Excalibre](https://boards.straightdope.com/u/Excalibre)\
**Post date:** [September 17, 2005, 6:10am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/43 "2005-09-17T06:10:30Z")

</div>

> [@Soapbox Monkey](#):
>
> I see no problem with building a REAL fanbase, but most people don’t give a shit about the music. “Play the song we know man! Woo!” A great deal of people at that show CLEARLY didn’t give a shit about Modest Mouse, they wanted to see “that Float On band.” And as soon as another Good Charlotte album comes along, the fad will be over and the people who really like the music will remain.
> 
> You say music snob, and maybe that’s true (scratch that, yeah it’s true, but so fucking what?), but I too didn’t get into Modest Mouse until GNFPWLBN. But the clear difference is that I LIKE the band, liked them enough to check out most of their back catalog, payed money to see them and was able to appreciate the songs that I didn’t know because I like the band and respect them as artists.
> 
> You give me shit about “oh, I was in a band, I know what its like fighting to build a loyal fanbase!” Well you said it yourself - LOYAL. When your band becomes the latest flavor of the month, loyal fans will be few and far between.

Folks like you are why I hardly ever go see live music. I mean, what’s the point in going to see a band live? It’s so you can share in an experience with the crowd. But - as much as I like a lot of indie rock - I just can’t fucking stand indie rock fans. You remind me of the (seemingly countless) people I’ve met who get such a kick out of laughing at other people’s music taste or just generally mocking those who aren’t indie enough.

Given that I can’t stand folks like that one on one, I just can’t bring myself to go see a band and be surrounded by a thousand self-obsessed hipsters. “Oh my God, everyone there was stupid and they didn’t know anything about the band, and many of them weren’t wearing vintage tee shirts!”

And I have to reiterate the point that Modest Mouse sucks. 🙂

---

<div class="post-metadata">

**Author:** ![Soapbox\_Monkey](https://avatars.discourse-cdn.com/v4/letter/s/ed655f/32.png) [@Soapbox\_Monkey](https://boards.straightdope.com/u/Soapbox_Monkey)\
**Post date:** [September 17, 2005, 6:29am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/44 "2005-09-17T06:29:44Z")

</div>

> [@Excalibre](#):
>
> and many of them weren’t wearing vintage tee shirts!"

Thanks so much for the generalizations! I appreciate them. I don’t believe I own any vintage t-shirts, considering that most of the shirts I own came from Kohls and Boscovs. I’m not even sure what vintage t-shirts are.

But I definitely do know the kind of kids you’re talking about. And I must say I’d rather be standing next to one of them than someone who would feel the need to knock me against other people while I’m trying to listen to the show.

Mocking other people’s tastes? Eh, only if they go so far as to say outlandish shit like the artistic merit of a band or person who clearly has none, or someone who makes an entirely uneducated assertion about one of the bands that I like. Aside from that I’m perfectly content to let people like what they like so long as they don’t subject me to it if I don’t like it. And in that same manner I’m very courteous not to subject my friends to the “weird” (their word) music I listen to.

But I do get rather sick of having to defend myself and my tastes from people who tend to…paint with a broad brush.

---

<div class="post-metadata">

**Author:** ![Equipoise](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/equipoise/32/151_2.png) [@Equipoise](https://boards.straightdope.com/u/Equipoise)\
**Post date:** [September 17, 2005, 10:52am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/45 "2005-09-17T10:52:31Z")

</div>

After reading this thread I’m really confused. What do I now call the artists I love who make great music but are not on a major label (or, in [Happy Rhodes’](http://wretchawry.com/happy/samples) case, any label at all)? Most of the music I play on my [podcast](http://suspended-in-gaffa.com) are from artists who aren’t on major labels. What’s the terminology if they’re not “indie” anymore? I’m so out-of-it.

---

<div class="post-metadata">

**Author:** ![Ms2001](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/ms2001/32/18463_2.png) [@Ms2001](https://boards.straightdope.com/u/Ms2001)\
**Post date:** [September 17, 2005, 11:05am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/46 "2005-09-17T11:05:13Z")

</div>

> [@Soapbox Monkey](#):
>
> That’s a nice attempt at being condescending, but I’ll have you know that Radiohead is among my favorite bands and for as long as I’ve been into them they have been immensely popular. Kid A, their best album IMHO, debuted at #1 on the Billboard Charts.

Radiohead wasn’t immensely popular before then; they’d never been in the top 20. _Kid A_ probably owes its popularity to the fact that file sharers were spreading it around the internet months before its official release.

> [@Equipoise](#):
>
> What’s the terminology if they’re not “indie” anymore? I’m so out-of-it.

“Independent”.

---

<div class="post-metadata">

**Author:** ![Ludovic](https://avatars.discourse-cdn.com/v4/letter/l/7ab992/32.png) [@Ludovic](https://boards.straightdope.com/u/Ludovic)\
**Post date:** [September 17, 2005, 11:33am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/47 "2005-09-17T11:33:52Z")

</div>

It’s okay to be a little elitist in concertgoing, sort of like it’s okay to go to a formal debate and not want it to degenerate into a Springer riot.

On the other hand, some concertgoers anti-intellectual physiognomy and their lack of knowledge of the band are not valid reasons to complain. I went to my first Dashboard concert only knowing “Screaming Infidelities”: I simply hadn’t been able to pick up any of their stuff. I wonder if people complained that I only reacted to that song.

But I didn’t scream out or push people around at odd times. I think a lot of concertgoers not only don’t know the bands a whole lot but go to the concerts just to cause mayhem and act out. I mean, it’s okay to jump around during say “Ten Minutes to Downtown” by the Get Up Kids, but “Float On”? 😕

---

<div class="post-metadata">

**Author:** ![Ludovic](https://avatars.discourse-cdn.com/v4/letter/l/7ab992/32.png) [@Ludovic](https://boards.straightdope.com/u/Ludovic)\
**Post date:** [September 17, 2005, 11:42am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/48 "2005-09-17T11:42:50Z")

</div>

To answer to OP: yes, to the extent that there is an African-American culture and a corresponding White-American culture, indie rock is a more pure manifestation of White-American culture than any other popular music today and as such, since whites _tend_ to be more a part of W-AC, will tend to speak more directly to them. I’ve actually thought that thought myself before. But it’s not a thought I dwell too much on since everyone influences everyone these days.

---

<div class="post-metadata">

**Author:** ![Capt.Ridley\_s\_Shooting\_Party](https://avatars.discourse-cdn.com/v4/letter/c/cc9497/32.png) [@Capt.Ridley\_s\_Shooting\_Party](https://boards.straightdope.com/u/Capt.Ridley_s_Shooting_Party)\
**Post date:** [September 17, 2005, 12:03pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/49 "2005-09-17T12:03:55Z")

</div>

> [@](#):
>
> Boy oh boy, I know this isn’t the Pit, and I know I’ve described myself as a “music snob” in the past, but you come across as such a music snob… in the most negative way possible. If you like those bands, I’d think you would be happy for them for reaching a wider audience, or happy that different crowds actually cared enough to come out to the shows. But no, like other little hipster indie elitist music snobs, you think you’re cooler than everyone else, and wish you could keep your bands in obscurity forever, all for yourself. As a fan, and as a musician who has played in bands and tried hard to build a loyal fanbase, I cannot stand that attitude.

Neither can I, and I’m a fan of indie music.

In the UK, “indie” has come to refer to any band that sounds vaguely like The Stone Roses or Oasis (although American indie bands like MM, shoegazing etc. are also covered). Frankly the idea of going to a gig and not having crowd surfers, jumping around like you’re an idiot, dancing and screaming your head off is absurd. Those gigs sound like a real hoot :rolleyes:

---

<div class="post-metadata">

**Author:** ![Omega\_Glory](https://avatars.discourse-cdn.com/v4/letter/o/7c8e57/32.png) [@Omega\_Glory](https://boards.straightdope.com/u/Omega_Glory)\
**Post date:** [September 17, 2005, 1:00pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/50 "2005-09-17T13:00:49Z")

</div>

> [@Ludovic](#):
>
> Bwa? Those to me represent the final last gasp of rock. I hatehatehate bands that don’t even know what they are. Granted, a lot of third-wave grunge/numetal ripoffs are even worse than the abovementioned pop-punkers but pleeeease. They in no way to me even **have** a voice, much less one I agree with. And in some cases – okay, all three of them that I’ve heard (minus charlotte,) they don’t even have more than one _song_.\*
> 
> Don’t get me wrong, I love good cock rock as much as the rest of them (ramones, sex pistols, led zeppelin, rush, etc,) along with indie-inspired music. But bands that are so afraid of taking a stance that they never really put any feeling into their music by definition cannot speak to me.
> 
> I agree with those who pointed out that a lot of indie/inspired music can portray violence (Saves the Day, I’m looking at you,) but the artistic effect is increased because it’s different from their other stuff, unlike the mostly invariantly macho posing of rap.
> 
> I can also do without the low-fi acoustic brand of singing where they sing poorly on purpose (e.g. Modest Mouse,) but I live with it because the music and lyrics are so interesting.
> 
> \*And yes, I’ve heard A.M. Radio, and I actually like Longview and Minority, so sue me (dammit). Heh. Okay, make that four songs I like by them along with Heroin Girl.

Eh. Comes down to different strokes and all that. Good Charlotte and blink 182 could easily go into the nothing innovative spot, but we’ll have to disagree about Greenday. The thing is, imo, this music still lends a voice to white kids (and other people who just like that kind of music.) I’d be willing to bet that the kids who like Float On are often the same ones who like Greenday’s Holiday and a lot of Blink 182’s hits.

---

<div class="post-metadata">

**Author:** ![E-Sabbath](https://avatars.discourse-cdn.com/v4/letter/e/e19adc/32.png) [@E-Sabbath](https://boards.straightdope.com/u/E-Sabbath)\
**Post date:** [September 17, 2005, 1:11pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/51 "2005-09-17T13:11:07Z")

</div>

Hm. If you say Indie traces to Velvet Underground, then I change my mind about the White Stripes et al. Clear ancestry there. Especially with the Strokes.

(I still think Offspring is technically interesting for their world music influences, mind you.)

I still think, even considering the Underground, that indie tends to have a strong emo tinge to it.

And remember, frat boys are where the money’s at.

---

<div class="post-metadata">

**Author:** ![elfkin477](https://avatars.discourse-cdn.com/v4/letter/e/a9a28c/32.png) [@elfkin477](https://boards.straightdope.com/u/elfkin477)\
**Post date:** [September 17, 2005, 4:15pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/52 "2005-09-17T16:15:17Z")

</div>

> [@Equipoise](#):
>
> After reading this thread I’m really confused. What do I now call the artists I love who make great music but are not on a major label (or, in [Happy Rhodes’](http://wretchawry.com/happy/samples) case, any label at all)? Most of the music I play on my [podcast](http://suspended-in-gaffa.com) are from artists who aren’t on major labels. What’s the terminology if they’re not “indie” anymore? I’m so out-of-it.

Oh, they’re still indie, even if some of the flock has strayed to major labels. Can you ask twenty people your age what they think of a band and not one of them knows who you’re talking about? The band is probably indie.

---

<div class="post-metadata">

**Author:** ![ultrafilter](https://avatars.discourse-cdn.com/v4/letter/u/3d9bf3/32.png) [@ultrafilter](https://boards.straightdope.com/u/ultrafilter)\
**Post date:** [September 17, 2005, 5:42pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/53 "2005-09-17T17:42:54Z")

</div>

> [@elfkin477](#):
>
> Can you ask twenty people your age what they think of a band and not one of them knows who you’re talking about? The band is probably indie.

I think that’s a bit strong. To pick an extreme example, I can ask twenty folks my age or slightly older what they think of Burzum, and none of them will have heard of it, but I don’t think Varg is indie.

IMO/IME, indie music is pretty much whatever the hipsters listen to, alternative music is whatever the punks/goths/skaters listen to, and underground music is whatever they both haven’t heard of.

---

<div class="post-metadata">

**Author:** ![Equipoise](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/equipoise/32/151_2.png) [@Equipoise](https://boards.straightdope.com/u/Equipoise)\
**Post date:** [September 18, 2005, 7:08am UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/54 "2005-09-18T07:08:26Z")

</div>

> [@elfkin477](#):
>
> Oh, they’re still indie, even if some of the flock has strayed to major labels. Can you ask twenty people your age what they think of a band and not one of them knows who you’re talking about? The band is probably indie.

The stuff I play, I can ask twenty people of _any_ age and not one of them knows who I’m talking about. Ok, maybe one or two will have heard of one or two, but generally, they’re unknown. Yet, I consider most of the music very radio-friendly. Yet, regular radio wouldn’t play them because they’re too “alternative”, and “alternative” radio wouldn’t play them because they’re too “mainstream.” It’s all very bizarre to me.

---

<div class="post-metadata">

**Author:** ![Soapbox\_Monkey](https://avatars.discourse-cdn.com/v4/letter/s/ed655f/32.png) [@Soapbox\_Monkey](https://boards.straightdope.com/u/Soapbox_Monkey)\
**Post date:** [September 18, 2005, 2:34pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/55 "2005-09-18T14:34:49Z")

</div>

> [@Equipoise](#):
>
> Yet, I consider most of the music very radio-friendly.

That’s the way it is with LOTS of indie music I listen to. Hell, almost any New Pornographers song would make an amazing radio single, and yet…nothing. The songs are so addictive and undeniably catchy, it baffles me that radio stations would turn down a sure thing.

---

<div class="post-metadata">

**Author:** ![ultrafilter](https://avatars.discourse-cdn.com/v4/letter/u/3d9bf3/32.png) [@ultrafilter](https://boards.straightdope.com/u/ultrafilter)\
**Post date:** [September 18, 2005, 2:37pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/56 "2005-09-18T14:37:13Z")

</div>

I’m sure it’s got something to do with the label system. FWIW, I’ve heard the Decemberists on [CD 101](http://www.cd101.com).

---

<div class="post-metadata">

**Author:** ![WordMan](https://avatars.discourse-cdn.com/v4/letter/w/e8c25b/32.png) [@WordMan](https://boards.straightdope.com/u/WordMan)\
**Post date:** [September 18, 2005, 3:45pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/57 "2005-09-18T15:45:51Z")

</div>

Oh yeah; the labels simply don’t know how to market “indie” - probably the clearest indication that there is no set definition to brand and market.

Hell, listen to the Redwalls - classic early Beatles rave-up rock with fresh new songwriting (I started a thread on them that went nowhere). They’re young kids on an indie label and have gotten no airplay, yet their stuff is as commercial-ready as Twist and Shout was back in the day…

---

<div class="post-metadata">

**Author:** ![ultrafilter](https://avatars.discourse-cdn.com/v4/letter/u/3d9bf3/32.png) [@ultrafilter](https://boards.straightdope.com/u/ultrafilter)\
**Post date:** [September 18, 2005, 4:40pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/58 "2005-09-18T16:40:16Z")

</div>

As I understand it, the major labels have deals with the radio stations that exclude minor label bands from getting airtime. It’s got nothing to do with marketing know-how.

---

<div class="post-metadata">

**Author:** ![CaveMike](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/cavemike/32/16379_2.png) [@CaveMike](https://boards.straightdope.com/u/CaveMike)\
**Post date:** [September 18, 2005, 6:08pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/59 "2005-09-18T18:08:31Z")

</div>

> [@fusoya](#):
>
> \*“Ten years ago, an indie rock band wouldn’t have been caught dead being signed to a major,” says Nic Harcourt, host of the influential radio show “Morning Becomes Eclectic” on Los Angeles’ KCRW. \*

Sounds like the same thing that was said when some band quit IRS. That was almost 20 years ago.

---

<div class="post-metadata">

**Author:** ![Ms2001](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/ms2001/32/18463_2.png) [@Ms2001](https://boards.straightdope.com/u/Ms2001)\
**Post date:** [September 18, 2005, 9:29pm UTC](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934/60 "2005-09-18T21:29:36Z")

</div>

> [@Soapbox Monkey](#):
>
> That’s the way it is with LOTS of indie music I listen to. Hell, almost any New Pornographers song would make an amazing radio single, and yet…nothing. The songs are so addictive and undeniably catchy, it baffles me that radio stations would turn down a sure thing.

I hear all these bands all the time on Sirius’s [Left of Center](http://www.sirius.com/LeftOfCenter). If you want to hear good music, you need satellite radio.

[Previous page](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934.md?page=2)

[Next page](https://boards.straightdope.com/t/indie-rock-the-new-white-kids-music/321934.md?page=4)
