Aereo includes a remote DVR system. As part of their legality pushing process, they record a separate copy of each program for each user that wants a copy. E.g., 1000 people want to record The Daily Show, they record 1000 copies of The Daily Show.
This is the remote DVR strategy that CableVision (and others) deployed that was the point of that lawsuit. Which CableVision won.
Like I said, if it wasn’t for their DVR feature, Aereo has a logical, if tenuous, argument. Adding the remote DVR feature complicates things just enough to perhaps overextend their argument.
Cite the CableVision decision to have remote DVR feature? Okay, they’re a cable company, pay up.
Hey, don’t the OTA stations want more people watching them and their ads? Um, but they provide a feature that allows people to skip ads.
I really don’t get the “Artists should be compensated.” argument. Should people who sell regular TV antennas have to pay artists? Should TV set makers? DVR makers? Etc. Just because someone is in the business of profiting off an artist’s work, doesn’t mean they are liable for payment to the artist.
Note that a lot of OTA stuff shown on cable does not involve the cable company paying anybody a dime. That’s been happening since the dawn of CATV. Have artists been cheated all these years?
Also, the broadcasters themselves don’t pay for some of their programming! Network affiliates actually get paid by the network to carry their programs, plus they get ad slots. The artists don’t get squat from the stations for those programs. Also, artists don’t get paid for older programs and movies. The cast of Gilligan’s Island stopped getting residuals after just a few years.
Artist compensation will not be a factor at all in this case. Not at all.
Some businesses have to pay up. Some don’t. SCOTUS has to figure out where the line is in an interesting case.