I finished the books on my last entry, and have moved onto Dashiell Hammet’s The Continental Op, a collection of short stories by the author of The Maltese Falcon. I’ve wanted to read it for a long time, and finally stumbled upon a copy. Not at all what I’d imagined, and very much in the mold of Sam Spade.
Also The Nepal Chronicles by Dan Szczesny, my sometime editor (and guy who has stories in two of the anthologies I do) It’s about his marriage to his Nepalese wife (who he met in the US) up near the base of Mt. Everest.
I’ve also picked up a collection of Robert E. Howard’s Francis Gordon stories which I didn’t have.
Regarding Boardwalk Empire – it’s well-researched (Johnson, the author – no relation to Enoch “Nucky” Johnson, who inspired the Steve Buscemi character in the HBO series – is a judge in the AC area, and personally interviewed many people who knew the main figures), but it has curious lapses. Certainly he concentrates on the legal and financial doings of the key figures in Atlantic City history, but he also has little vignettes about human stories, and tells about the social events and cultural landmarks that those people caused or responded to. So it seems weird that he doesn’t mention standout items in the towns pop history. He never mentions the Miss America pageant, for instance, although you’d think that something focusing so much attention (and so many opportunities for graft) would stand out. Likewise, he doesn’t so much as name the Steel Pier – that’s kind of like writing about Manhattan and never talking about Times Square. Neither item appears in the index, nor in the text. He does mention one early pier, but there were several of these - Steeplechase Pier, Heinz Pier – that were important draws. Nary a peep.
Similarly, he depict Atlantic City as wallowing in a decrepit slumhood in the 1960s and 1970s. Prohibition had ended, gambling wasn’t what it was. The glory had faded. The 1964 Democratic Convention there had been a disaster. It’s as if this period was simply an awful interregnum until casino gambling was legalized in 1976.
Only it wasn’t – I visited Atlantic City in the late 1960s and early 1970s before legalized gambling. It had more Boardwalk space than just about any other Jersey Shore community, with the possible exception of Seaside. And that Boardwalk was well-attended and prosperous, lit up every summer night, with crowds shopping and seeing the attractions. And, of course, there was the beach. The Steel Pier showed two movies and at least one major act throughout this period. I saw the Supremes, Herman’s Hermits, and the Cowsills there. The only reason the Beatles didn’t play the Steel Pier was because it was too small – they moved them to Convention Hall the same year as the Democrats, and they filled it to capacity. The Stones played Atlantic City in 1966.
I don’t doubt that the money was down in that period, and that big patches of the city had become slums, but many resorts suffered in the region away from the beach itself. If you want to see an image of a Jersey Shore beach at the end of its tether, look at Asbury Park in the 1990s until very recently – the Boardwalk itself was drying up, with few people in attendance and empty shopfronts. AC was never like that.
I don’t deny that AC pretty much needed the gambling, and it certainly recovered significantly after that (although it wasn’t the magic cure people sought – even years later, Time magazine could run a story about how AC away from the Boards was still a slum, illustrating it with a cover photo of the homeless sleeping on the beach). It’s gotten better since, but it took a long time, and a lot of turnover in casino ownership. Who would’ve thought that Trump’s Taj Mahal would end up a losing proposition? Or that Playboy would pull out of the casino game so early?