# Lawrence Welk. Yuk! **URL:** \ **Category:** Cafe Society\ **Created:** [May 23, 2010, 2:13am UTC](https://boards.straightdope.com/t/lawrence-welk-yuk/540423 "2010-05-23T02:13:10Z")\ **Posts on this page:** 1\ **Showing post:** 47
**Author:** ![needscoffee](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/needscoffee/32/1076_2.png) [@needscoffee](https://boards.straightdope.com/u/needscoffee)\ **Post date:** [May 24, 2010, 2:53am UTC](https://boards.straightdope.com/t/lawrence-welk-yuk/540423/47 "2010-05-24T02:53:19Z")
Actually, **lissener** , I think your description from another thread works even better for _The Lawrence Welk Show_: > [@Am I alone in not really enjoying most old ("classic") movies?](https://boards.straightdope.com/t/am-i-alone-in-not-really-enjoying-most-old-classic-movies/540078/100): > > […] For all the holes in the very thin plot, the emotional intensity can be overwhelming […] But even more than that, it’s an extremely rare example of a Technicolor film noir. I’m sure there are more, but I can’t think of any just now. Gorgeous, just breathtaking. Between the cinematography and the convincingness of the pure human evil, plotholes be damned. --- _[View the full topic](https://boards.straightdope.com/t/lawrence-welk-yuk/540423)._