I’m not sure exactly what your objection is, here. Knowing about the subtext before you see a movie doesn’t make it stop being subtext. Knowing that The Crucible is about McCarthyism before you see the movie doesn’t make it stop being about McCarthyism. Besides which, I think that when people say it was about “McCarthyism” they’re not refering specifically to the HUAC hearings, although that was the specific target of the play when it was first written. If it were that rigidly topical, it wouldn’t be as popular as it is today. Rather, just as “McCarthyism” became synonymous with any baseless ideological inquisition, The Crucible has become a condemnation of all such inquisitions. The subtext of the play isn’t specific to the witch hunts of the fifties, but applies to all subsequent and preceding witch hunts. Even though the film was two decades removed from Joe McCarthy, the subtext between it and the play it was based on remains the same. A person who’s never heard of Joe McCarthy or HUAC could still understand the subtext to The Crucible: it’s a human phenomenon that everyone has some personal experience with, although usually in not quite so dramatic and mortal a fashion.
OK, now THAT was funny.
GREAT analysis of BR theatre release vs. Director’s cut deleted for space, see original…
Too bad we never even SAW the original movie. It was previewed by studio execs who told Ridley to add the voiceover and cut a few scenes so the audiences could understand it. The Director’s cut was an attempt to get back to that original, but what came out was changed even from that ‘first cut.’
So, we have:
Original pre-release cut
Theatrical Release
Director’s Cut.
I know no one besides Ridley and participants who saw the first cut, and don’t know exactly what differed. Would I buy a copy if it was available? You bet.