More epistolary stories:
**Love Letters ** (Laura Linney and [?] Webber, as the lifelong correspondents)
Shadowlands (Anthony Hopkins as author/scholar C.S. Lewis and Debra Winger as writer/novelist Joy Gresham)
**The Shop Around the Corner ** (and the remake with Meg Ryan and Tom Hanks, You’ve Got Mail)
**The Love Letter ** (Campbell Scott and Jennifer Jason Leigh exchange love letters, even though he’s a modern and she died in the 19th century.)
[Which reminds me: someone should write a novel or make a movie about the lifelong correspondents and platonic lovers, Maxwell Perkins (the famous Scribners editor) and Elizabeth Lemmon.]
Memoirs:
**Out of Africa ** (The literary aspect is mainly a framing device, albeit with some narration and dramatization of Dinesen’s penchant for telling wonderful stories.)
The Bridges of Madison County (The storyline is instigated and narrated by the decedent’s parting letter to her grown children, and the affair resulted in a photography book.)
Journalism:
All the President’s Men (Bernstein & Woodward not discovering and investigating the huge story that was Watergate, but writing and polishing their articles and then defending them before editors and ombudsmen.)
*Blocked * screenwriters and novelists:
Sunset Boulevard (The first part is about how William Holden’s screenwriter gets severely blocked and can’t work in Hollywood anymore; he ends up as the kept man by Gloria Swanson.)
Breakfast at Tiffany’s (For the subplot in which the young, temporarily blocked novelist (George Peppard) ends up the kept man of Patricia Neal.)
Literature, drama, poetry, scholarship:
Shakespeare in Love (The Bard and his muse.)
Deathtrap (Michael Caine and Christopher Reeve as the playwrights locked in a deadly collaboration.)
**Naked Lunch ** (Cronenberg’s nightmarish take on Burroughs writing Naked Lunch.)
**Tom & Viv ** (That happy couple, T.S. Eliot and Vivan, his early muse and later burden…)
Impromptu (Inspired by the tangled life of George Sand, and her relationships with other artistes.)
**Mrs. Parker and the Vicious Circle ** (Inspired by the equally tangled life of Dorothy Parker and the whole 'Gonk Round Table clique.)
**The Whole Wide World ** (Inspired by the brief life of Texan Robert E. Howard, who wrote pulp fiction like Conan the Barbarian during the 1930’s.)
Angels and Insects (Darwinian naturalist meshes uneasily with inbred, Victorian aristo family, resulting in a broken marriage, a couple of books on ant colonies etc., and surviving lovers of the fittest; great Byatt, if a mixed cast.)
Possession (Gwyneth Paltrow and Aaron Eckhardt play modern academics studying the lover’s correspondence of two Victorian poets. Also good Byatt, if not as memorable as A&I.)
Sylvia (Gwynneth again, this time as Sylvia Plath, minus any actual poems by Plath, due to the resistance of the Plath estate. Presumably some of the Ted Hughes stuff was real?)