Movies you've seen recently (Part 1)

I finally saw the entire movie It’s a Wonderful Life. Somehow I managed to avoid seeing this during all the years it was on TV. I once tried to get it out of a movie library (in the pre-VHS tape days), but the keeper refused to release it, saying it was too schmaltzy. A very good film, but I’m still amazed that the high school had both a swimming pool and and sliding floor above it. I didn’t know of any high schools with swimming pools growing up.

My daughter got me a gift subscription to Disney Plus, so I’ve been not only catching up on the series I’ve been curious about (Wandavision, Loki, She Hulk, The Mandalorian, Andor) and the Holiday Specials (Guardians of the Galaxy H.S., Lego Star Wars H.S. ), but also catching up on the Disney and Pixar movies I missed (and the Pixar shorts)

Soul
Lightyear
Encanto
Strange World

Besides all of this, I’ve been watching War and Peace. Not the seven hour long Mosfilm version (which I’ve seen numerous times, and have on DVD) nor the 1956 version with Henry Fonda, Audrey Hepburn, and Herbert Lom. I mean the BBC/Time-Life version from 1972 that starred a young Anthony Hopkins as Pierre Bezukhov. It consists of twenty one-hour episodes, and is thus about three times as long as the Russian version. It might be the longest adaptation of War and Peace ever made. I’ve been curious to see it ever since I read the unabridged novel, because the Penguin boxed two-volume set I bought had pictures from this production decorating it. I’ve still got one DVD disc to go (I bought the DVD set at a used book store). Very well done, even if it lacks the finances of the other versions. So the Battle of Borodino is represented by close-ups of a pretty small troop of combatants, not by the sweeping vistas of battle formations the Russian version uses.

Just watched Everything Eveywhere All at Once last night. Enjoyed it quite a bit, even though we had a power failure halfway through. It was like our own little intermission. Fortunately, it only lasted about a half an hour.

Not much to add to what other people have said, but I think Jamie Lee Curtis must have had a blast making this movie.

Saw Nope, a fine movie, properly creepy. It is topping a number of 10-best lists which… nope.

It’s on my “most disappointing movies” list for 2022. I did not like it at all, to be honest. Kind of boring.

Since it’s now time for me to catch up on all the likely Oscar nominees, I saw Babylon yesterday and Avatar: The Way of Water today. I won’t comment on their artistic qualities. However, Babylon is three hours and nine minutes long. Avatar: The Way of Water is three hours and twelve minutes long. Is length now considered an important factor in Oscar-bait films?

White Noise on Netflix. A perfect composite of all the annoying parts found in films by Woody Allen, Wes Anderson, and M. Night Shyamalan.

Are you really trying to claim that the Avatar sequel is an “Oscar-bait” film??

I discovered that it’s possible to stream To Live And Die In LA from the Internet Archive and use the Silk Browser on my Amazon Fire Stick to watch it on TV in pretty good quality. A very 80’s movie with strong Miami Vice vibes. Lots of great LA locations,a terrific car chase and surprisingly even a bit of frontal nudity.

This website claims that Avatar: The Way of Water is the 7th most likely film to be nominated for Best Picture and Babylon is the 11th most likely one:

I have been watching a lot of films over the past few weeks, and here they are from best to worst IMHO:

Honk For Jesus, Save Your Soul - A charismatic megachurch preacher (Sterling K Brown) and his long-suffering wife (Regina Hall) attempt to get their congregation back after a sex scandal (his) shuts the church down. Ostensibly a comedy, the real plot here is conducted entirely in extremely painful subtext, and is done so deftly by every member of the cast. Brown is insanely intense in everything he does and certainly delivers here, but it’s Hall who makes me want to storm the Academy and demand that she get a spot on the Best Actress shortlist because GODDAMN she shines in this with every breath, every forced smile, every tiny eye twitch she gives us. Sadly the fact that it’s an all-black cast in a story about an aspect of black church culture will probably mean that it gets overlooked, which is a fucking crime. Do seek it out.

Three Thousand Years of Longing - Idris Elba and Tilda Swinton present a delightful tribute to the art of storytelling, and it’s a joy to watch. Do be aware that at one point a large number of completely naked plus-sized ladies (and a naked plus-sized man) appear, so if you’re apprehensive of/excited at the thought of such, gird your loins appropriately.

Good Luck To You, Leo Grande - Speaking of naked ladies: Emma Thompson’s repressed elderly schoolteacher hires handsome sex worker Daryl McCormack. Lots of talking and character development happens, but also an increasing amount of nudity and sex. A well-written script and a great two-hander by the stars. Several LOL moments, but also a fair amount of flesh (albeit not gratuitous).

Knives Out - Already described to death above. I thought it was a solid murder mystery with a lot of twists I didn’t see coming (and a few that I did). Daniel Craig was the weak link here IMO, and his accent was ridiculous. Still, I liked it enough to want to see Glass Onion.

The Courier - A whimsical biopic about an eccentric British character you’ve never heard of, played here by Benedict Cumberbatch. In this case it’s a Cold War spy drama and an odd milquetoast of a businessman who steps into a major nuclear crisis. On the whole, pretty good.

The Phantom of the Open - A whimsical biopic about an eccentric British character you’ve never heard of, played here by Mark Rylance. A shipyard worker applies for and is inadvertently admitted to the British Open. Funny golf stuff ensues. If this were fiction it would be like a slightly more banal Happy Gilmore, but it works because 1) it’s all pretty much true and therefore much, much funnier, and 2) the film uses just the right touch of lightness, sympathy and pathos to really make it work. There’s not a huge amount of substance to it but I enjoyed this far more than I thought I was going to.

Cars 3 - I just watched this again because I like it. After the “Mater does James Bond” nonsense of Cars 2, this one recaptures the charm of the first one. Also, it’s an odd vehicle [sic] for a feminist message but there you go.

LightYear - To recap: in the Toy Story universe, this is the film upon which the Buzz Lightyear toy is based. I didn’t know what to expect but it was okay all around - few surprises, some laughs, decent performances, and all in all not bad.

The Electrical Life of Louis Wain - A whimsical biopic about an eccentric British character you’ve never heard of, played here by Benedict Cumberbatch. Again. Seriously, he does a lot of these, although it’s been all downhill since the Turing thing.

Here’s the thing: Louis Wain, the great-granddaddy of every internet cat meme, was an interesting character with a rather tragic life and an output of unique and colorful artworks. How they managed to turn that into a flat, dull, cliche-ridden narrative must have taken some effort. I recommend that you take 10-15 minutes to look up Wain’s life and work on the internet rather than spending 1.5 hours watching this, but if you really want to know what the film is like, here it is in a nutshell:

Wain: Hello. I am an eccentric artist with enormous talent and no social skills whatsoever. I say “electricity” a lot. My big sister is mad at me because I don’t make enough money to support her and my 47 other sisters who are just there to be a financial and emotional burden to me. One of them is amusingly fat, and at least one will probably die horribly at some point.

Influential Editor: Hello. I’m an influential editor. I would like to give you a full time job drawing cat cartoons.

Wain: Okay then.

Governess: Hello. Your big sister hired me to educate your 47 other sisters, one of whom is amusingly fat and at least one of whom will probably die horribly at some point.

Wain: Although I have just met you, I hate you and want you to leave my house immediately.

Governess: Did I mention that I’m the only person in this film who doesn’t think you’re a dysfunctional weirdo?

Wain: Although I have just met you, I love you and want you to marry me.

Governess: Okay then.

< months pass >

Governess Wife: Oh darling. We are blissfully in love, we live in a beautiful house in the beautiful countryside, and you have a job doing what you love doing. Our lives are perfect.

Random doctor: By the rules of Victorian England, you must now die of an agonising wasting disease.

Wife: Naturally.

< She does >

Wain: Oh dear. My wife is dead, my cat is dead, and one of my sisters has died horribly. By the rules of Victorian England I must go mad and be shut up in an asylum.

< He does >

Another doctor: Hello, I’m Doctor Framingdevice. You may recall me from a brief conversation on the train at the beginning of the film when you drew me a picture of my dog. In recognition of my lifelong admiration for your work and talent, I will release you from this abominable mental asylum and move you to a different abominable mental asylum with slightly better light. You still won’t be cured or spared the horrors of what passes for psychiatric treatment in this era, but at least you’ll be able to draw some cat pictures.

Wain: …Thank you?

There. Now you don’t need to see it.

Minions: The Rise of Gru - Don’t bother.

Alas, I already have, but your synopsis is a hoot.

As a horror fan, book lover, and straight female, may I just say that The Ninth Gate, starring Johnny Depp, near about bored the tits off me.

I’m bored this long weekend, and in searching the various streaming services for something to watch, ended up re-watching Star Trek VI: The Undiscovered Country. Really like that one and it was a nice send-off for the original cast.

(Still not motivated to go out to the theater to see the new Avatar film. I’m just that unenthusiastic about it.)

Doctor Zhivago - 3 hours, 17 minutes
Lawrence of Arabia - 3 hours, 38 minutes
Gone with the Wind - 3 hours, 58 minutes

…always has been.

You can add Godfathers part 1 and 2, The Deer Hunter, Gandhi and LOTR The Return of the King to that list! I am sure there will be more.

Watched Hello Mary Lou: Prom Night 2 last night. A much better movie than I’d expected since I hadn’t expected anything. I was inspired to watch after listening to How Did This Get Made’s episode about it.

But if films of three hours and more are to become the Oscar winners again, it would be reverting to an older trend, not continuing a new one, since the running times of the winners going back to 1998 have been of these lengths (going backwards in years):

1 hour, 51 minutes
1 hour 48 minutes
2 hours, 12 minutes
2 hours, 10 minutes
2 hours, 3 minutes
1 hour, 51 minutes
2 hours, 9 minutes
1 hour, 59 minutes
2 hours, 14 minutes
2 hours
1 hour, 40 minutes
1 hour, 59 minutes
2 hours, 11 minutes
2 hours
2 hours, 2 minutes
2 hours, 31 minutes
1 hour, 52 minutes
2 hours, 12 minutes
3 hours, 21 minutes
1 hour, 53 minutes
2 hours, 15 minutes
2 hours, 35 minutes
2 hours, 2 minutes
2 hours, 3 minutes

So there has been only one Best Picture winner since 1998 over three hours in length.

My guess is that in decades past, longer movies were more the norm. It may be that contemporary audiences aren’t generally willing to sit through a long movie.

Used to be the best predictor of Best Picture was the box office tally, but even that has gone off the rails since they expanded to 10.

Actually, no. The average length of movies increased from the first ones (in the late nineteenth century) until about 1960. Since then the average length has remained approximately the same.