My all-time most fantastic concert experience was...

I think my favorite was the night I was one of about 6 people at the 688 in Atlanta in 1986. The 688 at the time had a College Night on Tuesdays, where you could get in for a buck or something like that with a college ID. I was in grad school at Emory, so I went whenever I could – saw Drivin’ n’ Cryin’, LMNOP, and a bunch of other folks that way. One week I checked Creative Loafing to see who was playing the College Night at the 688, and it said something like “The Coloneols”. I had a hunch. I figured it could only be so bad for whatever the cheap cover was, and I was already a fan of The Connells, which is what my hunch was telling me. My roommate’s band had opened for them in Little Rock earlier that year, during the late spring/early summer months, and I had my copy of Darker Days, which was the only LP they had out at the time (Boylan Heights wasn’t recorded until the next year). So I showed up and found my hunch was right. The band was heading out west to tour there and at the last minute decided to try to pick up some gigs along the way so the driving time wouldn’t be a complete waste. Whoever called in the info from the 688 to *Creative Loafing * botched it, so no one in their small Atlanta fan base knew they were playing that night, except for the handful of personal friends they’d called themselves. There were only three people in the club at the nominal start time. I’d met the guys at the Little Rock show, and while I doubt they remembered, George Huntley at least pretended to and sat down next to me at the bar and chatted for an hour or so while we waited for a few more people that they had called to show up. They finally started an hour or so late and played for the six or eight of us who were there by then – and did a heck of a show.

The show that probably blew me away the most was The Cramps with Flat Duo Jets opening for them at the Roxy here in Atlanta. I think it was October of 1992 – my recollection is that it was Halloween night, but I’m not certain of that. Dexter Romweber was in rare form that night, as was Lux. I freaked out in the parking lot after the show when I realized that my watch had stopped dead on the stroke of midnight.

Way up there with the others has to be the show Elvis Costello did solo, with just an acoustic guitar, at the Civic Center in Atlanta in 1987. The show was sponsored by the Emory University Student Union, so general admission with an Emory Student ID was just $3. Without an Emory ID it was $15 or something. I forgot my ticket at home and just bought another one at the door for $3. Didn’t come close to filling up the Civic Center, even with EC and Nick Lowe opening for him (also solo). Nick did join him for a few songs, including “What’s So Funny ('Bout Peace Love and Understanding)”. This was one of the tours where EC had the “Wheel of Requests” or whatever he called it – a big wheel with the names of various songs on it, where he’d spin it and play whatever came up.

One of those “present at the birth” moments came one night at the White Dot; some friends and I happened in to hang out and maybe hear some music without really caring what it was. What it was was billed as “An Evening With the Garbageman”. On stage was this big-boned but undeniably attractive woman I’d seen working at my neighborhood Turtles record store in previous months. She seemed profoundly uncomfortable onstage, but her voice, even as uncomfortable as she was, was unmistakably great. Of course, it was Kelly Hogan (Kelly Hogan-Murray, at the time). “An Evening With the Garbageman” morphed into the Jody Grind shortly thereafter, and the rest is history, for those who’re fortunate enough to have heard her.

There’s a bunch more from the late eighties/early nineties in Atlanta – shows at the 688 (later the Rollick, still later one of the locations of Backstreets), the Point, The White Dot, the Cotton Club, etc. – I have especially fond memories of The Dugout since it was right across from Emory and is where I finally got to see Joe “King” Carrasco and Alex Chilton.

But my most fantastic concert experience of all time has to be They Might Be Giants at the Cotton Club in Atlanta in the summer of 1988. I went with a college classmate who was living with me for the summer. He was in Atlanta doing an internship while working on a masters at University of Georgia. He was going with some friends of his from Athens. The only female in that group brought along a female friend of hers who was visiting Atlanta and interviewing for jobs with the school systems here – she’d just graduated a few weeks before from UNC. During the opening act (I’m ashamed to admit I’ve forgotten who it was), I kept ducking outside to cool off (it was always unbearably hot in there in the summer) and she kept going outside with me to get away from the noise and the smoke, both of which she hated. We started chatting, and seemed to really hit it off. Didn’t think too much more about it at the time, since I didn’t even know if she’d end up in Atlanta, but I did mention her to several of my friends. Sixteen years later, we’re happily married (for the last eight) with three wonderful kids. So that one has to be at the top of the list.

It was at that Springsteen concert where Bruce pulled me out of the audience and had me dance with him on stage when he was playing “Dancing in the Dark” . It was so great! Luckily someone just happened to be filming, and it wound up in an an MTV video!

Well, I have a couple that are about tied.

I got backstage passes for Ozzy on the No More Tears tour. That was really amazing because I wasn’t going to go to the show because I was flat broke at the time. I just got home from work on the day of the show somewhat upset because Ozzy was, and still is, my all time favorite(heck, I started playing guitar because of Blizzard of Oz) and I wasn’t going to make the show. My gf at the time called me because Zakk Wylde was in her bar and just gave her backstage passes. Got in the show for free and got to meet Ozzy and hang out for a while. It was also a pretty damned good show.

Second was the first Steve Morse show I ever went to see. I walked away from the show simply amazed. I had a totally new outlook on guitar. Steve and company put on a two and a half hour show. My jaw was on the ground the whole time. I never knew that just three people could make such amazing music. I was convinced that there HAD to be more people up there because this amazingly complex music was being created by three guys who were totally relaxed and enjoying the hell out of themselves. It was pure brillance and they made it look easy.

The third was Lyle Lovette at the Paulo Solari in Sante Fe. I never really listened to Lovete before the show. The band was amazing, tight and totally on. From the first song until the encore the whole audience was up dancing and singing along. The band was tight. Really, REALLY tight. And the whole show had a great atmosphere, laid back and humerous at times(like when they broke into Pretty Woman halfway through a song)

Slee

The great thing about Irish traditional music is that you can meet the great majority of “famous” musicians, sit down in a comfy pub, have a pint and play a tune with them. You just can do that if you’re a Michael Jackson fan now, can you? I’ve had many fantastic musical experiences this way, both as an audience and as a small time contributor.

Otherwise my favourite gig was the blues band The Red Devils in a tiny village near my hometown in The Netherlands. It was a real hole in the wall kind of place but as soon as the band started playing it was like we were in a Chicago speakeasy other some similar big city bluesworthy venue. Sadly the band has since split up and the lead singer/harmonica ace died very young a few years ago. I’m so glad I got to see them.

I’ve got a few:

Led Zeppelin 1979. I was (and am) a MASSIVE Zep fan and I had pretty much given up on ever seeing them live (they hadn’t played Britain since 1975). They announced a date in 1979. I rushed down the record shop to buy a ticket, and then had to clear this with my mum (I was 14). She was less than impressed with the idea of me and my pals spending a weekend in a field in Hertfordshire with a bunch of grebos, but she relented. If you want to see the concert it’s on the live DVD.

Robert Plant with a pick up band in a pub near where I live - this has happened several times.

And on Sunday evening I went to see Ray Davies in London and was sat next to Paul Weller (just the way the tickets were allocated - I’m not connected to the business). He was like a star struck kid.

I saw the same tour. My first concert ever – 16 years old. Barnhill Fieldhouse on the University of Arkansas campus in Fayetteville. Didn’t even particularly like Kansas then, but it was a concert – we only got a half-dozen or so a year in Fayetteville, so everybody went to everything. Even then I had the good sense to go for a spot on the floor instead of sitting down. So BwanaBob/Sampiro, did Loverboy open for them the whole tour, or were we just particularly lucky in Fayetteville :rolleyes: ?

Seeing Janes Addiction after they reformed in 2002, which I never thought I’d get to do.

Iggy Pop at the Leeds Festival 1998. It took him about 30 seconds into the first song to end up on top of the Marshall stacks.

Shellac this year at the Scala. Quite simply the tightest band i’ve ever seen, and the sound was absolutely crystal clear. Going to see them again at the same place at the end of November.

Dinosaur jr in 92 - first gig I ever went to and I was deaf for 3 days afterwards. Fucking brilliant.

This is an awesome thread. I’ve been to a couple of these shows, and it’s really touching to read how these concerts have had such in impact on people’s lives.

In 1980, I saw the Duke Ellington orchestra at WCU, in little Hoey Auridtorium. The performance just blew me away. The musicians were both young prodigies and old pros. About every other song, they’d bring out a musician from backstage to solo. A very sweet girl came out to belt a few blues numbers, and an old man who could barely walk crooned out the sweetest cornet I’ve ever heard.

On the flip side, the second Lollapalooza tour in Charlotte NC. Ministry did their industrial grind which turned the audience into cavemen. Everybody in the audience threw their trash in the air, like a giant popcorn machine, throughout the entire set. Everybody on the lawn set fire to their pizza boxes and danced around the flames. That was the most powerful example of audience participation I’ve ever seen.

Cream October 27, 1968. My senior year in high school. A friend at school had a part-time job with some concert promoters, and asked if I would help out at this show. This was back in the day when a group would actually do two shows - one in afternoon and one in the evening, and I got to work both shows! My duities were minimal - helping to open up the gates of the amphitheater beforehand, running paperwork from the ticket booth to the backstage area, and other assorted gofer work before the show began.

Then I was told, “OK - you’re done. Go down there and sit in front with the others.” So there I was in the second or third row when Terry Reid came on to open and put on an amazing concert. I still remember vividly his cover of Donovan’s “Season of the Witch” with an incredible electric violin.

Of course, that was nothing compared to the aural assault of Eric Clapton, Jack Bruce and Ginger Baker! From the opening chords of “White Room” through an unbelievable guitar solo by EC on “I’m So Glad” to Baker’s drum pyrotechnics on “Toad,” I sat with my jaw wide open.

And that was just the first show! They had prepared some box dinners for us to eat between shows. Of course, Cream didn’t join us - they got into a limosine and went somewhere, but when they returned, my duties had changed. I was given to a roadie, and told, “Do what this guy tells you to do.” (click on the third photo of the link I provided - the roadie who bossed me around is there talking to Ginger Baker). So, I moved guitar cases around backstage, got cables, and did assorted other fetch it up jobs. But my Roadie boss did introduce me to the band when they returned from dinner. I had just turned 17, and Clapton and company weren’t particualry interested in chumming with a local high school kid, but they did shake my hand.

Then, my duties finished, I got ready to go back to my seat in the in the second row, when the Roadie told me, “We may need you during the show - just have a seat over there in the wings.” As Stephen Campos writes on the web page I linked to, “In 1968, ‘concert security’ in Atlanta was nothing more than just a couple of bored city cops standing in the wings probably wondering when they could go home, so we were free to roam around wherever we pleased.” Very true. As long as we stayed out of the way, we had free reign on the stage area.

The second show was more amazing than the first. Clapton’s “Crossroads” solo smoked! Bruce’s harmonica on “Train Time” was the best. The only Cream songs I really knew were “Sunshine of Your Love” and “White Room” (I didn’t have any of their albums at the time), so by the time the day was over I was exposed to pretty much their full catalogue, plus a lot of blues tunes they never recorded. Needless to say, on Monday, I began collecting Cream albums!

And the show was a watershed moment for me. After that, my parents began to say, “What’s wrong with that kid? He spends way too much time in his room listening to records!” Plus, it was the first time I had been fully “immersed” into the Atlanta 'hippie" culture (such as it was) in 1968. I began to grow my hair longer, read the alternative paper and protest the Viet Nam war, and generally began a leftward march.

One of the more memorable days I ever had.

The Who (front row) in a tiny sweaty club in Denver, 1970, almost 3 hours, shook hands with Pete Townshend

Grateful Dead '72 in Boulder, Colorado (baggies of you-know-what for all)

Springsteen Red Rocks 1978 Bru-uce!

Neil Young’s Rust Never Sleeps Tour 1979 It just does not get any better than this

Richard Thompson 2003 The man can play guitar

The Date
July 4, 2000

The Place
PSI Net Stadium in Baltimore (now called something else, I don’t know what)

The Bands:
System of a Down
Powerman 5000
Kid Rock
Korn
Metallica

I’ve never been impressed much by SoaD, but they did alright. Powerman 5000 puts on a good show for moshing, if you’re into that sort of thing. Kid Rock put on a surprisingly good performance, at one point running around and playing a little on every instrument. Korn kicked ass.

Metallica, however, was phenomenal. While I was pissed at them for the whole Napster thing (and still am, kind of), it was the first and only time I’ve ever seen them live. When they played Nothing Else Matters, the sun had gone down and the entire packed stadium held up lighters. It was almost like a religious experience. I had never cried at a concert before and haven’t since, but that song blew me away.

Greatest. Concert. Ever.

I don’t think they played “The Knife” during that show, but I did see them a couple years later and they played all of “Supper’s Ready”, which was totally cool.

I really really wish I could have seen them when Peter Gabriel and/or Steve Hackett was still with the band.

Yes, he most assuredly can. And I saw him as recently as June in St. Louis and will be catching him doing 2000 Years of Popular Music on Monday. Plus, in addition to his guitar playing, he’s got an astonishingly good band. My best concert was seeing him in KC at The Grand Emporium. Stood at the lip of the stage and rather than get my sound from the cannon over the stage, it all came from the band’s monitors. Astounding show.

Waste

Lucky you. I had the misfortune of catching the same tour in Sparta, KY that summer. All would have been fine, except that was right after James Hetfield got hurt in a jet ski accident and had to miss the show. Singers from the other bands took turns mutilating Metallica songs, and unfortunately the hack known as Kid Rock ended up doing most of the singing. I was pissed, and I really wished I hadn’t spent $75 for a ticket to the biggest ripoff I have ever seen.

The Beatles, Washington DC, 1966

This year was my first Bonaroo. It was frickin’ fabulous. I am definetly going again next year. Maybe I will see you there, slu! :wink:

Cool, another Tool fan! I saw them that year too. Great show. Have you ever seen A Perfect Circle?

Was that the 1992 tour? I was there too!

you’re in for a treat I saw him do this at Sadler’s Wells in London, and it is both funny and brilliant.

You’ll see Brittney Spears in new light!

I believe so. We might have bumped into each other. Literally.

Oh, I already do. He came through doing an acoustic show a couple of years ago and did the song in question. Looking forward to hearing it again, though.

Monday… that’s the show in Lawrence? I’m gonna have to miss that one, I’ll be on vacation next week. (Thought about trying to catch him in Lincoln, since I’ll be up that way.) But I did see him do a solo acoustic show a year ago January, a few months before “The Old Kit Bag” came out. We were on the floor, center, about five rows back. It was astounding. And he did play several selections from “Thousand Years…”, including “Oops I Did It Again.”
He came back about six months later with the band, saw that one too, but we were up in the balcony this time. I told my wife, I’d be happy as long as he played “Tear Stained Letter”. So what do you think they opened with? (When the song was over I tapped my wife on the knee and said “OK. Let’s go.” :smiley: )