I was brought up in a Christian household, although I am not particularly observant now (in any use of that word, I suppose). When I was a child, the whole Christian allegory went right over my head, especially the significance of the ending of The Last Battle. It was only when I was in High School (and a rebellious young man) that the whole significance struck me, and it is a credit to Lewis’ writing that this did not in the least shake my love for these books. Nor does it now, these many years later. I think that this, in part, was because Lewis was well learned in the same ancient mythology that was partly responsible in shaping Christianity (as was Tolkien, for that matter). The old stories are the best stories…
For example, in The Lion, the Witch and the Wardrobe, the White Witch makes reference “what is written in letters deep as a spear is long on the trunk of the World Ash Tree”. I believe that annotated copies of The Narnian Chronicles show that the wording in Lewis’ original text was actually much closer to descriptions of Yggdrasil. (By the way, notice the carving on the wardrobe.) Lewis introduces us to any number of mythologic (and pagan) creatures, not all of whom are on the side of evil. And if you have a copy of Aesop’s Fables, look at the chapter headings. Some of them are practically an outline of “The Last Battle” (“The Ass in the Lion’s Skin”, “The Ape Chosen King”). To my mind, Christianity was an element in his fiction, but these weren’t Bible stories.
While Christianity was of supreme importance to Lewis, as it was to Chesterton, I’ve never found that either of them oversold it in their writings. I always felt that Lewis struck the right balance, and I hope that the director is able to do the same.
Although I understand the questions of Lewis’ sexism, I always thought that, as a rule, the girls stood out much better than the boys (excepting Peter, of course). As far as racism, the Calmorenes come off rather badly in A Horse and His Boy. (Just as the Southrons don’t come off particularly well in TLOTR). But in The Last Battle, Lewis (through Aslan) seems to make the point that honesty and nobility of spirit is more important than Whomever one worships.
And yes, I seem to recall that Lewis did say something like “I never set out to write a children’s story. I just wrote stories that I would have wanted to read as a child”. Probably have that remembered incorrectly, but more children’s writers should take that advice anyway.
Random thoughts: I too thought that the White Witch had black hair, although perhaps with streaks of white or grey. I don’t know why, perhaps I’m confusing her with Lily Munster. And I thought that Lewis’ descriptions of Lucy and Susan had them blonde and dark, respectively, although I think that Pauline Baynes reversed that in her illustrations.
Just wondering if the director had also simultaneously filmed further episodes a la TLOTR? Or are we going to have to wait two or three years between episodes? That could be tough…
best to all,
plynck