# Performing Musicians - What are your current standard tunes?

**URL:** <https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645>\
**Category:** Cafe Society\
**Created:** [November 21, 2011, 3:05pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645 "2011-11-21T15:05:14Z")\
**Posts on this page:** 18\
**Page:** 1

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**Author:** ![Mixolydian](https://avatars.discourse-cdn.com/v4/letter/m/da6949/32.png) [@Mixolydian](https://boards.straightdope.com/u/Mixolydian)\
**Post date:** [November 21, 2011, 3:05pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/1 "2011-11-21T15:05:14Z")

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Any genre…if you’ve been playing out recently, what are the tunes that you perform most often, especially from band to band? Please mention where you live as well…  
(For live music fans, what are the songs you hear/remember being played (too) frequently?)

Here’s some of mine (South Florida):

Mustang Sally\*  
Walk The Dog\*  
Stormy Monday  
All Over Now  
The Weight  
Dead Flowers  
Chain Of Fools  
Little Wing  
Red House  
Thrill Is Gone  
Hey Joe  
Knocking On Heaven’s Door

(\* - won’t be missed if I never played again)

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**Author:** ![Made\_in\_Macau](https://avatars.discourse-cdn.com/v4/letter/m/eada6e/32.png) [@Made\_in\_Macau](https://boards.straightdope.com/u/Made_in_Macau)\
**Post date:** [November 22, 2011, 9:23am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/2 "2011-11-22T09:23:03Z")

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I’ll play!  
I live in the very north of England and gig locally.  
All The Small Things/The Lion Sleeps Tonight  
I Don’t Feel Like Dancing  
Billy Jean  
Wake Me Up Before You Go-go  
Brimful of Asha  
Gay Bar  
Kiss/(Get Your) Rocks (Off)  
Blitzkrieg Bop/Whole Again  
She Wants To Move  
Sexyback  
Hot in Herre  
I Believe in a Thing Called Love  
Shout

Those are the dead certs in a list of about 70, of which we’d play about 35 in a gig.

MiM

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**Author:** ![WordMan](https://avatars.discourse-cdn.com/v4/letter/w/e8c25b/32.png) [@WordMan](https://boards.straightdope.com/u/WordMan)\
**Post date:** [November 22, 2011, 2:53pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/3 "2011-11-22T14:53:59Z")

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Guitarist in a covers band in Westchester County, NY - just above the city.

- That’s What I Like About You - The Romantics
- Save it for Later - The (English) Beat
- White Wedding/Dancing with Myself - Billy Idol
- Sedated/Rockaway Beach - The Ramones
- Ring of Fire - Social Distortion’s punk cover
- Should I Stay or Should I Go/Brand New Cadillac - The Clash
- Love Shack - B-52s
- Walkin’ on the Sun - Smashmouth

A bunch of others in that vein. \*\*Mixo \*\*- what do you play? I want to fit you into my mental picture with that blues set. \*\*Made in Macau \*\*- what do you play? Man that playlist is all over the map! I love the Nelly song Hot in Herre (that keyboard sample riff just rocks) but it is so different from The Ramones straight up punk - what is your band’s instrumentation?

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**Author:** ![Biffy\_the\_Elephant\_Shrew](https://avatars.discourse-cdn.com/v4/letter/b/e47c2d/32.png) [@Biffy\_the\_Elephant\_Shrew](https://boards.straightdope.com/u/Biffy_the_Elephant_Shrew)\
**Post date:** [November 22, 2011, 3:04pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/4 "2011-11-22T15:04:17Z")

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San Francisco Bay Area, in an acoustic band playing in coffee shops…

People Are Strange (Doors)  
Summertime (Gershwin)  
I Talk to the Wind (King Crimson)  
Across the Universe (Beatles)  
Why Don’t We Do It in the Road (Beatles)  
Changes (David Bowie)  
Bungle in the Jungle (Jethro Tull)  
Symphony #4, 2nd Movement (Tchaikovsky)  
Mad World (Tears for Fears)  
Whole Lotta Love (Led Zeppelin)  
Can’t Find My Way Home (Blind Faith)  
I Wish (Stevie Wonder)  
Mother (Pink Floyd)  
El Paso (Marty Robbins)  
No Expectations (Rolling Stones)  
Squeeze Box (Who)  
I Shall Be Released (Bob Dylan)  
Going to California (Led Zeppelin)  
Norwegian Wood (Beatles)

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<div class="post-metadata">

**Author:** ![Mixolydian](https://avatars.discourse-cdn.com/v4/letter/m/da6949/32.png) [@Mixolydian](https://boards.straightdope.com/u/Mixolydian)\
**Post date:** [November 23, 2011, 5:28am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/5 "2011-11-23T05:28:27Z")

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> [@WordMan](#):
>
> \*\*Mixo \*\*- what do you play? I want to fit you into my mental picture with that blues set.

I play keys…love _Save It For Later_ and _Brand New Cadillac_ btw.

MiM, thanks for kickstarting…good to hear _Brimful_ is still being played over there.

Biffy, I’m jealous - is this a portion of your current setlist? I’m sure y’all are having a good ol’ time.

Jaledin…Bueller?

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**Author:** ![SeaCanary](https://avatars.discourse-cdn.com/v4/letter/s/e274bd/32.png) [@SeaCanary](https://boards.straightdope.com/u/SeaCanary)\
**Post date:** [November 23, 2011, 5:36am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/6 "2011-11-23T05:36:29Z")

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Just 6 miles north of Washington, DC:  
[ul]  
[li]Bold Riley[/li][li]General Taylor[/li][li]Boston[/li][li]Blow The Man Down[/li][li]Paddy Lay Back[/li][li]When Bibo Went Down[/li][li]Wing Chang Lu[/li][li]Leave Her Johnny[/li][li]Farewell To The Gold[/li][li]A Sailor’s Life[/li][li]New York Girls[/li][li]Jim Jones[/li][/ul]All are traditional to one degree or another.

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**Author:** ![Made\_in\_Macau](https://avatars.discourse-cdn.com/v4/letter/m/eada6e/32.png) [@Made\_in\_Macau](https://boards.straightdope.com/u/Made_in_Macau)\
**Post date:** [November 23, 2011, 8:33am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/7 "2011-11-23T08:33:25Z")

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> [@WordMan](#):
>
> \*\*Made in Macau \*\*- what do you play? Man that playlist is all over the map! I love the Nelly song Hot in Herre (that keyboard sample riff just rocks) but it is so different from The Ramones straight up punk - what is your band’s instrumentation?

We’re 2 guitars, bass and drums. I play guitar. Both the other guitarist and I have a good set of pedals to adapt the sound to the song so the Nelly song has a overdriven sound by me playing the main chords and my partner playing through a wah to get the choppy keys sound. Then balls-out rock 4/4 time in the chorus.  
We really like playing unexpected songs and abutting two apparently incongruous songs together. We also have a hard rule about the set; we must all enjoy playing it or it’s gone. Hence no real ‘standards’.  
Maybe the gear discussion is for another thread, as is - of your set, what’s your favourite song to play? mine currently is Crying Lightning by The Arctic Monkeys. We need to see a young indie crowd before it gets played as its slower than anything else, but i loove playing that song!  
MiM

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**Author:** ![Jaledin](https://avatars.discourse-cdn.com/v4/letter/j/f9ae1b/32.png) [@Jaledin](https://boards.straightdope.com/u/Jaledin)\
**Post date:** [November 23, 2011, 9:04am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/8 "2011-11-23T09:04:45Z")

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It’s too hard to say definitively – I perform (less frequently and for less money these days in Portland, but I’m not a name player, even though my regular crew consists of some of the best musicians around). My book is made of originals, and things that aren’t really crowd-pleasers like classic rock anthems, but stuff from Martha and the Vandellas, and so forth for pop tunes, and a bunc of standards that don;'t get much play (“Blame It On My Youth,” “The Thngs We Did Last Summer,” “They Say it’s Wonderful,” “Who Can I Turn To?” and the rest of arguably better known standards). My heroes on piano are bebop and hardbop cats like Elmo Hope, Wyn Kelley, Frank Hewitt, Herbie Nichols, but some of the tunes get too complicated to throw out with a pickup band for my taste.

My MO is crowd-pleasing – that’s why I don’t practice much beyond playing 4-5 hours a day just messing with new ideas at my home “studio” (no baffles and only my live mixer and powered monitors, but at least it’s set up and basically takes up 20x10" of my front room. I play just stuff that, after sizing up the audience while hitting up (and, if she’s cute, on) the open-bar bartender at a private job), I think will resonate.

Every situ is different. Not much too add, but I do think that its’ important, if you want to develop a good rep to play to the crowd.

FWIW I guess I’d even play Mustang Sally if the crowd were drunk and “funky,” but, more likely, I’d do something similar like “Yes We Can Can” or “Get Out My Life Woman” or “Workin in a Coal Mine” – but I don’t have a vocalist I like in my list, so it’s all instrumental. A lot of Aretha tunes work fine as Instrumentals – “Think!” is a classic, “Dr. Feelgood,” “Nikkie Hokey” “Since You’ve Been Gone” and the Ray Charles (umpteen) classics.

IMHO the set list is made up on the spot and is entirely dependent on how the audience is reacting. A bunch of sunburnt hicks just off the tire-swing to the lake? Hell yes, cover some classic rock, even with only two instrumentalists and no vox – that will play. Cocktail party – bring out the old standards and maybe, as the night wears on, throw in “If Drinkin’ don’t Kill Me” as George Jones or “Let’s Go Get Stoned” and then jump up to a nice up thing like “Mess Around” or “Hallelujah I Love Her So,” or “I Got A Woman” – the tunes don’t matter IMExperience, more the vibe and being sympatico with the paying customers. Plus, if it’s an open bar, you can get a _monster_ rum and coke, with like a pint of rum in a glass with a splash during break (not before playing! unless you pace yourself) or afterwards, if you make friends with a hired bartender. After all, they’re just the help like you are – it’s a kind of little thing you all can share, being just hired help doing different things for some dough.

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**Author:** ![Jaledin](https://avatars.discourse-cdn.com/v4/letter/j/f9ae1b/32.png) [@Jaledin](https://boards.straightdope.com/u/Jaledin)\
**Post date:** [November 23, 2011, 9:15am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/9 "2011-11-23T09:15:28Z")

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Besides, I don’t want to split dough with some chick singer who’s gonna change keys every night and fuck up all the music – and her douchebag bassist BFF probably is part of the package. Goddamnit, if I bring the Hammond (a clone) out, I be playing bass. Maybe I’m a control freak, but there aren’t that many bassists in rock who really know what the shit’s going on. And those who are great with big ears want a bigass cut and probably a guarantee that your new squeeze Brandi will suck him off in the backyard of the garden party. Fuck that shit, I’ll “kick” bass even if I don’t bring pedals with LH, and keep some more scratch for me and my guitar man, and, if there’s providence and my one fantastic drum cat wants to show up, him too.

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**Author:** ![Jaledin](https://avatars.discourse-cdn.com/v4/letter/j/f9ae1b/32.png) [@Jaledin](https://boards.straightdope.com/u/Jaledin)\
**Post date:** [November 23, 2011, 9:40am UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/10 "2011-11-23T09:40:00Z")

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3x post – those pop tunes I don’t think of as covers. They’re a recognizable framework, and once the groov3e hits, you can has people jamming in their fold-up chairs, even though virtuoso moves are to be applied sparingly. Give the people a hook, close it with a tag, and then segue to another key, another tune when you or the audience wants something else.

Disclaimer: I’m not a hot shit pianist – I can play very well what I know how to do – but more important for my jobs is doing something crowd friendly and getting across that thing. Pay’s awesome, too! (Kidding!) I’d make the same per hour working a cash register, but it’s fun, and the only real work is hauling a bunch of shit and setting up the reinforcement for stage/FOH. But the nice thing is you’re in control of your own development – you can always find something interesting to work at. Not using stage time to try out imperfect stuff, but there’s a good balance of freedom to experiment within simple forms, like the Holland-Dozier-Holland type stuff, or a Johnny Mercer tune, or, bring people to a tear with “Come Sunday.”

Apologize for the enthusiasm – I’m working on my Xmas bag now and finally found a good number of them that works good. None of that Jingle Bells or Rudolph the fuck-face reindeer, but get back to church a la Billy Preston and New Orleans style rundowns. And the seasonal ones “It Ain’t Necessarily So” (with perc on Hammond, no drawbars), “Baby It’s Cold Outisde,” and, of course, “Blue Skies” (always one of my favorites since moving to Portland OR).

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**Author:** ![WordMan](https://avatars.discourse-cdn.com/v4/letter/w/e8c25b/32.png) [@WordMan](https://boards.straightdope.com/u/WordMan)\
**Post date:** [November 23, 2011, 1:15pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/11 "2011-11-23T13:15:54Z")

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> [@Jaledin](#):
>
> Disclaimer: I’m not a hot shit pianist –

Riiiight. Dude, if you’re half as good as the game you talk, you are a hot-shit pianist (please hear that I am not trying to be snarky - you talk a great game and I doubt I could hold the stage with you… “um, **Mr. Jaledin** , can we just noodle some blues so I can solo using the one Minor Pent scale I know?” ;)). If anything, you could be too good for your own good, if you know what I mean - you can play so many styles, people don’t identify you with a single sound. Is there a risk of that? On the other hand, showing the flexibility to fit into any situation can get you a ton of work…

\*\*MiM \*\*- that all sounds familiar - you don’t hang in many guitar threads, but I seem to recall talking about your band before. Cool. And I hear you about using guitars and pedals to cop synthy and other tones. When we do Walking on the Sun, I play the main snarly Wurlitzer organ riff using my fuzzed-out guitar, and we do Lady Gaga tunes the same way, with big guitar choruses…gets 'em dancing, gets us paid…

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**Author:** ![Shakester](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/shakester/32/437_2.png) [@Shakester](https://boards.straightdope.com/u/Shakester)\
**Post date:** [November 23, 2011, 3:39pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/12 "2011-11-23T15:39:58Z")

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I’m a performing musician, solo and with a band, but I don’t really play anything that’d count as a standard cover. I’ve never really had much interest in playing covers.

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**Author:** ![Eonwe](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/eonwe/32/240_2.png) [@Eonwe](https://boards.straightdope.com/u/Eonwe)\
**Post date:** [November 23, 2011, 3:56pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/13 "2011-11-23T15:56:46Z")

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Playing a live on TV set on Friday (more impressive than it sounds . . . the live broadcast cuts to us in between newscasters) for a Christmas tree lighting thing. Songs include:

Silver Bells  
Jingle Bell Rock  
Mele Kalikimaka  
White Christmas  
Rudolph  
Jing-a-ling Jing-a-ling  
Everybody’s Waitin’ for the Man With The Bag  
The Christmas Song  
Deck The Halls  
Run, Run Rudolph

. . . it’s not my favorite sort of collection of songs by far, and they’re all basic ‘sheet music’ arrangements (with a band; keys, guitar, bass, drums), but it’s a good gig.  
Re-reading the OP, some of the songs we most often play out, that stay in our setlist most frequently are:

Get Back  
I Want You To Want Me  
Shot Through The Heart  
Hit Me With Your Best Shot  
Jessie’s Girl  
Just What I Needed  
Back in the USSR  
Summer of '69  
Here I Go Again  
867-5309

. . . a sort of 80s focused collection of classic rock. Some of these we do all the time because the crowd loves them, some because we love them, and some because we go so long between rehearsals that keeping some simple crowd pleasers that we don’t need to practice much is a must. 🙂

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**Author:** ![fachverwirrt](https://avatars.discourse-cdn.com/v4/letter/f/94ad74/32.png) [@fachverwirrt](https://boards.straightdope.com/u/fachverwirrt)\
**Post date:** [November 23, 2011, 4:17pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/14 "2011-11-23T16:17:03Z")

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On a completely different tack:

Opera singer. I’m expected to have a core audition rep of 5 or 6 arias. I tend to keep a couple on reserve for specific situations, so I really have 7; 5 core and 2 situational.

_Come Paride vezzoso_ from L’Elisir D’Amore by Donizetti  
_Hai gia vinta la causa … Vedró mentri’io sospiro_ from Le Nozze di Figaro by Mozart  
_Fritz’s Tanzlied_ from Die Tote Stadt by Korngold  
_Avant de quitter ces lieux_ from Faust by Gounod  
The confession scene from Dead Man Walking by Jake Heggie  
Bob’s Bedroom Aria from The Old Maid and the Thief by Menotti  
_Questo amor, vergogna mia_ from Edgar by Puccini

I live in St. Louis, but that’s more or less entirely irrelevant in this genre.

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**Author:** ![WordMan](https://avatars.discourse-cdn.com/v4/letter/w/e8c25b/32.png) [@WordMan](https://boards.straightdope.com/u/WordMan)\
**Post date:** [November 23, 2011, 4:41pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/15 "2011-11-23T16:41:11Z")

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> [@fachverwirrt](#):
>
> On a completely different tack:
> 
> Opera singer. I’m expected to have a core audition rep of 5 or 6 arias. I tend to keep a couple on reserve for specific situations, so I really have 7; 5 core and 2 situational.
> 
> _Come Paride vezzoso_ from L’Elisir D’Amore by Donizetti  
> _Hai gia vinta la causa … Vedró mentri’io sospiro_ from Le Nozze di Figaro by Mozart  
> _Fritz’s Tanzlied_ from Die Tote Stadt by Korngold  
> _Avant de quitter ces lieux_ from Faust by Gounod  
> The confession scene from Dead Man Walking by Jake Heggie  
> Bob’s Bedroom Aria from The Old Maid and the Thief by Menotti  
> _Questo amor, vergogna mia_ from Edgar by Puccini
> 
> I live in St. Louis, but that’s more or less entirely irrelevant in this genre.

So, no _ **Louie Louie** _? _ **Freebird** _? Jeez, you opera singers have different preferences about _everything_!!!

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**Author:** ![fachverwirrt](https://avatars.discourse-cdn.com/v4/letter/f/94ad74/32.png) [@fachverwirrt](https://boards.straightdope.com/u/fachverwirrt)\
**Post date:** [November 23, 2011, 4:56pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/16 "2011-11-23T16:56:16Z")

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> [@WordMan](#):
>
> So, no _ **Louie Louie** _? _ **Freebird** _? Jeez, you opera singers have different preferences about _everything_!!!

It would be pretty awesome to randomly break out into Freebird at the end of a long aria. Ignoring the fact that I’d never be hired for anything ever again.

On the other hand, now I want to write something and incorporate Freebird into one of the parts somehow (subtly, of course).

Actually, though, in the aforementioned Dead Man Walking, there’s a scene with several Elvis quotes, including the inmate and the nun jamming out to “Jailhouse Rock”. The confession scene includes a brief recap of that.

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<div class="post-metadata">

**Author:** ![WordMan](https://avatars.discourse-cdn.com/v4/letter/w/e8c25b/32.png) [@WordMan](https://boards.straightdope.com/u/WordMan)\
**Post date:** [November 23, 2011, 5:55pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/17 "2011-11-23T17:55:33Z")

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> [@fachverwirrt](#):
>
> It would be pretty awesome to randomly break out into Freebird at the end of a long aria. Ignoring the fact that I’d never be hired for anything ever again.

I mean, really: is there much difference between Wagner’s neverending, unresolved dissonances over the course of his operas and the neverending, unresolved lead at the end of Freebird?

I think Wagner would’ve been a great southern rocker 😉

(but I bet when you see Aretha cover Nessun Dorma for Pavarotti at the Grammys, or see Bono do a little opera-type melismas in concert (he did a bit of this in the U23D concert, filmed in Argentina), you probably would prefer they kept to their side of the music spectrum…)

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**Author:** ![Jaledin](https://avatars.discourse-cdn.com/v4/letter/j/f9ae1b/32.png) [@Jaledin](https://boards.straightdope.com/u/Jaledin)\
**Post date:** [November 23, 2011, 9:58pm UTC](https://boards.straightdope.com/t/performing-musicians-what-are-your-current-standard-tunes/603645/18 "2011-11-23T21:58:18Z")

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> [@WordMan](#):
>
> Riiiight. Dude, if you’re half as good as the game you talk, you are a hot-shit pianist (please hear that I am not trying to be snarky - you talk a great game and I doubt I could hold the stage with you… “um, **Mr. Jaledin** , can we just noodle some blues so I can solo using the one Minor Pent scale I know?” ;))

Well, part of my game is being able to hang musically with just about anyone. Latin’s a bust for me, though – not the language, ahole, the various styles. Just don’t feel it, even though I know what a clave is and all that. But I’ll do a bossa nova if I have to. Weird for a white guy, but church music is in me – granted, I have two black uncles and 5 white/black cousins and grew up listening to shouting music and, obviously, all those records. For piano that’s the equivalent of pentatonic scales for a guitar player – those inversions, voicings, and subs.

Seriously, the big secret among professional musicians is that no one is all _that_ good (by the benchmarks of people like Jeff Beck, Herbie, Jim Hall, James Booker) – but you don’t have to be that good. Just good enough, and, equally important, genuinely like what you’re playing. I think that last one comes over to the audience – they can tell. Only good musicians can really tell who has big ears and chops – the audience only knows what comes over to them.

I was going to give a sample straight list, but now my finger’s are tired. But the reality is, it’s harder to _remember that you know_ certain tunes than to have a set-list – that’s why I like to write down on a scrap paper what tunes would fly.

Here are some for a generic, just fucking-around three-piece instrumental, of covers:

Yes We Can Can  
Mess Around  
Do You Want Some Of This  
Sunny  
Heat Wave  
Let’s Stay Together  
Didn’t He Ramble  
Yo Mama’s Got a Complex  
Lovin’ Cup  
Let It Bleed  
Happy Birthday  
You Can’t Always Get What You Want  
Goodnight Sweetheart  
A Little Bit O’ Soul  
Junco Partner  
Right Place, Wrong Time  
The Green Leaves of Summer  
Time Changes Everything

It’s hard to make a list because (a) it depends on the crowd and (b) I honestly don’t remember what tunes I know until it pops into my head.

X-Mas list:

that sad Guaraldi tune from Charlie Brown “It’s Christmas Time, Again…”  
copy Dr. John’s arr of “silent night” – not note for note, because I keep the vanilla melody on there bc no vx  
Pass Me Not (as in Billy Preston’s arrangement on VeeJay)  
“Baby It’s Cold Outside,”  
and a bunch of corny other ones. I could play that NOLA style all night, though, so any churchy tune is going to be funkified.

In other news, I actually have a good-paying job on Christmas Eve. It’s a weird night for a job, but my #1 guitar player is on board (I don’t know why, probably for the scratch), and I’ll still be done in time to hang with my own family (parents, sister, BIL, nephew, uncle, and inlaws in general) with a pocket full of Benjamins. I still don’t know why somebody wanted to pay for music on this “Holy” night, though. I guess I won’t show up drunk on Jew blood or Christ blood, though. Keepin’ it real!
