Poetry rally: respond to the previous poster by quoting a related piece of poetry

Dark blood flowed in the fosse,
Souls out of Erebus, cadaverous dead, of brides
Of youths and of the old who had borne much;
Souls stained with recent tears, girls tender,
Men many, mauled with bronze lance heads,
Battle spoil, bearing yet dreory arms,
These many crowded about me; with shouting,
Pallor upon me, cried to my men for more beasts;
Slaughtered the herds, sheep slain of bronze;
Poured ointment, cried to the gods,
To Pluto the strong, and praised Proserpine;
Unsheathed the narrow sword,
I sat to keep off the impetuous impotent dead,
Till I should hear Tiresias.

–Ezra Pound, Canto I

Still Ezra, eh? Very like Aeneas in Hades, no?

Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence…

it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.

–Pablo Neruda, Nothing But Death

This is the garden. Time shall surely reap
and on Death’s blade lie many a flower curled,
in other lands where other songs be sung;
yet stand They here enraptured,as among
the slow deep trees perpetual of sleep
some silver-fingered fountain steals the world.
– e. e. cummings

Boy, was I hoping you would punt this!

Plenty of other poets out there aside from Ezra. He just makes up for his unevenness with sheer volume.

AE Housman, The Oracles.

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

I do not think that they will sing to me.

I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.

–TSEliot again, Prufrock

A two-fer! Thanks for the straight lines.

On this road that I have taken
while out walking, I awaken.
Amazed to see how far I’ve come,
where I’m going; where I’m from.

D.Koontz

A two-fer is a great idea.

The rock wave-surrounded, by great arrangement,
Will convey for us a defence, a protection from the enemy.
The rock of the chief proprietor, the head of tranquillity.
The intoxication of meads will cause us to speak.
I am a cell, I am a cleft, I am a restoration,
I am the depository of song; I am a literary man;
I love the high trees, that afford a protection above,
And a bard that composes, without earning anger;
I love not him that causes contention;
He that speaks ill of the skilful shall not possess mead.
–Taliesin, the Fold of the Bards

Hmm–that sounds like Whitman with all those "I am"s, but you can’t go wrong with the mead thing:

Less good than belief would have it
Is mead for the sons of men:
A man knows less the more he drinks,
Becomes a befuddled fool.

“I forget” is the name men give the heron
Who hovers over the feast:
Fettered I was in his feathers that night,
When a guest in Gunnlod’s court.

Drunk I got, dead drunk,
When Fjalar the wise was with me:
Best is the banquet one looks back on after,
And remembers all that happened.

Drink your mead, but in moderation,
Talk sense or be silent:
No man is called discourteous who goes
To bed at an early hour.

–from those hard-drinking Vikings and their poetic Edda

It definitely does. There are some hypotheses that trace some of Whitman’s transcendentalism to the Celtic Revival. They are just hypotheses, sure, but they are pretty interesting. Apparently Whitman received a copy of Sir Walter Scott’s Minstrelsy of the Scottish Border when he was a wee lad, and it made a pretty big impact.

Poet-as-prophet and beer together? It can be done.

–Jethro Tull, Songs From the Wood

For oak and elm have pleasant leaves
That in the spring-time shoot:
But grim to see is the gallows-tree,
With its adder-bitten root,
And, green or dry, a man must die
Before it bears its fruit!

It is sweet to dance to violins
When Love and Life are fair:
To dance to flutes, to dance to lutes
Is delicate and rare:
But it is not sweet with nimble feet
To dance upon the air!

–Oscar Wilde, the Ballad of Reading Gaol

A galliard, indeed.

How about a bit of ballet? And more dancing (clawing) upon the air?

I cannot dance upon my Toes –
No Man instructed me –
But oftentimes, among my mind,
A Glee possesseth me,

That had I Ballet knowledge –
Would put itself abroad
In Pirouette to blanch a Troupe –
Or lay a Prima, mad,

And though I had no Gown of Gauze –
No Ringlet, to my Hair,
Nor hopped to Audiences – like Birds,
One Claw upon the Air,

Nor tossed my shape in Eider Balls,
Nor rolled on wheels of snow
Till I was out of sight, in sound,
The House encore me so –

Nor any know I know the Art
I mention – easy – Here –
Nor any Placard boast me –
It’s full as Opera –

–Emily Dickinson, I Cannot Dance Upon My Toes

“I hope you love birds too. It is economical. It saves going to heaven,” sayeth Miss Emiily, who uses birds in loads of her poems:

Hope is the thing with feathers
That perches in the soul,
And sings the tune–without the words,
And never stops at all

[and props full circle to melodyharmonius in post 26 and the ensuing birders]

A word from Alexander Pope (Dunciad, Bk. IV)

Then thus. "Since man from beast by words is known,
Words are man’s province, words we teach alone.
When reason doubtful, like the Samian letter,
Points him two ways, the narrower is the better.
Plac’d at the door of learning, youth to guide,
We never suffer it to stand too wide.
To ask, to guess, to know, as they commence,
As fancy opens the quick springs of sense,
We ply the memory, we load the brain,
Bind rebel Wit, and double chain on chain,
Confine the thought, to exercise the breath;
And keep them in the pale of words till death.

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l’entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
Eliot, East Coker

Words, words, words.
–WShakespeare, Hamlet

And since that doesn’t give much purchase:

A word fitly spoken is like golden apples in silver settings.

–Proverbs, 25:11

Dangit, I raced in here to post words, words, words, and you beat me.

But how do you like them apples?

Then Neptunes issue prayd
With carefull hart and voyce to mee, and thus devoutly sayd:
O Venus, favour myne attempt, and send mee downe thyne ayd
To compasse my desyred love which thou hast on mee layd.
His prayer movd mee (I confesse,) and long I not delayd
Before I helpt him. Now there is a certaine feeld the which
The Cyprian folk call Damasene, most fertile and most rich
Of all the Cyprian feelds: the same was consecrate to mee
In auncient tyme, and of my Church the glebland woont to bee.
Amid this feeld, with golden leaves there growes a goodly tree
The crackling boughes whereof are all of yellew gold. I came
And gathered golden Apples three: and bearing thence the same
Within my hand, immediatly to Hippomen I gat
Invisible to all wyghts else save him and taught him what
To doo with them. The Trumpets blew: and girding forward, both
Set foorth, and on the hovering dust with nimble feete eche goth.

–Ovid, Metamorphoses X, tr. Arthur Golding.

I bet there was a worm in them, or maybe a snake in the apple tree:

I found
The new created world, which fame in Heaven
Long had foretold, a fabrick wonderful
Of absolute perfection! therein Man
Placed in a Paradise, by our exile
Made happy: Him by fraud I have seduced
From his Creator; and, the more to encrease
Your wonder, with an apple; he, thereat
Offended, worth your laughter! hath given up
Both his beloved Man, and all his world,
To Sin and Death a prey, and so to us,
Without our hazard, labour, or alarm;
To range in, and to dwell, and over Man
To rule,

–Milton, Paradise Lost

Such was that happy garden-state,
While man there walked without a mate :
After a place so pure and sweet,
What other help could yet be meet!
But 'twas beyond a mortal’s share
To wander solitary there :
Two paradises 'twere in one
To live in Paradise alone.

Marvell, from The Garden

(I’m sure his wife or mistress appreciated those last lines!)

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.

Dylan Thomas “Fern Hill”

There’s a certain slant of light
Winter afternoons
That oppresses, like the heft
Of cathedral tunes.

Heavenly hurt it give us
We can find no scar
But internal difference
Where the meanings are.
-Emily Dickinson